{ "movie_info": { "genres": [ "Drama", "Crime", "Thriller" ], "mdb_id": 629, "query_title": "Usual Suspects, The", "runtime": 106, "tagline": "Five Criminals. One Line Up. No Coincidence.", "release_date": "1995-07-19", "original_title": "The Usual Suspects", "imdb_id": "tt0114814", "director": { "img_url": "http://image.tmdb.org/t/p/w45/73HO14rAsdGMm5Hncfl9P7omIkp.jpg", "name": "Bryan Singer" }, "cast": [ { "name": "Kevin Spacey", "gender": 0, "character": "Roger 'Verbal' Kint", "birthdate": "1959-07-26", "imdb_id": "nm0000228", "mdb_id": 1979, "img_url": "http://image.tmdb.org/t/p/w45/cdowETe1PgXLjo72hDb7R7tyavf.jpg", "credit_order": 0 }, { "name": "Stephen Baldwin", "gender": 2, "character": "Michael McManus", "birthdate": "1966-05-12", "imdb_id": "nm0000286", "mdb_id": 9045, "img_url": "http://image.tmdb.org/t/p/w45/u1pITf1MUXVbCdiJaFxbHEda1oQ.jpg", "credit_order": 1 }, { "name": "Gabriel Byrne", "gender": 0, "character": "Dean Keaton", "birthdate": "1950-05-12", "imdb_id": "nm0000321", "mdb_id": 5168, "img_url": "http://image.tmdb.org/t/p/w45/lFIH4De52Eg21m7pScPMXezZDUh.jpg", "credit_order": 2 }, { "name": "Benicio del Toro", "gender": 2, "character": "Fred Fenster", "birthdate": "1967-02-19", "imdb_id": "nm0001125", "mdb_id": 1121, "img_url": "http://image.tmdb.org/t/p/w45/8am369y5SGiZv4l0gY9O5ENzgvE.jpg", "credit_order": 3 }, { "name": "Kevin Pollak", "gender": 2, "character": "Todd Hockney", "birthdate": "1957-10-30", "imdb_id": "nm0001629", "mdb_id": 7166, "img_url": "http://image.tmdb.org/t/p/w45/kwu2T8CDnThZTzE88uiSgJ5eHXf.jpg", "credit_order": 4 }, { "name": "Chazz Palminteri", "gender": 2, "character": "Dave Kujan, US Customs", "birthdate": "1952-05-15", "imdb_id": "nm0001590", "mdb_id": 9046, "img_url": "http://image.tmdb.org/t/p/w45/d9VkmkEO50zP0kww6aLLFpu5Ovh.jpg", "credit_order": 5 }, { "name": "Pete Postlethwaite", "gender": 2, "character": "Kobayashi", "birthdate": "1945-02-07", "imdb_id": "nm0000592", "mdb_id": 4935, "img_url": "http://image.tmdb.org/t/p/w45/5nbSzrwyDcLhC15buncGdrQqJ8e.jpg", "credit_order": 6 }, { "name": "Giancarlo Esposito", "gender": 2, "character": "Jack Baer, FBI", "birthdate": "1958-04-26", "imdb_id": "nm0002064", "mdb_id": 4808, "img_url": "http://image.tmdb.org/t/p/w45/d39hOi5lTfqekjFK4JKKPeuGNdW.jpg", "credit_order": 7 }, { "name": "Suzy Amis", "gender": 0, "character": "Edie Finneran", "birthdate": "1962-01-05", "imdb_id": "nm0000751", "mdb_id": 2179, "img_url": "http://image.tmdb.org/t/p/w45/caqw60Y3qBMdlEPYr3ivZf9LAwC.jpg", "credit_order": 8 }, { "name": "Dan Hedaya", "gender": 0, "character": "Sgt. Jeffrey Jeff Rabin", "birthdate": "1940-07-24", "imdb_id": "nm0000445", "mdb_id": 6486, "img_url": "http://image.tmdb.org/t/p/w45/5E4SUVfLMUKNCiP0dMhyOv3XHVZ.jpg", "credit_order": 9 }, { "name": "Christine Estabrook", "gender": 1, "character": "Dr. Plummer", "birthdate": "1952-09-13", "imdb_id": "nm0261452", "mdb_id": 9047, "img_url": "http://image.tmdb.org/t/p/w45/ypAbUrQfIZWge9e2cuFmCuHHi8a.jpg", "credit_order": 10 }, { "name": "Clark Gregg", "gender": 2, "character": "Dr. Walters", "birthdate": "1962-04-02", "imdb_id": "nm0163988", "mdb_id": 9048, "img_url": "http://image.tmdb.org/t/p/w45/t8CLS2Zcy7IjcZkE1vtxl40h9rh.jpg", "credit_order": 11 }, { "name": "Louis Lombardi", "gender": 0, "character": "Strausz", "birthdate": "1968", "imdb_id": "nm0518385", "mdb_id": 3218, "img_url": "http://image.tmdb.org/t/p/w45/xQxODNK3RKu0DZvJYQKBLamSmad.jpg", "credit_order": 12 }, { "name": "Paul Bartel", "gender": 0, "character": "Smuggler", "birthdate": "1938-08-06", "imdb_id": "nm0000860", "mdb_id": 101377, "img_url": "http://image.tmdb.org/t/p/w45/7Kj1Y9V8lfnFXHkjf30H8d3ylQA.jpg", "credit_order": 13 }, { "name": "Peter Greene", "gender": 2, "character": "Redfoot the Fence", "birthdate": "1965-10-08", "imdb_id": "nm0338886", "mdb_id": 11803, "img_url": "http://image.tmdb.org/t/p/w45/zCHUxWj7BZ3Uzmkbq9FPpOicniQ.jpg", "credit_order": 14 } ], "vote_count": 1696, "vote_average": 7.9, "keywords": [ "law", "relatives", "theft", "criminal", "criminal mastermind", "hungarian", "sibling" ], "backdrop_path": "http://image.tmdb.org/t/p/w300/c7e3nH3wtSBDrHRB63onrGptl6D.jpg" }, "script_info": { "title": "Usual Suspects, The", "scenes": [ { "narrative_order": 58, "conversations": [ { "dialogue": [ { "content": "They come to his home in the afternoonlooking for his business. They find hiswife and kids in the house and decide towait for Sate.", "type": "Dialogue" } ], "character": "Verbal", "order": 1 } ], "actions": [ { "content": "Three of the Hungarians come bursting into Keyser Soze's +home. They grab his five children and round them up in thefront room. One of the men grabs his wife and back-hands heracross the face.", "order": 0 } ], "character_metadata": [ { "verbosity": 131, "name": "Verbal", "sentiment": 0 } ], "characters": [ "Verbal" ], "story_order": 0, "heading": "INT. SOZE'S HOME - DAY", "scene_metadata": { "size": 334, "setting": "Int.", "location": "Soze'S Home", "sentiment": -0.2, "time": "Day" } }, { "narrative_order": 59, "conversations": [ { "dialogue": [ { "content": "He comes home to his wife raped and hischildren screaming. The Hungarians knewSoze was tough. Not to be trifled with.So they let him know they meant business.", "type": "Dialogue" } ], "character": "Verbal", "order": 1 }, { "dialogue": [ { "content": "They tell Soze they want his territory -all his business. Soze looks over the +faces of his family... Then he showedthese men of will what will really was.", "type": "Dialogue" } ], "character": "Verbal", "order": 3 }, { "dialogue": [ { "content": "He tells him he would rather' see hisfamily dead than live another day afterthis.", "type": "Dialogue" } ], "character": "Verbal", "order": 5 }, { "dialogue": [ { "content": "He lets the last Hungarian go, and hegoes running. He waits until his wife andkids are in the ground and he goes afterthe rest of the mob. He kills their kids,he kills their wives, he kills theirparents and their parents' friends.", "type": "Dialogue" } ], "character": "Verbal", "order": 7 }, { "dialogue": [ { "content": "He burns down the houses they live in andthe stores they work in, he kills peoplethat owe them money. And like that he wasgone. Underground. No one has ever seenhim again. He becomes a myth, a spookstory that criminals tell their kids atnight. If you rat on your pop, KeyserSate will get you. And nobody really everbelieves.", "type": "Dialogue" } ], "character": "Verbal", "order": 9 } ], "actions": [ { "content": "The front door opens and in walks Keyser Sate. We are never tallowed to see his face.Sate's wife lies in the corner, beaten and bruised. Her dressis tattered to shreds. She cannot look up at her husband.The three Hungarians stand to greet him. Two hold guns intheir hands. The third holds a straight razor. He grabsSoze youngest boy and holds the razor to his throat.", "order": 0 }, { "content": "The Hungarian smiles. Soze's wife SCREAMS IN HORROR.The Hungarian holds up a BLOOD SOAKED RAZOR.SUDDENLY, he grabs another child. A little girl no older thansix.", "order": 2 }, { "content": "SUDDENLY, Soze pulls out a pistol and shoots the two men withguns. He turns and aims at the third man holding his child.The man threatens to cut the child's throat, slicing justenough to draw blood.SOZE FIRES.The stunned Hungarian watches the child fall from his arms.Sate turns the pistol on the next child, then the next andthe next. He kills his children one by one in front of theHungarian.", "order": 4 }, { "content": "SOZE walks over to his wife, crying and beaten on the floorand holds up her head. She gives him the strangest look. Oneof trust perhaps, saturated with fear and humiliation.He puts the gun between her eyes and fires.", "order": 6 }, { "content": "A dark and looming figure of a man walks in front of a wallof fire - a black shadow blurred by waves of heat.", "order": 8 } ], "character_metadata": [ { "verbosity": 967, "name": "Verbal", "sentiment": -0.008964646464646474 } ], "characters": [ "Verbal" ], "story_order": 1, "heading": "INT. SOZE'S HOME", "scene_metadata": { "size": 2222, "setting": "Int.", "location": "Soze'S Home", "sentiment": -0.03469564061669325, "time": null } }, { "narrative_order": 2, "conversations": [ { "dialogue": [ { "content": "POLICE. SEARCH WARRANT. DON'T MOVE.", "type": "Dialogue" } ], "character": "Voices", "order": 1 }, { "dialogue": [ { "content": "Mr. McManus?", "type": "Dialogue" } ], "character": "Voice", "order": 3 }, { "dialogue": [ { "content": "Yeah.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 4 }, { "dialogue": [ { "content": "Police. We have a warrant foryour arrest.", "type": "Dialogue" } ], "character": "Voice", "order": 5 }, { "dialogue": [ { "content": "Will they be serving coffee downtown?", "type": "Dialogue" } ], "character": "Mcmanus", "order": 6 } ], "actions": [ { "content": "The black explodes with the opening of a door into a darkroom. Outside, the hall is filled with blinding white light.Shadows in the shapes of men flood into the room. We can makeout men in hoods with flashlights. They are laden withweapons.", "order": 0 }, { "content": "It is a blur of violent action and sound.'Beams offlashlights cut the darkness in all directions.A dozen flashlights land on one man. He lies naked in bed,Merging from a deep sleep. He squints at the flood ofblinding white light, more annoyed than frightened. He nearlylaughs at the sound of countless guns cocking. He isMcMANUS. Age twenty-eight.", "order": 2 }, { "content": "Two dozen black gloved hands grab him and yank him out ofbed.", "order": 7 } ], "character_metadata": [ { "verbosity": 35, "name": "Voices", "sentiment": 0 }, { "verbosity": 53, "name": "Voice", "sentiment": -0.05 }, { "verbosity": 42, "name": "Mcmanus", "sentiment": 0 } ], "characters": [ "Voices", "Voice", "Mcmanus" ], "story_order": 2, "heading": "INT. DARK APARTMENT - DAY", "scene_metadata": { "size": 778, "setting": "Int.", "location": "Dark Apartment", "sentiment": 0.04166666666666667, "time": "Day" } }, { "narrative_order": 3, "conversations": [ { "dialogue": [ { "content": "Can I help you?", "type": "Dialogue" } ], "character": "Hockney", "order": 1 }, { "dialogue": [ { "content": "Todd Hockney'", "type": "Dialogue" } ], "character": "Man", "order": 3 }, { "dialogue": [ { "content": "Who are you?", "type": "Dialogue" } ], "character": "Hockney", "order": 5 }, { "dialogue": [ { "content": "Police.", "type": "Dialogue" } ], "character": "Man", "order": 7 }, { "dialogue": [ { "content": "We don't do gun repair.", "type": "Dialogue" } ], "character": "Hockney", "order": 9 } ], "actions": [ { "content": "An old paint mixer vibrates furiously.TODD HOCKNEY, a dark, portly man in his thirties is workingon an old Fire-bird.A YOUNG HISPANIC KID mixes paint a few feet away.SUDDENLY, the garage door opens TO REVEAL:A row of five men silhouetted by the bright sun.Hockney squints.", "order": 0 }, { "content": "Hockney's voice is gruff.", "order": 2 }, { "content": "Hockney reaches for something just inside the door of theFire-bird.", "order": 4 }, { "content": "All six men INSTANTLY PRODUCE GUNS and aim them at Hockney.", "order": 6 }, { "content": "Hockney withdraws a filthy towel and wipes grease and sweatfrom his forehead.", "order": 8 } ], "character_metadata": [ { "verbosity": 50, "name": "Hockney", "sentiment": 0 }, { "verbosity": 20, "name": "Man", "sentiment": 0 } ], "characters": [ "Hockney", "Man" ], "story_order": 3, "heading": "INT. AUTO BODY SHOP - DAY", "scene_metadata": { "size": 570, "setting": "Int.", "location": "Auto Body Shop", "sentiment": -0.01874999999999999, "time": "Day" } }, { "narrative_order": 16, "conversations": [ { "dialogue": [ { "content": "Who are you?", "type": "Dialogue" } ], "character": "Cop", "order": 1 }, { "dialogue": [ { "content": "Agent Jack Baer, F.B.I. How many dead?", "type": "Dialogue" } ], "character": "Baer", "order": 3 }, { "dialogue": [ { "content": "Fifteen so far. We're still pulling somebodies out of the water.", "type": "Dialogue" } ], "character": "Cop", "order": 5 }, { "dialogue": [ { "content": "Looking for anyone in particular?", "type": "Dialogue" } ], "character": "Cop", "order": 7 }, { "dialogue": [ { "content": "f don't want any of the bodies taken awayuntil I've had a chance to go over this,understood?", "type": "Dialogue" } ], "character": "Baer", "order": 9 }, { "dialogue": [ { "content": "I have to clear the scene. I've got worddirect from the Chief", "type": "Dialogue" } ], "character": "Cop", "order": 10 }, { "dialogue": [ { "content": "(Unimpressed)", "type": "Parenthetical" }, { "content": "Yes, the chief. Spooky stuff. Anysurvivors?", "type": "Dialogue" } ], "character": "Baer", "order": 12 }, { "dialogue": [ { "content": "Two. There's a guy in county hospital,but he's in a coma. The D.A. has theother guy - A cripple - from New York Ithink. Listen, the Chief said -", "type": "Dialogue" } ], "character": "Cop", "order": 13 }, { "dialogue": [ { "content": "Excuse me.", "type": "Dialogue" } ], "character": "Baer", "order": 14 } ], "actions": [ { "content": "It is morning in the aftermath of the opening scene.Harsh sunlight shines on a line of body bags on the dock.Police swarm everywhere, photographers are taking pictures ofthe scene while a team of men in rolled up sleeves andplastic gloves pick at the remains.Two men on a fire boat operate a water cannon, dousing thesmoldering remains of a burned-out ships hull.Watching this from the edge of the pier is a man in a darksuit. He is SPECIAL AGENT JACK BAER of the F.B.I. He is talland fit, in his late thirties. He gazes out over the waterthoughtfully.A UNIFORM COP trots up to him.", "order": 0 }, { "content": "Baer holds up his badge without looking at the man.", "order": 2 }, { "content": "Before the cop can answer, Baer turns and walks along theline of body bags.", "order": 4 }, { "content": "Baer eyes the corpses on the dock, burned beyond recognition.", "order": 6 }, { "content": "Baer looks at the cop for the first time, unamused.", "order": 8 }, { "content": "Baer lights a cigarette, only half listening.", "order": 11 }, { "content": "Baer walks away from the cop, ignoring him completely. Hewanders through the carnage on the pier.A half mile out from the pier.The sea is choppy, stirred by the wind. An object floats intoview a few feet away, bobbing in the water.It is A DEAD BODY - a man, face down, wearing a CHECKEREDBATHROBE. He drifts quietly toward the open ocean.", "order": 15 } ], "character_metadata": [ { "verbosity": 314, "name": "Cop", "sentiment": 0.05909090909090909 }, { "verbosity": 183, "name": "Baer", "sentiment": 0.5 } ], "characters": [ "Cop", "Baer" ], "story_order": 4, "heading": "EXT. PIER - DAY", "scene_metadata": { "size": 1713, "setting": "Ext.", "location": "Pier", "sentiment": 0.023927242348294978, "time": "Day" } }, { "narrative_order": 26, "conversations": [ { "dialogue": [ { "content": "...and the desk Sergeant is actuallytrying to tell me he can't release you?Can you believe that? You weren't evencharged. New York police - Jesus. I wantto take pictures of your face to bring tothe D.A. first thing in the morning.", "type": "Dialogue" } ], "character": "Edie", "order": 1 }, { "dialogue": [ { "content": "Just forget about it.", "type": "Dialogue" } ], "character": "Keaton", "order": 2 }, { "dialogue": [ { "content": "Absolutely not.", "type": "Dialogue" } ], "character": "Edie", "order": 4 }, { "dialogue": [ { "content": "I'11 have this thing in front of a grandjury by Monday.", "type": "Dialogue" } ], "character": "Edie", "order": 6 }, { "dialogue": [ { "content": "Edie, please. I don't want to hear thisright now. What did Renault and Fortiersay?", "type": "Dialogue" } ], "character": "Keaton", "order": 7 }, { "dialogue": [ { "content": "They want more time to think aboutinvesting.", "type": "Dialogue" } ], "character": "Edie", "order": 8 }, { "dialogue": [ { "content": "Goddamnit.", "type": "Dialogue" } ], "character": "Keaton", "order": 9 }, { "dialogue": [ { "content": "They just said they wanted time.", "type": "Dialogue" } ], "character": "Edie", "order": 10 }, { "dialogue": [ { "content": "Time for what, Edie? Time to look into mea little more, that's what. No matter howwell you cover my tracks now, they'llfind out who I am.", "type": "Dialogue" } ], "character": "Keaton", "order": 11 }, { "dialogue": [ { "content": "Give me some credit. I got you this far,let's go to the grand jury. This is nevergoing to stop if we -", "type": "Dialogue" } ], "character": "Edie", "order": 12 }, { "dialogue": [ { "content": "No. It's never going to stop, period. Itwon't take more than a week before everyinvestor in this city is walking awayfrom us. It's finished. I'm finished.", "type": "Dialogue" } ], "character": "Keaton", "order": 13 }, { "dialogue": [ { "content": "Don't give up on me now, Dean.", "type": "Dialogue" } ], "character": "Edie", "order": 15 }, { "dialogue": [ { "content": "They'll never stop.", "type": "Dialogue" } ], "character": "Keaton", "order": 16 }, { "dialogue": [ { "content": "I love you.", "type": "Dialogue" } ], "character": "Edie", "order": 17 }, { "dialogue": [ { "content": "(To himself)", "type": "Parenthetical" }, { "content": "They ruined me tonight.", "type": "Dialogue" } ], "character": "Keaton", "order": 18 }, { "dialogue": [ { "content": "Dean, I love you. Do you hear me?", "type": "Dialogue" } ], "character": "Edie", "order": 19 }, { "dialogue": [ { "content": "Let's just go to my place. We'll worryabout this tomorrow.", "type": "Dialogue" } ], "character": "Edie", "order": 21 }, { "dialogue": [ { "content": "Huh?", "type": "Dialogue" } ], "character": "Keaton", "order": 23 }, { "dialogue": [ { "content": "Come home with me, please. Dean?", "type": "Dialogue" } ], "character": "Edie", "order": 25 }, { "dialogue": [ { "content": "Come home, Dean.", "type": "Dialogue" } ], "character": "Edie", "order": 27 }, { "dialogue": [ { "content": "(Distant)", "type": "Parenthetical" }, { "content": "Alright.", "type": "Dialogue" } ], "character": "Keaton", "order": 28 } ], "actions": [ { "content": "Keaton stops at the top of the front steps of the policestation and lights a cigarette. Edie comes out behind him,fuming mad.", "order": 0 }, { "content": "He looks across the street and sees Fenster and McManustalking by a newsstand. McManus is thumbing throughmagazines.", "order": 3 }, { "content": "Keaton looks to his right and sees Hockney trying to hail acab.", "order": 5 }, { "content": "Just then, Verbal bumps into him on his way out the door. Heexcuses himself and hobbles down the steps, oblivious to whohe has bumped into as he tries to navigate the stairs.", "order": 14 }, { "content": "Verbal gets to the sidewalk and stops. He turns, realizing itis Keaton on the steps.", "order": 20 }, { "content": "Keaton and Verbal look at one another for a moment. Keatonthen looks over to the newsstand and sees Fenster looking athim.", "order": 22 }, { "content": "McManus notices Fenster and glances up from his magazine tosee what he is looking at. +", "order": 24 }, { "content": "Keaton looks at Hockney who has one foot in a cab. He islooking at Fenster and McManus who are looking at Keaton.This makes Hockney look up at Keaton as well.SUDDENLY, Edie tunes in to what is going on. She notices theothers on the street. She reaches over and takes Keaton bythe arm, pulling gently. She glares at the others.", "order": 26 }, { "content": "Verbal looks at everyone else from where he stands on thestreet. Fenster, McManus and Hockney all look at him and thenat each other. It is a strange moment of unspokenunderstanding.All eyes finally turn to Keaton, high on the front steps ofthe police station as he walks away with Edie.", "order": 29 } ], "character_metadata": [ { "verbosity": 658, "name": "Edie", "sentiment": 0.3977272727272727 }, { "verbosity": 458, "name": "Keaton", "sentiment": 0.2708333333333333 } ], "characters": [ "Edie", "Keaton" ], "story_order": 5, "heading": "EXT. POLICE STATION - NIGHT", "scene_metadata": { "size": 2564, "setting": "Ext.", "location": "Police Station", "sentiment": 0.18494854560644036, "time": "Night" } }, { "narrative_order": 27, "conversations": [ { "dialogue": [ { "content": "What are you doing here'! How did you findme?", "type": "Dialogue" } ], "character": "Keaton", "order": 1 }, { "dialogue": [ { "content": "I just asked one of the detectivesdowntown. He seemed pretty happy to tellme.", "type": "Dialogue" } ], "character": "Verbal", "order": 2 } ], "actions": [ { "content": "Verbal stands in front of an apartment door. He hesitates fora long moment before he knocks.After a moment, the door opens and Keaton stands on the otherside of it. He is wearing a bathrobe and smoking a cigarette.He looks at Verbal without any expression whatsoever.", "order": 0 }, { "content": "Keaton curses under his breath and motions for Verbal to comein.", "order": 3 } ], "character_metadata": [ { "verbosity": 45, "name": "Keaton", "sentiment": 0 }, { "verbosity": 77, "name": "Verbal", "sentiment": 0.525 } ], "characters": [ "Keaton", "Verbal" ], "story_order": 6, "heading": "INT. HALLWAY - DAY", "scene_metadata": { "size": 453, "setting": "Int.", "location": "Hallway", "sentiment": 0.3333333333333333, "time": "Day" } }, { "narrative_order": 28, "conversations": [ { "dialogue": [ { "content": "Dean, who was at the", "type": "Dialogue" } ], "character": "Edie", "order": 1 }, { "dialogue": [ { "content": "How do you do?", "type": "Dialogue" } ], "character": "Verbal", "order": 3 }, { "dialogue": [ { "content": "Verb - Roger, this is Edie Finneran.Edie, this is Roger Kint, he was at", "type": "Dialogue" } ], "character": "Keaton", "order": 4 }, { "dialogue": [ { "content": "(Cold)", "type": "Parenthetical" }, { "content": "I know who he is.", "type": "Dialogue" } ], "character": "Edie", "order": 5 }, { "dialogue": [ { "content": "I hope I didn't disturb you.", "type": "Dialogue" } ], "character": "Verbal", "order": 6 }, { "dialogue": [ { "content": "I hope so, too, Mr. Kint. Can I get yousomething to drink?", "type": "Dialogue" } ], "character": "Edie", "order": 7 }, { "dialogue": [ { "content": "A glass of water would be nice.", "type": "Dialogue" } ], "character": "Verbal", "order": 8 }, { "dialogue": [ { "content": "What the hell do you want?", "type": "Dialogue" } ], "character": "Keaton", "order": 10 }, { "dialogue": [ { "content": "I wanted to talk to you. The other guys -", "type": "Dialogue" } ], "character": "Verbal", "order": 11 }, { "dialogue": [ { "content": "I did you a favor by standing up for youlast night, but don't think we'refriends. I'm sorry, but I have otherthings -", "type": "Dialogue" } ], "character": "Keaton", "order": 12 }, { "dialogue": [ { "content": "They're gonna do a job. Three milliondollars, maybe more.", "type": "Dialogue" } ], "character": "Verbal", "order": 13 }, { "dialogue": [ { "content": "They sent me to offer you a cut. We coulduse a fifth man - a driver - That's allyou'll do.", "type": "Dialogue" } ], "character": "Verbal", "order": 15 }, { "dialogue": [ { "content": "Thank you.", "type": "Dialogue" } ], "character": "Verbal", "order": 17 }, { "dialogue": [ { "content": "So what is it you do, Mr. Kint?", "type": "Dialogue" } ], "character": "Edie", "order": 19 }, { "dialogue": [ { "content": "Umm ...", "type": "Dialogue" } ], "character": "Verbal", "order": 20 }, { "dialogue": [ { "content": "A hijacker like Dean, here? Or somethingmore creative?", "type": "Dialogue" } ], "character": "Edie", "order": 21 }, { "dialogue": [ { "content": "That's enough, Edie.", "type": "Dialogue" } ], "character": "Keaton", "order": 22 }, { "dialogue": [ { "content": "(Angry)", "type": "Parenthetical" }, { "content": "I don't know what you came here for, butwe won't have any part of it.", "type": "Dialogue" } ], "character": "Edie", "order": 23 }, { "dialogue": [ { "content": "Edie, please.", "type": "Dialogue" } ], "character": "Keaton", "order": 24 }, { "dialogue": [ { "content": "I've spent the last year of my lifeputting his back together again - I won'thave you come in here and - What makesyou think - GET OUT. GET OUT OF m HOME.HOW DARE YOU COME HERE?", "type": "Dialogue" } ], "character": "Edie", "order": 26 }, { "dialogue": [ { "content": "Don't touch me. Just don't,", "type": "Dialogue" } ], "character": "Edie", "order": 28 }, { "dialogue": [ { "content": "Get out.", "type": "Dialogue" } ], "character": "Keaton", "order": 30 }, { "dialogue": [ { "content": "If you'll just let me -", "type": "Dialogue" } ], "character": "Verbal", "order": 31 }, { "dialogue": [ { "content": "Don't hurt me.", "type": "Dialogue" } ], "character": "Verbal", "order": 33 }, { "dialogue": [ { "content": "(Seething)", "type": "Parenthetical" }, { "content": "Hurt you, you sonofabitch? I could killyou.", "type": "Dialogue" } ], "character": "Keaton", "order": 34 }, { "dialogue": [ { "content": "(Quickly)", "type": "Parenthetical" }, { "content": "They're going to hit the Taxi Service.", "type": "Dialogue" } ], "character": "Verbal", "order": 36 }, { "dialogue": [ { "content": "New York's Finest Taxi Service.", "type": "Dialogue" } ], "character": "Verbal", "order": 38 }, { "dialogue": [ { "content": "They - That's bullshit. They don'toperate anymore.", "type": "Dialogue" } ], "character": "Keaton", "order": 39 }, { "dialogue": [ { "content": "McManus has a friend in the FourteenthPrecinct. They're coming out for one job- Thursday. They're picking up a guysmuggling emeralds out of South America.Fenster and McManus have a fence set totake the stuff.", "type": "Dialogue" } ], "character": "Verbal", "order": 40 }, { "dialogue": [ { "content": "What fence? Who?", "type": "Dialogue" } ], "character": "Keaton", "order": 41 }, { "dialogue": [ { "content": "Some guy in California. His name isRedfoot.", "type": "Dialogue" } ], "character": "Verbal", "order": 42 }, { "dialogue": [ { "content": "Never heard of him.", "type": "Dialogue" } ], "character": "Keaton", "order": 43 }, { "dialogue": [ { "content": "You have to come.", "type": "Dialogue" } ], "character": "Verbal", "order": 45 }, { "dialogue": [ { "content": "What's with you? What do you care whetherI come or not?", "type": "Dialogue" } ], "character": "Keaton", "order": 46 }, { "dialogue": [ { "content": "They - They don't know me. You do. Theywon't take me unless you go. Look at me.I need this.", "type": "Dialogue" } ], "character": "Verbal", "order": 47 }, { "dialogue": [ { "content": "Tough break.", "type": "Dialogue" } ], "character": "Keaton", "order": 48 }, { "dialogue": [ { "content": "Don't tell me you don't need this. Isthis your place?", "type": "Dialogue" } ], "character": "Verbal", "order": 49 }, { "dialogue": [ { "content": "They're never going to stop with us, youknow that. This way we hit the cops whereit hurts and get well in the mean time.", "type": "Dialogue" } ], "character": "Verbal", "order": 51 }, { "dialogue": [ { "content": "As clean as you could ever get, they'llnever let you go now.", "type": "Dialogue" } ], "character": "Verbal", "order": 53 }, { "dialogue": [ { "content": "I'm not knocking you. You look likeyou've got a good little seam going withthis lawyer -", "type": "Dialogue" } ], "character": "Verbal", "order": 54 }, { "dialogue": [ { "content": "You watch your mouth.", "type": "Dialogue" } ], "character": "Keaton", "order": 56 }, { "dialogue": [ { "content": "(Gasping)", "type": "Parenthetical" }, { "content": "Okay, okay. You say it's the real thing?That's cool.", "type": "Dialogue" } ], "character": "Verbal", "order": 57 }, { "dialogue": [ { "content": "I apologize.", "type": "Dialogue" } ], "character": "Keaton", "order": 59 }, { "dialogue": [ { "content": "I was out of line.", "type": "Dialogue" } ], "character": "Verbal", "order": 61 }, { "dialogue": [ { "content": "You okay?", "type": "Dialogue" } ], "character": "Keaton", "order": 62 }, { "dialogue": [ { "content": "I'11 be alright.", "type": "Dialogue" } ], "character": "Verbal", "order": 63 }, { "dialogue": [ { "content": "Well, I'm sorry.", "type": "Dialogue" } ], "character": "Keaton", "order": 64 }, { "dialogue": [ { "content": "Forget it.", "type": "Dialogue" }, { "content": "(Beat)", "type": "Parenthetical" }, { "content": "I'11 probably shit blood tonight.", "type": "Dialogue" } ], "character": "Verbal", "order": 65 }, { "dialogue": [ { "content": "How are they going to do it?", "type": "Dialogue" } ], "character": "Keaton", "order": 67 }, { "dialogue": [ { "content": "McManus wants to go in shooting. I saidno way.", "type": "Dialogue" } ], "character": "Verbal", "order": 68 }, { "dialogue": [ { "content": "Fenster and Hockney?", "type": "Dialogue" } ], "character": "Keaton", "order": 69 }, { "dialogue": [ { "content": "They're pretty pissed off. They'll doanything. Now I got a way to do itwithout killing anyone:but like I said,they won't let me in without you.", "type": "Dialogue" } ], "character": "Verbal", "order": 70 }, { "dialogue": [ { "content": "Three million?", "type": "Dialogue" } ], "character": "Keaton", "order": 71 }, { "dialogue": [ { "content": "Maybe more.", "type": "Dialogue" } ], "character": "Verbal", "order": 72 }, { "dialogue": [ { "content": "No killing?", "type": "Dialogue" } ], "character": "Keaton", "order": 73 }, { "dialogue": [ { "content": "Not if we do it my way.", "type": "Dialogue" } ], "character": "Verbal", "order": 74 }, { "dialogue": [ { "content": "(Lost in thought)", "type": "Parenthetical" }, { "content": "I swore I'd live above myself.", "type": "Dialogue" } ], "character": "Keaton", "order": 75 } ], "actions": [ { "content": "Verbal walks in and sits down on the couch, watching Keatoncautiously. He looks around the large apartment, beautifullyfurnished and decorated.Edie walks into the room in a man's button-down shirt andsweat pants.", "order": 0 }, { "content": "She stops when she sees Verbal. Verbal stands and smilesnervously.", "order": 2 }, { "content": "Edie shoots a look at Keaton on her way out of the room.Keaton tries to hush his voice despite his anger.", "order": 9 }, { "content": "Keaton is speechless. Verbal sits on the couch again.", "order": 14 }, { "content": "Edie walks in with a glass of ice water and hands it toVerbal.", "order": 16 }, { "content": "Verbal drinks slowly. Edie stands over him, her face blank.It is an awkward moment. She deliberately makes Verbaluncomfortable.", "order": 18 }, { "content": "Keaton takes Edie by the arm and tries to guide her towardthe other room. She pulls away, anger turning to rage.", "order": 25 }, { "content": "Keaton is pulling her now. She yanks her arm away and shoveshim.", "order": 27 }, { "content": "She turns and walks out of the room. Somewhere in the back ofthe apartment, a door slams.Keaton turns and glares at Verbal. Verbal cringes.", "order": 29 }, { "content": "SUDDENLY, KEATON LUNGES. He grabs Verbal by the lapels andlifts him off the couch, moving him effortlessly across theroom and slamming him into the wall next to the front door.He opens it.", "order": 32 }, { "content": "Keaton starts to shove Verbal out the door.", "order": 35 }, { "content": "Keaton freezes. LONG PAUSE.", "order": 37 }, { "content": "Keaton moves to throw Verbal out. Verbal grabs Keaton andholds tight.", "order": 44 }, { "content": "Keaton is unable to answer.", "order": 50 }, { "content": "Keaton lets Verbal go and steps back, thinking.", "order": 52 }, { "content": "WHAM. Keaton punches Verbal in the stomach and drops him toone knee. Verbal coughs and tries to find his breath.", "order": 55 }, { "content": "Keaton reaches for Verbal. Verbal flinches. Keaton gentlyhelps him up and guides him to the couch. They bath sit.Keaton reaches for a pack of cigarettes and lights one foreach of them.", "order": 58 }, { "content": "Verbal takes one and has a few drags, catching his breath andrubbing his stomach in pain.", "order": 60 }, { "content": "Keaton laughs. Verbal thinks about it for a moment and laughswith him.Keaton's laughter trails off. He thinks for a moment.", "order": 66 }, { "content": "Verbal smiles, knowing he has him.", "order": 76 } ], "character_metadata": [ { "verbosity": 452, "name": "Edie", "sentiment": -0.03333333333333333 }, { "verbosity": 1416, "name": "Verbal", "sentiment": 0.13916666666666666 }, { "verbosity": 611, "name": "Keaton", "sentiment": -0.09090909090909091 } ], "characters": [ "Edie", "Verbal", "Keaton" ], "story_order": 7, "heading": "INT. EDIE'S APARTMENT", "scene_metadata": { "size": 4426, "setting": "Int.", "location": "Edie'S Apartment", "sentiment": -0.03600725873453146, "time": null } }, { "narrative_order": 29, "conversations": [ { "dialogue": [ { "content": "New York's finest Taxi Service was notyour normal taxi service. It was a ringof corrupt cops in the N.Y.P.D. that rana high-profit racket, driving smugglersand drug dealers all over the city. For afew hundred dollars a mile, you got yourown black and white and a police escort.They even had their own business cards.", "type": "Dialogue" } ], "character": "Verbal", "order": 0 }, { "dialogue": [ { "content": "After a while, somebody started askingquestions and the taxi service shut down.Ever since then, Internal Affairs hadbeen waiting to catch them in the act.", "type": "Dialogue" } ], "character": "Verbal", "order": 2 }, { "dialogue": [ { "content": "And that was how we started. McManus cameto us with the job; Fenster got the vans;Hockney supplied the hardware; 'I camethrough with how to do it so no one gotkilled - but Keaton - Keaton put on thefinishing touch. A little \"Fuck you\" fromthe five of us to the N.Y.P.D.", "type": "Dialogue" } ], "character": "Verbal", "order": 4 } ], "actions": [ { "content": "OSCAR WHITEHEAD, a tall gray-haired man in his fifties comesout of the international terminal in a white linen suit. Heholds a large suitcase in his right hand.", "order": 1 }, { "content": "Oscar stands on the curb long enough to light a cigarette.After a moment, a POLICE CRUISER pulls up to him. He opensthe back door and gets in.", "order": 3 }, { "content": "The car drives out of the airport. A VAN follows at adistance.", "order": 5 } ], "character_metadata": [ { "verbosity": 739, "name": "Verbal", "sentiment": -0.040867003367003364 } ], "characters": [ "Verbal" ], "story_order": 8, "heading": "EXT. KENNEDY AIRPORT - DAY", "scene_metadata": { "size": 1103, "setting": "Ext.", "location": "Kennedy Airport", "sentiment": 0.02836452762923351, "time": "Day" } }, { "narrative_order": 30, "conversations": [ { "dialogue": [ { "content": "How was the flight?", "type": "Dialogue" } ], "character": "Rizzi", "order": 1 }, { "dialogue": [ { "content": "Will that get me to the Pierre?", "type": "Dialogue" } ], "character": "Oscar", "order": 3 }, { "dialogue": [ { "content": "That'll get you to Cape God.", "type": "Dialogue" } ], "character": "Rizzi", "order": 5 } ], "actions": [ { "content": "SERGEANT JIM STRAUSZ, a meaty, imposing looking man in hisforties drives the car. Beside him is a thin, greasy lookingPATROLMAN, STEVE RIZZI. They are two drivers for New York'sFinest Taxi Service.", "order": 0 }, { "content": "Oscar hands Rizzi a thick envelope.", "order": 2 }, { "content": "Rizzi counts the stack of hundred dollar bills in theenvelope .", "order": 4 }, { "content": "The two men laugh. Strausz watches the road, expressionless.", "order": 6 } ], "character_metadata": [ { "verbosity": 47, "name": "Rizzi", "sentiment": 0 }, { "verbosity": 31, "name": "Oscar", "sentiment": 0 } ], "characters": [ "Rizzi", "Oscar" ], "story_order": 9, "heading": "INT. POLICE CAR", "scene_metadata": { "size": 433, "setting": "Int.", "location": "Police Car", "sentiment": -0.06590909090909093, "time": null } }, { "narrative_order": 31, "conversations": [], "actions": [ { "content": "The cruiser heads towards the heart of Manhattan.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 10, "heading": "EXT. HIGHWAY", "scene_metadata": { "size": 49, "setting": "Ext.", "location": "Highway", "sentiment": 0, "time": null } }, { "narrative_order": 32, "conversations": [], "actions": [ { "content": "The police car makes its way down a wide, abandoned street. AWHITE MINIVAN pulls out behind it and heads the same way.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 11, "heading": "EXT. STREET", "scene_metadata": { "size": 118, "setting": "Ext.", "location": "Street", "sentiment": -0.16388888888888892, "time": null } }, { "narrative_order": 33, "conversations": [ { "dialogue": [ { "content": "What the", "type": "Dialogue" } ], "character": "Strausz", "order": 1 }, { "dialogue": [ { "content": "LOOK OUT.", "type": "Dialogue" } ], "character": "Rizzi", "order": 2 } ], "actions": [ { "content": "Strausz looks in the rear-view mirror. The white minivan isflashing his high-beams.", "order": 0 }, { "content": "Strausz looks in front of him. A green minivan swerves infront of them from out of nowhere. Strausz slams on thebrakes and skids to a halt. The white minivan rams them frombehind.Strausz and Rizzi are stunned for a moment as two more vansscreech up on either side of the cruiser, boxing it in withonly a few inches between them.The cruiser is surrounded on all sides.SUDDENLY, SHOTGUN BARRELS come through the open windows. Theycome to rest, one on Strausz's left temple one on Rizzi'sright. RIZZI looks out of the corner of his eye.He sees the driver of the van next to him holding the shotgunwith one hand. A stocking is over the driver's head.Strausz looks straight ahead. The minivan in front of them ismissing a back window. Another man with a stocking on hishead aims a sub-machine gun at them from inside.By the twisted right hand holding the front of the gun, weknow it is Verbal.Strausz and Rizzi raise their hands without being asked.", "order": 3 } ], "character_metadata": [ { "verbosity": 8, "name": "Strausz", "sentiment": 0 }, { "verbosity": 9, "name": "Rizzi", "sentiment": 0 } ], "characters": [ "Strausz", "Rizzi" ], "story_order": 12, "heading": "INT. POLICE CAR", "scene_metadata": { "size": 1044, "setting": "Int.", "location": "Police Car", "sentiment": 0.007142857142857141, "time": null } }, { "narrative_order": 34, "conversations": [], "actions": [ { "content": "The driver of the white van gets out with a gallon jug in onehand and a sledge hammer in the other.Moving like lightning, he jumps onto the roof of the policecar'He stands on the front of the roof and swings the hammerdown.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 13, "heading": "EXT. STREET", "scene_metadata": { "size": 223, "setting": "Ext.", "location": "Street", "sentiment": 0, "time": null } }, { "narrative_order": 35, "conversations": [ { "dialogue": [ { "content": "GIVE ME THE SHIT.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 1 }, { "dialogue": [ { "content": "Give it up.", "type": "Dialogue" } ], "character": "Strausz", "order": 2 } ], "actions": [ { "content": "The hammer punches three huge holes in the windshield andfinally caves it in. Strausz and Rizzi are covered withpebbles of broken glass. Whitehead clutches his bag in theback seat. He trembles in terror.The man standing on the roof doubles over and sticks a gun inStrausz's face. His face hangs upside down and looks gruesome- covered from the mouth up in a stocking. By the voice, weknow it is McManus.", "order": 0 }, { "content": "Oscar hands the suitcase up front and Strausz passes it toMcManus.", "order": 3 } ], "character_metadata": [ { "verbosity": 17, "name": "Mcmanus", "sentiment": -0.2 }, { "verbosity": 11, "name": "Strausz", "sentiment": 0 } ], "characters": [ "Mcmanus", "Strausz" ], "story_order": 14, "heading": "INT. POLICE CAR", "scene_metadata": { "size": 497, "setting": "Int.", "location": "Police Car", "sentiment": -0.28888888888888886, "time": null } }, { "narrative_order": 36, "conversations": [], "actions": [ { "content": "Through the front windshield of the front van we see Keatonat the wheel. Verbal is behind him leaning out the backwindow.Beneath Keaton's stocking mask we see he is trembling andsweating - sickened by what he is doing.He glances up at the rear-view mirror and looks at the sceneoutside. He looks down at the floor in shame, shaking hishead.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 15, "heading": "INT. FRONT VAN", "scene_metadata": { "size": 340, "setting": "Int.", "location": "Front Van", "sentiment": -0.2777777777777778, "time": null } }, { "narrative_order": 37, "conversations": [ { "dialogue": [ { "content": "The money.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 0 }, { "dialogue": [ { "content": "THE MONEY. LET'S HAVE IT.", "type": "Dialogue" } ], "character": "Mcmamjs", "order": 2 }, { "dialogue": [ { "content": "Do you know who I am?", "type": "Dialogue" } ], "character": "Strausz", "order": 4 }, { "dialogue": [ { "content": "We db now, Jerk-off.", "type": "Dialogue" } ], "character": "Hockney", "order": 6 } ], "actions": [ { "content": "Strausz looks at Rizzi.", "order": 1 }, { "content": "Rizzi hands the money through the remains of the windshield.McManus takes the money and stuffs it in his jacket. He stepsback and takes the cap off of the gallon jug. He quicklypours some kind of liquid all over the roof of the car.", "order": 3 }, { "content": "A hand reaches into the driver's side window and ripsStrausz's badge off of his shirt.Strausz dares to turn his head right at the shotgun pointingat him through the window. On the other end is a masked andsmiling Todd Hockney.", "order": 5 }, { "content": "McManus lights a pack of matches and drops them on the roofof the car as he jumps off. THE LIQUID IGNITES, the roof ofthe car is instantly in flames.Strausz and Rizzi attempt to bail out, but the vans are tooclose for them to open the doors.The vans pull away.Strausz and Rizzi escape from the car.Oscar is trapped inside, SCREAMING.Strausz and Rizzi stop, each expecting the other to go letOscar out.", "order": 7 } ], "character_metadata": [ { "verbosity": 10, "name": "Mcmanus", "sentiment": 0 }, { "verbosity": 25, "name": "Mcmamjs", "sentiment": 0 }, { "verbosity": 21, "name": "Strausz", "sentiment": 0 }, { "verbosity": 20, "name": "Hockney", "sentiment": 0 } ], "characters": [ "Mcmanus", "Mcmamjs", "Strausz", "Hockney" ], "story_order": 16, "heading": "INT. POLICE CAR", "scene_metadata": { "size": 958, "setting": "Int.", "location": "Police Car", "sentiment": 0.06224489795918368, "time": null } }, { "narrative_order": 38, "conversations": [ { "dialogue": [ { "content": "The papers got Keaton's call that day andwere on the scene before the cops were.Strausz and Rizzi were indicted threedays later. Within a few weeks, fiftymore cops went down with them. It wasbeautiful. Everybody got it right in theass, from the chief on down.", "type": "Dialogue" } ], "character": "Verbal", "order": 1 } ], "actions": [ { "content": "The scene is swarming with fresh police cars. Strausz andRizzi are fielding questions from a dozen other cops.Photographers are everywhere.", "order": 0 } ], "character_metadata": [ { "verbosity": 259, "name": "Verbal", "sentiment": -0.0450793650793651 } ], "characters": [ "Verbal" ], "story_order": 17, "heading": "EXT. STREET", "scene_metadata": { "size": 398, "setting": "Ext.", "location": "Street", "sentiment": 0.01752645502645501, "time": null } }, { "narrative_order": 39, "conversations": [ { "dialogue": [ { "content": "There's more than I thought.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 1 }, { "dialogue": [ { "content": "When does the fence come?", "type": "Dialogue" } ], "character": "Hockney", "order": 2 }, { "dialogue": [ { "content": "Redfoot? He never comes to see me. I haveto go see him.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 3 }, { "dialogue": [ { "content": "In California?", "type": "Dialogue" } ], "character": "Verbal", "order": 4 }, { "dialogue": [ { "content": "Yeah. It'll take a few days. Me andFenster", "type": "Dialogue" } ], "character": "Mcmanus", "order": 5 }, { "dialogue": [ { "content": "Hold the fuckin' phone. You and Fenster?No, no, no.", "type": "Dialogue" } ], "character": "Hockney", "order": 6 }, { "dialogue": [ { "content": "Guys, come on.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 7 }, { "dialogue": [ { "content": "I'm sure you can understand myhesitation.", "type": "Dialogue" } ], "character": "Hockney", "order": 8 }, { "dialogue": [ { "content": "Then who goes?", "type": "Dialogue" } ], "character": "Fenster", "order": 9 }, { "dialogue": [ { "content": "We all go. How about it, Keaton?", "type": "Dialogue" } ], "character": "Hockney", "order": 10 }, { "dialogue": [ { "content": "We need to lay low for a while.", "type": "Dialogue" } ], "character": "Keaton", "order": 12 }, { "dialogue": [ { "content": "Fine with me.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 13 }, { "dialogue": [ { "content": "My boy with the plan.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 15 } ], "actions": [ { "content": "Hockney, Fenster, McManus and Verbal are all laughing in asecluded garage. They are still in their black clothes fromthe robbery. Hockney is throwing everyone a can of beer.Keaton sits off by himself. He watches the others, unable tojoin in the festivities.The others sit around a cheap card table. It is covered withemeralds. Dozens of them. Everyone is in awe.", "order": 0 }, { "content": "All eyes turn to Keaton. He comes out of his trance.", "order": 11 }, { "content": "Everyone looks at each other, their moment of distrustblowing over. All eyes drift back to the emeralds on thetable.Hockney begins to snicker, then McManus, then Fenster. Verbaljoins in at last.McManus grabs Verbal and hugs him, shaking him violently.", "order": 14 }, { "content": "SUDDENLY, everyone yells and pours beer over Verbal's head.He laughs as he is drenched in white foam, nearly choking asthe others chant his name.Keaton watches from across the room, trying to smile in vain.", "order": 16 } ], "character_metadata": [ { "verbosity": 173, "name": "Mcmanus", "sentiment": 0.15 }, { "verbosity": 149, "name": "Hockney", "sentiment": 0.5 }, { "verbosity": 14, "name": "Verbal", "sentiment": 0 }, { "verbosity": 14, "name": "Fenster", "sentiment": 0 }, { "verbosity": 31, "name": "Keaton", "sentiment": 0 } ], "characters": [ "Mcmanus", "Hockney", "Verbal", "Fenster", "Keaton" ], "story_order": 18, "heading": "INT. GARAGE - NIGHT", "scene_metadata": { "size": 1252, "setting": "Int.", "location": "Garage", "sentiment": 0.06736111111111111, "time": "Night" } }, { "narrative_order": 40, "conversations": [ { "dialogue": [ { "content": "We're going to miss the flight.", "type": "Dialogue" } ], "character": "Verbal", "order": 1 }, { "dialogue": [ { "content": "We'll make it.", "type": "Dialogue" } ], "character": "Keaton", "order": 2 }, { "dialogue": [ { "content": "Don't do this. Send her a card -something.", "type": "Dialogue" } ], "character": "Verbal", "order": 3 }, { "dialogue": [ { "content": "We'll make it.", "type": "Dialogue" } ], "character": "Keaton", "order": 4 }, { "dialogue": [ { "content": "Ms. Finneran will be with you in amoment.", "type": "Dialogue" } ], "character": "Voice", "order": 5 }, { "dialogue": [ { "content": "We're gonna miss the plane.", "type": "Dialogue" }, { "content": "(beat)", "type": "Parenthetical" }, { "content": "She'll understand.", "type": "Dialogue" } ], "character": "Verbal", "order": 7 } ], "actions": [ { "content": "Keaton and Verbal sit side by side on a sofa. A sign on thedoor behind them reads: MONTGOMERY and LaGUARDIA - ATTORNEYSAT LAW.", "order": 0 }, { "content": "Keaton stands and paces across the waiting room. He comes toa set of glass doors and looks through them.Keaton realizes he is standing on a balcony overlooking alibrary below.He sees Edie working in the library with an old woman. Thetwo women talk for a moment.SUDDENLY, Keaton turns with a start. Verbal is standingbehind him.", "order": 6 }, { "content": "Edie is smiling and laughing with the old woman.Keaton's face is marked with guilt and anguish.Keaton turns and walks out of the waiting room. Verbal takesone last glance at Edie and turns back to Keaton.", "order": 8 } ], "character_metadata": [ { "verbosity": 118, "name": "Verbal", "sentiment": 0 }, { "verbosity": 28, "name": "Keaton", "sentiment": 0 }, { "verbosity": 41, "name": "Voice", "sentiment": 0 } ], "characters": [ "Verbal", "Keaton", "Voice" ], "story_order": 19, "heading": "INT. WAITING ROOM LAW OFFICE - DAY", "scene_metadata": { "size": 850, "setting": "Int.", "location": "Waiting Room Law Office", "sentiment": -0.016666666666666673, "time": "Day" } }, { "narrative_order": 41, "conversations": [], "actions": [ { "content": "Edie seems to sense something behind her. She turns and looksthrough the glass doors and up into the waiting room.NOTHING IS THERE. She goes back to chatting with the oldwoman.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 20, "heading": "INT. LIBRARY", "scene_metadata": { "size": 176, "setting": "Int.", "location": "Library", "sentiment": -0.2, "time": null } }, { "narrative_order": 46, "conversations": [ { "dialogue": [ { "content": "McManus' fence was this guy namedRedfoot. He had a good reputation aroundL.A. Seemed like a good guy - Looked likea cowhide full of thumbtacks.", "type": "Dialogue" } ], "character": "Verbal", "order": 0 } ], "actions": [], "character_metadata": [ { "verbosity": 143, "name": "Verbal", "sentiment": 0.5833333333333334 } ], "characters": [ "Verbal" ], "story_order": 21, "heading": "EXT. LOS ANGELES SKYLINE - DAY", "scene_metadata": { "size": 143, "setting": "Ext.", "location": "Los Angeles Skyline", "sentiment": 0.5833333333333334, "time": "Day" } }, { "narrative_order": 47, "conversations": [ { "dialogue": [ { "content": "How've you been?", "type": "Dialogue" } ], "character": "Redfoot", "order": 1 }, { "dialogue": [ { "content": "Good. You?", "type": "Dialogue" } ], "character": "Mcmanus", "order": 2 }, { "dialogue": [ { "content": "Alright. How's it going, Fenster?", "type": "Dialogue" } ], "character": "Redfoot", "order": 3 }, { "dialogue": [ { "content": "Getting by.", "type": "Dialogue" } ], "character": "Fenster", "order": 4 }, { "dialogue": [ { "content": "You got it?", "type": "Dialogue" } ], "character": "Redfoot", "order": 5 }, { "dialogue": [ { "content": "(Whispering)", "type": "Parenthetical" }, { "content": "Snazzy dresser this guy.", "type": "Dialogue" } ], "character": "Keaton", "order": 7 }, { "dialogue": [ { "content": "You must be Keaton.", "type": "Dialogue" } ], "character": "Redfoot", "order": 9 }, { "dialogue": [ { "content": "Jesus, I'm sorry. Redfoot, this is DeanKeaton, that's Todd Hockney, and that'sVerbal Kint.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 10 }, { "dialogue": [ { "content": "(To Verbal)", "type": "Parenthetical" }, { "content": "The man with the plan.", "type": "Dialogue" } ], "character": "Redfoot", "order": 11 }, { "dialogue": [ { "content": "Are you guys interested in more work?", "type": "Dialogue" } ], "character": "Redfoot", "order": 13 }, { "dialogue": [ { "content": "We're on vacation.", "type": "Dialogue" } ], "character": "Keaton", "order": 15 }, { "dialogue": [ { "content": "I've got a ton of work and no goodpeople.", "type": "Dialogue" } ], "character": "Redfoot", "order": 16 }, { "dialogue": [ { "content": "What's the job?", "type": "Dialogue" } ], "character": "Mcmanus", "order": 17 }, { "dialogue": [ { "content": "A jeweler out of Texas named Saul. Herents a suite at a hotel downtown anddoes free appraisals. Buys whatever hecan. Word is he moves with a lot of cash.I'11 take the merchandise, you keep thegreen.", "type": "Dialogue" } ], "character": "Redfoot", "order": 19 }, { "dialogue": [ { "content": "Security?", "type": "Dialogue" } ], "character": "Hockney", "order": 20 }, { "dialogue": [ { "content": "Two bodyguards. Pretty good.", "type": "Dialogue" } ], "character": "Redfoot", "order": 21 }, { "dialogue": [ { "content": "Give us time to check it out?", "type": "Dialogue" } ], "character": "Mcmanus", "order": 22 }, { "dialogue": [ { "content": "I'd expect nothing less.", "type": "Dialogue" } ], "character": "Redfoot", "order": 23 }, { "dialogue": [ { "content": "We'll call you.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 24 }, { "dialogue": [ { "content": "Take your time. Enjoy L.A.", "type": "Dialogue" } ], "character": "Redfoot", "order": 25 }, { "dialogue": [ { "content": "A friend of mine in New York tells me youknew Spook Hollis.", "type": "Dialogue" } ], "character": "Keaton", "order": 26 }, { "dialogue": [ { "content": "I hear you did time with old Spook. Yeah,he was a good egg. I used to run a lot ofdope for him. Fuckin' shame he gotshivved.", "type": "Dialogue" } ], "character": "Redfoot", "order": 27 }, { "dialogue": [ { "content": "I shivved him.", "type": "Dialogue" } ], "character": "Keaton", "order": 28 }, { "dialogue": [ { "content": "Better you hear it from me now thansomebody else later.", "type": "Dialogue" } ], "character": "Keaton", "order": 30 }, { "dialogue": [ { "content": "Business or personal?", "type": "Dialogue" } ], "character": "Redfoot", "order": 31 }, { "dialogue": [ { "content": "A little of both.", "type": "Dialogue" } ], "character": "Keaton", "order": 32 }, { "dialogue": [ { "content": "Ain't it a crime? Call if you'reinterested.", "type": "Dialogue" } ], "character": "Redfoot", "order": 33 }, { "dialogue": [ { "content": "(To Keaton)", "type": "Parenthetical" }, { "content": "What's your fucking problem?", "type": "Dialogue" } ], "character": "Mcmanus", "order": 35 }, { "dialogue": [ { "content": "One job, that was the deal.", "type": "Dialogue" } ], "character": "Keaton", "order": 36 }, { "dialogue": [ { "content": "Take it as it comes, brother.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 37 }, { "dialogue": [ { "content": "This is bullshit.", "type": "Dialogue" } ], "character": "Keaton", "order": 38 }, { "dialogue": [ { "content": "What is it Keaton?", "type": "Dialogue" } ], "character": "Verbal", "order": 40 }, { "dialogue": [ { "content": "(Distant)", "type": "Parenthetical" }, { "content": "Something - I don't know.", "type": "Dialogue" }, { "content": "(Shaking himself)", "type": "Parenthetical" }, { "content": "I ever tell you about the restaurant Iwanted to open?", "type": "Dialogue" } ], "character": "Keaton", "order": 41 }, { "dialogue": [ { "content": "L.A., was good for about two hours. Wewere from New York. There's no place toeat after one; you can't get a pizza thatdoesn't taste like a fried fruit-bat, andthe broads don't want to know you if youdon't look like a broad. Within a fewdays the last of us was ready to go backto N.Y., but Keaton wouldn't have it, sohe really didn't have a choice. We wentto work.", "type": "Dialogue" } ], "character": "Verbal", "order": 43 } ], "actions": [ { "content": "All five guys stand in a group. It is utterly quiet.An old but well kept Cadillac creeps into the lot from thefar end and idles up to them. The windows are tinted too muchto see in. The car passes within a few feet of them anddrives on.A moment later, a chrome and leather monster of a HarleyDavidson pulls into the lot. The rider is dressed in analmost comical array of leather, silver and suede.He waves to the Caddy as it parks a few yards from Keaton andthe others. It sits quietly, almost menacing.As he gets closer, we can see he is wearing one black bootand one red. Keaton is still looking at them when the bikepulls up to them and stops.REDFOOT and McManus shake hands.", "order": 0 }, { "content": "McManus holds up a briefcase.Redfoot takes it and gets off the bike. He walks over to theCaddy. The door of the Caddy opens. Redfoot hands the case toSomeone inside that we cannot see. The door closes.", "order": 6 }, { "content": "A moment later, the door of the Caddy opens again. Someonehands Redfoot a different briefcase and he walks back over toMcManus.He hands him the case.McManus hands the case back to Hockney. Hockney opens it,revealing the stacks of money inside.", "order": 8 }, { "content": "Verbal smiles.", "order": 12 }, { "content": "McManus moves to answer, but Keaton cuts him off.", "order": 14 }, { "content": "Keaton shoots McManus a foul look. McManus pretends not tonotice.", "order": 18 }, { "content": "Now McManus is shooting the angry look at Keaton.", "order": 29 }, { "content": "Redfoot fires up his bike and takes off with the Caddy closebehind.", "order": 34 }, { "content": "McManus laughs and walks away. Fenster and Hockney follow.Verbal turns to Keaton.", "order": 39 }, { "content": "Keaton walks off. Verbal follows him in confusion.", "order": 42 } ], "character_metadata": [ { "verbosity": 643, "name": "Redfoot", "sentiment": 0.3714285714285714 }, { "verbosity": 216, "name": "Mcmanus", "sentiment": -0.13333333333333333 }, { "verbosity": 11, "name": "Fenster", "sentiment": 0 }, { "verbosity": 309, "name": "Keaton", "sentiment": -0.017045454545454548 }, { "verbosity": 9, "name": "Hockney", "sentiment": 0 }, { "verbosity": 381, "name": "Verbal", "sentiment": 0.2164772727272727 } ], "characters": [ "Redfoot", "Mcmanus", "Fenster", "Keaton", "Hockney", "Verbal" ], "story_order": 22, "heading": "EXT. FRIENDSHIP BELL - NIGHT", "scene_metadata": { "size": 3126, "setting": "Ext.", "location": "Friendship Bell", "sentiment": 0.07358260019550342, "time": "Night" } }, { "narrative_order": 48, "conversations": [], "actions": [ { "content": "McManus walks along a line of cars. He comes across a blackMercedes and stops. He looks down at the license plate andwalks over to the next car, a green Honda. He pulls a slim-jim out of his jacket and pops the lock an the Honda. Hereaches in and opens the hood. He walks around and sticks hishead in the engine.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 23, "heading": "INT. PARKING GARAGE - NIGHT", "scene_metadata": { "size": 312, "setting": "Int.", "location": "Parking Garage", "sentiment": -0.11851851851851854, "time": "Night" } }, { "narrative_order": 49, "conversations": [], "actions": [ { "content": "Verbal sits behind the wheel. Keaton is beside him. Hockneyand Fenster are in the back. They all watch McManus fromwhere they are parked a few dozen yards away.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 24, "heading": "INT. VAN", "scene_metadata": { "size": 160, "setting": "Int.", "location": "Van", "sentiment": -0.20000000000000004, "time": null } }, { "narrative_order": 50, "conversations": [ { "dialogue": [ { "content": "Just get in the car Saul.", "type": "Dialogue" } ], "character": "Higham", "order": 1 }, { "dialogue": [ { "content": "I get out of the car, and man if thething wasn't wrecked. And I see thisbroad in the back seat with nothing on.", "type": "Dialogue" } ], "character": "Hockney", "order": 3 }, { "dialogue": [ { "content": "I'm laughing so hard I can't breathe -", "type": "Dialogue" } ], "character": "Hockney", "order": 5 }, { "dialogue": [ { "content": "...And the fat guy comes out of the carwith his pants on backwards and says -", "type": "Dialogue" } ], "character": "Hockney", "order": 7 }, { "dialogue": [], "character": "Hockney", "order": 9 }, { "dialogue": [], "character": "Fenster", "order": 11 }, { "dialogue": [ { "content": "Give me the case.", "type": "Dialogue" } ], "character": "Keaton", "order": 13 }, { "dialogue": [ { "content": "What the hell?", "type": "Dialogue" } ], "character": "Hockney", "order": 15 }, { "dialogue": [ { "content": "Bad day. Fuck it.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 16 }, { "dialogue": [ { "content": "Move.", "type": "Dialogue" } ], "character": "Keaton", "order": 18 } ], "actions": [ { "content": "The elevator bell sounds at the far end of the garage. Thedoors open. Two men in ill-fitting suits get out and lookaround cautiously. The first is TUCCI, a big bellied, whitehaired menace. The other is HIGHAM, lean and bad skinned.They are bodyguards and give it away by their every carefulmove.They turn back to the elevator and motion to someone inside.Out walks SAUL BERG, a slightly overweight man in his fortieswith an open collar silk shirt and a thick gold chain on hishairy chest. He carries a LARGE ALUMINUM BRIEFCASE.He lets his guards do the worrying. He walks straight to hiscar.Saul passes McManus under the hood of the Honda. He takes outhis keys and pushes a button on his key chain. The Mercedesbeeps three times and tells Saul his alarm is off.Tucci keeps an eye on McManus. Higham watches Saul.McManus pretends to tinker with the car's engine. He has puta pistol just inside the grill and keeps it within reach.The van on the other side of the garage starts and pulls outof the spot. It cruises over toward the Mercedes.Tucci sees the van. He and Higham are suddenly busy trying tokeep track. They hear laughing behind them and turn around.FENSTER and HOCKNEY are walking towards them. They aresporting mustaches and sunglasses in addition to matchingsuits, each with loud plaid sport coats, decades out ofstyle. Saul glances at Tucci and Higham.", "order": 0 }, { "content": "Under the hood of the Honda and out of sight, McManus pullson a black ski mask.The van gets closer.", "order": 2 }, { "content": "Saul gets in the car quickly but calmly as Fenster andHockney laugh and talk louder. They look drunk - The desiredeffect.", "order": 4 }, { "content": "Tucci and Higham try to take it all in stride. Saul's reverselights come on and he begins to back out of the spot.", "order": 6 }, { "content": "SUDDENLY, the van revs and screeches to a halt behind Saul'sMercedes, blocking him in. Hockney and Fenster drop the drunkact and snap to. They both pull out guns and start screaming.", "order": 8 }, { "content": "DON'T MOVE, YOU FUCKERS.", "order": 10 }, { "content": "RIGHT THERE. FREEZE.McManus comes up from under the hood.Tucci and Higham throw their hands in the air. Hockney andFenster grab them and reach into their belts to get theirguns .Keaton jumps out of the van and runs up to Saul's car, hisface covered in a ski mask. He yanks on the door handle butit is locked. Saul sits in terror behind the wheel. Keatonpulls out a pistol and smashes the window with it.", "order": 12 }, { "content": "Saul reaches over for the case. Keaton trains the gun on him.SUDDENLY, Saul comes up with a pistol and points it atKeaton. Keaton sidesteps and grabs his wrist. The gun goesoff into the fender of the Honda.Hockney and Fenster both look over at the sound of the gun.Tucci and Higham seize the opportunity. Tucci grabs Hockney,Higham grabs Fenster. The four men grapple for the guns.Fenster's gun falls to the floor. McManus picks it up. Hetrains a pistol on each bodyguard and takes a breath. Theyare some ten feet apart and moving erratically. Hockney andFenster constantly fall in the line of fire.McManus walks around the four men, keeping a pistol trainedon each of the guards. Finally he comes to an angle wherethey are all in front of him. One guard is a few feet away,the other is ten feet past him.The closer of the two moves in and out of the sights of thepistol in McManus' right hand, the one farther away does thesame with the left.Verbal gets out of the van and moves towards them to help.Both of McManus' guns go off like one shot. Tucci and Highamcollapse, each with a bullet in his headThe only sound is Saul grappling with Keaton for the gun. Hisarm is halfway out the window. His elbow rests in the doorframe.Keaton cannot get the gun out of his hand. Finally, he pushesdown with all his weight. Saul's elbow breaks backwards onthe door frame. He screams in agony. The gun falls from hishand.All five of the men look at each other for an impossibly longmoment. The confusion is only aggravated by Saul's screaming.SLOWLY, Keaton raises his pistol and aims it at Saul. Hishand trembles, his eyes squint to near slits. His fingertenses and slacks off over and over again on the trigger.VERBAL SHOOTS SAUL. Keaton looks at him in surprise. Verbaltrembles more than he does.The garage is silent.", "order": 14 }, { "content": "The elevator light comes on. All five men look.", "order": 17 }, { "content": "Keaton reaches into the car and grabs Saul's case. Everyoneelse piles into the van. Keaton gets in as Verbal is drivingfor the exit.", "order": 19 } ], "character_metadata": [ { "verbosity": 25, "name": "Higham", "sentiment": 0 }, { "verbosity": 240, "name": "Hockney", "sentiment": -0.14583333333333334 }, { "verbosity": 0, "name": "Fenster", "sentiment": 0 }, { "verbosity": 22, "name": "Keaton", "sentiment": 0 }, { "verbosity": 17, "name": "Mcmanus", "sentiment": -0.5499999999999999 } ], "characters": [ "Higham", "Hockney", "Fenster", "Keaton", "Mcmanus" ], "story_order": 25, "heading": "INT. PARKING GARAGE", "scene_metadata": { "size": 4598, "setting": "Int.", "location": "Parking Garage", "sentiment": -0.029528985507246377, "time": null } }, { "narrative_order": 51, "conversations": [ { "dialogue": [ { "content": "Son of a bitch.", "type": "Dialogue" } ], "character": "Keaton", "order": 1 } ], "actions": [ { "content": "The mood in the van is grim. Everyone is silent. Keaton popsthe clasps on the case and opens it.", "order": 0 }, { "content": "Everyone looks in the case. It is filled with cash on oneside. The other side is filled with clear plastic bags ofWHITE POWDER.", "order": 2 } ], "character_metadata": [ { "verbosity": 15, "name": "Keaton", "sentiment": 0 } ], "characters": [ "Keaton" ], "story_order": 26, "heading": "INT. VAN", "scene_metadata": { "size": 238, "setting": "Int.", "location": "Van", "sentiment": -0.037499999999999985, "time": null } }, { "narrative_order": 52, "conversations": [ { "dialogue": [ { "content": "What are you doing?", "type": "Dialogue" } ], "character": "Keaton", "order": 1 }, { "dialogue": [ { "content": "What does it look like? I'm going to killhim.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 2 }, { "dialogue": [ { "content": "We did it your way. Now I'11 deal withhim.", "type": "Dialogue" } ], "character": "Keaton", "order": 3 }, { "dialogue": [ { "content": "You gonna kill him?", "type": "Dialogue" } ], "character": "Mcmanus", "order": 4 }, { "dialogue": [ { "content": "I'm going to deal with him.", "type": "Dialogue" } ], "character": "Keaton", "order": 5 }, { "dialogue": [ { "content": "What the fuck is this, Redfoot?", "type": "Dialogue" } ], "character": "Mcmanus", "order": 7 }, { "dialogue": [ { "content": "Get a grip. I didn't know.", "type": "Dialogue" } ], "character": "Redfoot", "order": 8 }, { "dialogue": [ { "content": "You didn't know.", "type": "Dialogue" } ], "character": "Keaton", "order": 9 }, { "dialogue": [ { "content": "The job got thrown to me by this lawyer.", "type": "Dialogue" } ], "character": "Redfoot", "order": 10 }, { "dialogue": [ { "content": "Who is he?", "type": "Dialogue" } ], "character": "Keaton", "order": 11 }, { "dialogue": [ { "content": "Some Limey. He's a middle-man forsomebody. He doesn't say and I don't ask.", "type": "Dialogue" } ], "character": "Redfoot", "order": 12 }, { "dialogue": [ { "content": "We want to meet him.", "type": "Dialogue" } ], "character": "Keaton", "order": 13 }, { "dialogue": [ { "content": "He wants to meet you. He called lastnight and asked me to set it up. What doI tell him'", "type": "Dialogue" } ], "character": "Redfoot", "order": 14 }, { "dialogue": [ { "content": "Tell him we'll meet.", "type": "Dialogue" } ], "character": "Keaton", "order": 15 }, { "dialogue": [ { "content": "If you're lying, Redfoot...", "type": "Dialogue" } ], "character": "Mcmanus", "order": 16 }, { "dialogue": [ { "content": "McManus, you're a real bad-ass, but getoff my tip.", "type": "Dialogue" } ], "character": "Redfoot", "order": 17 }, { "dialogue": [ { "content": "Real shame about Saul getting whacked.Lot's of cops looking for the guys thatdid it. I'm sure They'll get around toasking me.", "type": "Dialogue" } ], "character": "Redfoot", "order": 19 }, { "dialogue": [ { "content": "Fuck you.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 21 } ], "actions": [ { "content": "Keaton and the others stand in silhouette in front of thelights of an oncoming car in the distance. We can make outMcManus loading a gun. +", "order": 0 }, { "content": "The car, Redfoot's escort Caddy, is now in front of them.The horn lets out three short blasts.Redfoot comes around from behind the Caddy on his motorcycle.He gets off the bike, trying to hide a faint smile.McManus throws Saul's case on the ground in front of him.", "order": 6 }, { "content": "McManus lunges for Redfoot.The Caddy doors instantly pop open and rifle barrels comeinto view from within.Fenster and Hockney draw guns and aim at the Caddy.Keaton and Verbal grab McManus and hold him back.Redfoot gets on his Harley, smiling defiantly.", "order": 18 }, { "content": "He starts his bike.", "order": 20 }, { "content": "Redfoot drives off..The Caddy waits until he is completelyout of sight before following.", "order": 22 } ], "character_metadata": [ { "verbosity": 154, "name": "Keaton", "sentiment": 0 }, { "verbosity": 131, "name": "Mcmanus", "sentiment": -0.4 }, { "verbosity": 402, "name": "Redfoot", "sentiment": 0.3 } ], "characters": [ "Keaton", "Mcmanus", "Redfoot" ], "story_order": 27, "heading": "EXT. PARKING LOT - NIGHT", "scene_metadata": { "size": 1496, "setting": "Ext.", "location": "Parking Lot", "sentiment": -0.04, "time": "Night" } }, { "narrative_order": 56, "conversations": [ { "dialogue": [ { "content": "So I need to know if anyone can think ofanybody. Somebody with power. Enough topossibly track us from New York.", "type": "Dialogue" } ], "character": "Keaton", "order": 1 }, { "dialogue": [ { "content": "Look. We've been over it for an hour now.I say we pack up and run. Let's go backto New York. At least get out of L.A.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 2 }, { "dialogue": [ { "content": "Mr. Keaton?", "type": "Dialogue" } ], "character": "Kobayashi", "order": 4 }, { "dialogue": [ { "content": "I am Mr. Kobayashi. I've been asked by myemployer to bring a proposal to yougentlemen. That must be Mr. Hockney. Irecognize Mr. Fenster from his mug shot,as well as Mr. McManus.", "type": "Dialogue" }, { "content": "(To Verbal)", "type": "Parenthetical" }, { "content": "I can only assume that you are Mr. Kint.I believe you were the one who disposedof Saul. My employer sends his gratitude.A most unexpected benefit.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 6 }, { "dialogue": [ { "content": "What can we do for you?", "type": "Dialogue" } ], "character": "Keaton", "order": 8 }, { "dialogue": [ { "content": "My employer requires your services. Onejob. One day's work. Very dangerous. Idon't expect all of you to live, butthose who do will have ninety-one milliondollars to divide any way they see fit.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 9 }, { "dialogue": [ { "content": "Who's your boss?", "type": "Dialogue" } ], "character": "Keaton", "order": 10 }, { "dialogue": [ { "content": "My employer wishes to remain anonymous.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 11 }, { "dialogue": [ { "content": "Don't jerk me off. We all know what thisis. You don't work with me if I work withyou without knowing who I'm working for.Now let's cut the shit. Who's the man?", "type": "Dialogue" } ], "character": "Keaton", "order": 12 }, { "dialogue": [ { "content": "I work for Keyser Sate.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 13 }, { "dialogue": [ { "content": "What is this?", "type": "Dialogue" } ], "character": "Keaton", "order": 15 }, { "dialogue": [ { "content": "Who's Keyser Soze?", "type": "Dialogue" } ], "character": "Verbal", "order": 16 }, { "dialogue": [ { "content": "I am sure you've heard a number of talltales, myths and legends about Mr. SozeI can assure you gentlemen, most of themare true.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 17 }, { "dialogue": [ { "content": "Who's Keyser Soze?", "type": "Dialogue" } ], "character": "Verbal", "order": 18 }, { "dialogue": [ { "content": "Judging by the sudden change in mood, Iam sure the rest of your associates cantell you, Mr. Kint. I have come with anoffer directly from Mr. Soze. An orderactually.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 19 }, { "dialogue": [ { "content": "An order.", "type": "Dialogue" } ], "character": "Keaton", "order": 20 }, { "dialogue": [ { "content": "In nineteen-eighty one, Mr. Keaton, youparticipated in the hijacking of a truckin Buffalo, New York. The cargo was rawsteel. Steel that belonged to Mr. Sozeand was destined for Pakistan to be usedin a Nuclear reactor. A very profitableviolation of U.N. Regulations. You had noway of knowing this, because the manshipping the steel was working for Mr.Sate without his knowledge. +", "type": "Dialogue" }, { "content": "(Beat)", "type": "Parenthetical" }, { "content": "Mr. Fenster and Mr. McManus hijacked atwin-prop cargo flight earlier this yearout of Newark airport. The plane wascarrying platinum and gold wiring. Alsoset for Pakistan.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 21 }, { "dialogue": [ { "content": "Two months ago, Mr. Hockney stole a truckcarrying gun parts through Queens -", "type": "Dialogue" } ], "character": "Kobayashi", "order": 23 }, { "dialogue": [ { "content": "- guns allegedly set to be destroyed bythe state of New York. They were to be\"lost\" in a weigh station and routed toBelfast. Again, Mr. Sate using pawns whohad no knowledge.", "type": "Dialogue" }, { "content": "(turning to Verbal)", "type": "Parenthetical" }, { "content": "Which brings us to Mr. Kint.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 25 }, { "dialogue": [ { "content": "Nine months ago, one of Mr. Soze lessthan intelligent couriers was taken in acomplicated confidence seam by a cripple.He was relieved of sixty-two thousanddollars. Now", "type": "Dialogue" }, { "content": "(To all of them)", "type": "Parenthetical" }, { "content": "- It has taken us some time to find you.Our intention was to approach you afteryour apprehension in New York.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 27 }, { "dialogue": [ { "content": "You set up the line-up.", "type": "Dialogue" } ], "character": "Keaton", "order": 28 }, { "dialogue": [ { "content": "Mr. Soze made a few calls, yes. You werenot to be released until I came to seeyou. It seems Mr. Keaton's attorney, Ms.Finneran, was a bit too effective inexpediting his release. Holding the restof you became a moot point.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 29 }, { "dialogue": [ { "content": "What about Redfoot?", "type": "Dialogue" } ], "character": "Keaton", "order": 30 }, { "dialogue": [ { "content": "Mr. Redfoot knew nothing. Mr. Soze rarely tworks with the same people for very long,and they never know who they're workingfor. One cannot be betrayed if one has nopeople.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 31 }, { "dialogue": [ { "content": "So why tell us?", "type": "Dialogue" } ], "character": "Fenster", "order": 32 }, { "dialogue": [ { "content": "Because you have stolen from Mr. Soze.That you did not know you stole from himis the only reason you are still alive,but he feels you owe him. You will repayyour debt.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 33 }, { "dialogue": [ { "content": "Who is this guy? How do we know you workfor Soze", "type": "Dialogue" } ], "character": "Hockney", "order": 34 }, { "dialogue": [ { "content": "I don't think that is relevant, Mr.Hockney. The five of you are responsiblefor the murder of Saul Berg and hisbodyguards. Mr. Redfoot can attest toyour involvement, and we can see to itthat he will. He is not of your\"superior\" breed.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 35 }, { "dialogue": [ { "content": "This is a load of shit.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 36 }, { "dialogue": [ { "content": "The offer is this, gentlemen. Mr. Soze'sprimary interest, as I am sure you allknow, is narcotics. He's been - competingshall we say, with a group of", "type": "Dialogue" } ], "character": "Kobayashi", "order": 37 }, { "dialogue": [ { "content": "Argentinians for several years. Competingwith Mr. Soze has taken its toll. TheseArgentinians are negotiating the sale ofninety-one million dollars in cocaine inthree days time. Needless to say, thispurchase will revitalize the diminishingstrength of their organization. Mr. Sozewants you to stop the deal. If youchoose, you may wait until the buy.Whatever money changes hands is yours.The transaction will take place on a boatin San Pedro. Mr. Soze wants you to getto the boat and destroy the cocaine onboard. Then you are free of yourobligation to Mr. Soze.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 38 }, { "dialogue": [ { "content": "Give me one good reason why I shouldn'tkill you right now.", "type": "Dialogue" } ], "character": "Keaton", "order": 39 }, { "dialogue": [ { "content": "A gift from Mr. Soze gentlemen.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 41 }, { "dialogue": [ { "content": "Jesus Christ. Open them.", "type": "Dialogue" } ], "character": "Keaton", "order": 43 }, { "dialogue": [ { "content": "They know everything.", "type": "Dialogue" } ], "character": "Hockney", "order": 45 }, { "dialogue": [ { "content": "This is my life in here. Everything I'vedone since I was eighteen.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 46 }, { "dialogue": [ { "content": "Everybody I ever worked with, did timewith.", "type": "Dialogue" } ], "character": "Fenster", "order": 47 }, { "dialogue": [ { "content": "They fucking know everything.", "type": "Dialogue" } ], "character": "Hockney", "order": 48 }, { "dialogue": [ { "content": "This is not right.", "type": "Dialogue" } ], "character": "Keaton", "order": 50 }, { "dialogue": [ { "content": "I don't know. Who was that guy that usedto talk about Soze in New York?", "type": "Dialogue" } ], "character": "Fenster", "order": 51 }, { "dialogue": [ { "content": "Bricks Marlin.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 52 }, { "dialogue": [ { "content": "Yeah. He said he did jobs for him.Indirect stuff. Always five times moremoney than the job was worth.", "type": "Dialogue" } ], "character": "Fenster", "order": 53 }, { "dialogue": [ { "content": "Come on. The guy is a pipe dream. ThisKobayashi is using him for windowdressing .", "type": "Dialogue" } ], "character": "Keaton", "order": 54 }, { "dialogue": [ { "content": "I don't know. This is bad.", "type": "Dialogue" } ], "character": "Fenster", "order": 55 }, { "dialogue": [ { "content": "It's bullshit. This guy could be L.A.P.D.I think it's a setup.", "type": "Dialogue" } ], "character": "Hockney", "order": 56 }, { "dialogue": [ { "content": "The way I hear it, Soze is some kind ofbutcher. No pity.", "type": "Dialogue" } ], "character": "Fenster", "order": 57 }, { "dialogue": [ { "content": "There' is no Keyser Soze", "type": "Dialogue" } ], "character": "Keaton", "order": 58 }, { "dialogue": [ { "content": "Who is Keyser Soze", "type": "Dialogue" } ], "character": "Verbal", "order": 60 } ], "actions": [ { "content": "Keaton stands while the rest sit and listen.", "order": 0 }, { "content": "SUDDENLY, The sound of a man clearing his throat.Everyone turns to the door behind them.MR. KOBAYASHI a tall, slim, well groomed man stands in thehall. He has a briefcase in his hand. He smiles politely.", "order": 3 }, { "content": "Keaton stands back and lets him in. Kobayashi looks themover.", "order": 5 }, { "content": "Everyone looks at one another in shock that he would knowthis.", "order": 7 }, { "content": "A strange look crosses Keaton's face. Skepticism, mockery andjust a hint of fear. Hockney, McManus and Fenster all sharesimilar looks.", "order": 14 }, { "content": "Kobayashi turns and points at Hockney.", "order": 22 }, { "content": "Everyone looks at Hockney. He smiles shyly. It occurs to themall that he robbed the truck for which they were all arrestedin the first place.", "order": 24 }, { "content": "Verbal crumbles under his stare.", "order": 26 }, { "content": "Kobayashi smiles and puts his briefcase on the table in frontof him.", "order": 40 }, { "content": "He turns and walks out of the room.Keaton walks over to the case and opens it. He reaches in andpulls out five thick manila envelopes, each marked in boldblack letters. \"KEATON\", \"McMANUS\", \"HOCKNEY\", \"FENSTER\" and\"KINT\"Keaton pulls out the files, revealing a map underneath.Keaton hands each man his file. He opens his first. He pullsout a thick stack of papers and thumbs through them.", "order": 42 }, { "content": "All of the men open their files. Inside are mug shots of eachman in his respective file as well as a printout of hiscriminal record. But there is more.", "order": 44 }, { "content": "Keaton pulls out a large black and white photograph ofhimself and his lawyer EDIE FINNERAN. They are laughing armin arm by a fountain in New York. He hides the photo from theothers.", "order": 49 }, { "content": "Verbal thumbs through his file. A long list of names,numbers, addresses. It is a detailed portfolio of his entirecriminal and personal life. He looks up at Keaton.", "order": 59 } ], "character_metadata": [ { "verbosity": 578, "name": "Keaton", "sentiment": 0.15367965367965367 }, { "verbosity": 220, "name": "Mcmanus", "sentiment": -0.08181818181818182 }, { "verbosity": 3557, "name": "Kobayashi", "sentiment": 0.16985337243401763 }, { "verbosity": 54, "name": "Verbal", "sentiment": 0 }, { "verbosity": 312, "name": "Fenster", "sentiment": 0.26212121212121214 }, { "verbosity": 160, "name": "Hockney", "sentiment": -0.6 } ], "characters": [ "Keaton", "Mcmanus", "Kobayashi", "Verbal", "Fenster", "Hockney" ], "story_order": 28, "heading": "INT. HOLLYWOOD ATHLETIC CLUB - DAY", "scene_metadata": { "size": 6598, "setting": "Int.", "location": "Hollywood Athletic Club", "sentiment": 0.11073737373737377, "time": "Day" } }, { "narrative_order": 64, "conversations": [], "actions": [ { "content": "Waves pound across a stone jetty. A MAN sits fishing whilehis young son, BRANDO strolls toward the open sea. He pokesat rocks and seaweed with a fishing pole. He glances down atSomething wedged between the rocks beneath his feet. Hepokes at it. He notes the checkered pattern of the fabricentwined with the twisted mess. It is the bloated carcass ofTHE MAN IN THE CHECKERED BATHROBE. BRANDO pokes it's eyewith the fishing pole. It pops.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 29, "heading": "EXT. BEACH - DAY", "scene_metadata": { "size": 436, "setting": "Ext.", "location": "Beach", "sentiment": -0.14611111111111114, "time": "Day" } }, { "narrative_order": 66, "conversations": [ { "dialogue": [ { "content": "What do you want to do with him?", "type": "Dialogue" } ], "character": "Keaton", "order": 1 }, { "dialogue": [ { "content": "I worked five years with Fenster. Morejobs, more money than I can count.", "type": "Dialogue" } ], "character": "Mcmamjs", "order": 3 }, { "dialogue": [ { "content": "I'm sorry, McManus.", "type": "Dialogue" } ], "character": "Keaton", "order": 4 }, { "dialogue": [ { "content": "I want to bury him.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 5 }, { "dialogue": [ { "content": "No time.", "type": "Dialogue" } ], "character": "Keaton", "order": 6 }, { "dialogue": [ { "content": "YOU WILL FIND TIME. You're not the onlyone with debts, man.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 8 }, { "dialogue": [ { "content": "No shovel.", "type": "Dialogue" } ], "character": "Keaton", "order": 9 }, { "dialogue": [], "character": "Mcmanus", "order": 10 }, { "dialogue": [ { "content": "This is nuts.", "type": "Dialogue" } ], "character": "Hockney", "order": 12 }, { "dialogue": [ { "content": "Dig.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 13 }, { "dialogue": [ { "content": "This is fucking dry sand, man. When herots, the surfers'll smell him from ahundred yards out.", "type": "Dialogue" } ], "character": "Hockney", "order": 14 }, { "dialogue": [], "character": "Mcmanus", "order": 15 }, { "dialogue": [ { "content": "Keaton, we gotta go. They're gonna findhim.", "type": "Dialogue" } ], "character": "Hockney", "order": 17 }, { "dialogue": [ { "content": "Dig.", "type": "Dialogue" } ], "character": "Keaton", "order": 18 }, { "dialogue": [ { "content": "What are we gonna do?", "type": "Dialogue" } ], "character": "Verbal", "order": 19 }, { "dialogue": [ { "content": "I can run. I got no problem with that.", "type": "Dialogue" } ], "character": "Hockney", "order": 20 }, { "dialogue": [ { "content": "They don't seem to have a problem with iteither.", "type": "Dialogue" } ], "character": "Keaton", "order": 21 }, { "dialogue": [ { "content": "Nobody runs.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 22 }, { "dialogue": [ { "content": "This ain't my boy we're burying. I don'towe anybody.", "type": "Dialogue" } ], "character": "Hockney", "order": 23 }, { "dialogue": [ { "content": "We got a deal here.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 24 }, { "dialogue": [ { "content": "Since when?", "type": "Dialogue" } ], "character": "Hockney", "order": 25 }, { "dialogue": [ { "content": "Since tonight. +", "type": "Dialogue" } ], "character": "Mcmanus", "order": 26 }, { "dialogue": [ { "content": "Fuck that.", "type": "Dialogue" } ], "character": "Hockney", "order": 27 }, { "dialogue": [ { "content": "It's payback.", "type": "Dialogue" } ], "character": "Mcmanijs", "order": 28 }, { "dialogue": [ { "content": "IT'S NOT PAYBACK. I don't answer to you. +It's precaution. You want payback? Youwant to run? I don't care. I'm going tofinish this thing. Not for Fenster, notfor anybody else, butfor me. This Kobayashi cocksucker isn'tgoing to stand over me.", "type": "Dialogue" }, { "content": "(Beat)", "type": "Parenthetical" }, { "content": "All of you can go to hell.", "type": "Dialogue" } ], "character": "Keaton", "order": 29 } ], "actions": [ { "content": "Keaton looks out over the ocean and smokes a cigarette.", "order": 0 }, { "content": "McManus kneels in the sand. Hockney and Verbal stand behindhim, staring at something in front of them.It is the body of Fred Fenster, literally peppered withbullet holes. McManus stares at him, fighting any flicker ofemotion.", "order": 2 }, { "content": "McManus springs to his feet and points a pistol at Keaton.Keaton turns to face him and raises his head. McManus mightas well be pointing a feather-duster.", "order": 7 }, { "content": "WITH OUR HANDS.77 MT. BEACH 77'Everyone digs in the sand on the deserted beach with theirhands. They are up to their waists in the hole they havescooped out. Fenster's body is a few feet away.", "order": 11 }, { "content": "DIG, YOU FUCKER.Hockney can see that McManus has truly gone over the edge fornow. Keaton gives him a look that says don't argue.", "order": 16 }, { "content": "Keaton turns and digs furiously with both hands. Hockneytakes a moment and slowly starts to do the same.The four men dig for Fenster. The first to find some rest.", "order": 30 } ], "character_metadata": [ { "verbosity": 406, "name": "Keaton", "sentiment": -0.5 }, { "verbosity": 72, "name": "Mcmamjs", "sentiment": 0.5 }, { "verbosity": 173, "name": "Mcmanus", "sentiment": 0 }, { "verbosity": 260, "name": "Hockney", "sentiment": -0.06666666666666665 }, { "verbosity": 21, "name": "Verbal", "sentiment": 0 }, { "verbosity": 13, "name": "Mcmanijs", "sentiment": 0 } ], "characters": [ "Keaton", "Mcmamjs", "Mcmanus", "Hockney", "Verbal", "Mcmanijs" ], "story_order": 30, "heading": "EXT. BEACH - NIGHT", "scene_metadata": { "size": 1928, "setting": "Ext.", "location": "Beach", "sentiment": -0.05277777777777778, "time": "Night" } }, { "narrative_order": 68, "conversations": [], "actions": [ { "content": "Redfoot's Harley rests on the roof of the Caddy in a mangledheap. The body of the Caddy is riddled with bullet holes.Redfoot's dead body has been shoved head-first through a holein the windshield up to his waist, recognizable only by thetrademark red boot.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 31, "heading": "EXT. PARKING LOT - NIGHT", "scene_metadata": { "size": 256, "setting": "Ext.", "location": "Parking Lot", "sentiment": 0.012499999999999997, "time": "Night" } }, { "narrative_order": 69, "conversations": [ { "dialogue": [ { "content": "He's coming up.", "type": "Dialogue" } ], "character": "Hockney", "order": 1 } ], "actions": [ { "content": "Kobayashi walks through the front door of a plush officetower followed by two bodyguards. He heads toward theelevator, failing to notice Hockney a few feet away, readinga newspaper.We see a wire running from Hockney's ear to his collar.", "order": 0 } ], "character_metadata": [ { "verbosity": 15, "name": "Hockney", "sentiment": 0 } ], "characters": [ "Hockney" ], "story_order": 32, "heading": "INT. OFFICE BUILDING - DAY", "scene_metadata": { "size": 251, "setting": "Int.", "location": "Office Building", "sentiment": -0.2, "time": "Day" } }, { "narrative_order": 70, "conversations": [], "actions": [ { "content": "Keaton, McManus and Verbal stand by the six elevators on thefortieth floor. They are all wearing khaki overalls and toolbelts with walkie-talkies. They look like servicemen.All of the elevators have been propped open and stranded.McManus moves into one of the elevators. As the doors close ibehind him, he scrambles for the ceiling hatch.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 33, "heading": "INT. HALLWAY", "scene_metadata": { "size": 346, "setting": "Int.", "location": "Hallway", "sentiment": 0, "time": null } }, { "narrative_order": 71, "conversations": [], "actions": [ { "content": "Keaton and Verbal listen for anything on the radio.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 34, "heading": "INT. HALLWAY", "scene_metadata": { "size": 51, "setting": "Int.", "location": "Hallway", "sentiment": 0, "time": null } }, { "narrative_order": 72, "conversations": [], "actions": [ { "content": "The elevator opens. Kobayashi and his bodyguards get on theelevator.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 35, "heading": "INT. LOBBY", "scene_metadata": { "size": 68, "setting": "Int.", "location": "Lobby", "sentiment": 0, "time": null } }, { "narrative_order": 73, "conversations": [ { "dialogue": [ { "content": "Press forty.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 1 } ], "actions": [ { "content": "The elevator is empty except for the three men. McManus hasvanished. Kobayashi presses a button and they are on the way.SUDDENLY, the ceiling hatch opens and McManus' arm comes out.POP - POP. Two shots from a suppressed pistol and the guardsdrop to the floor, DEAD.Kobayashi looks up with surprising calm into McManus' barrel.", "order": 0 } ], "character_metadata": [ { "verbosity": 12, "name": "Mcmanus", "sentiment": 0 } ], "characters": [ "Mcmanus" ], "story_order": 36, "heading": "INT. ELEVATOR", "scene_metadata": { "size": 338, "setting": "Int.", "location": "Elevator", "sentiment": 0.3, "time": null } }, { "narrative_order": 74, "conversations": [ { "dialogue": [ { "content": "The answer is no.", "type": "Dialogue" } ], "character": "Keaton", "order": 1 }, { "dialogue": [ { "content": "Mr. Soze will be most -", "type": "Dialogue" } ], "character": "Kobayashi", "order": 2 }, { "dialogue": [ { "content": "Listen to me, cocksucker. There is noKeyser Sate. If you say his name again,I'11 kill you right here.", "type": "Dialogue" } ], "character": "Keaton", "order": 3 }, { "dialogue": [ { "content": "A strange threat. I can only assumeyou're here to kill me anyway. Pity aboutMr. Redfoot.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 4 }, { "dialogue": [ { "content": "Fair trade for Fenster.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 5 }, { "dialogue": [ { "content": "Ahh, Mr. Hockney. Do join us.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 7 }, { "dialogue": [ { "content": "We know you can get to us, and now youknow we can get to you. I'm offering youthe chance to call this off.", "type": "Dialogue" } ], "character": "Keaton", "order": 8 }, { "dialogue": [ { "content": "Mr. So- My employer has made up his mind.He does not change it.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 9 }, { "dialogue": [ { "content": "Neither do we.", "type": "Dialogue" } ], "character": "Keaton", "order": 10 }, { "dialogue": [ { "content": "You got Fenster, you may get more, butyou won't get us all. Not before one ofus gets to you.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 11 }, { "dialogue": [ { "content": "I believe you, Mr. McManus. I quitesincerely do. You would not have beenchosen if you were not so capable, but Icannot make this decision. Whatever youcan threaten me with is... ludicrous incomparison to what will be done to me if", "type": "Dialogue" } ], "character": "Kobayashi", "order": 12 }, { "dialogue": [ { "content": "Just so you know. I'm the guy. I'm theone that's gonna get through to you.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 13 }, { "dialogue": [ { "content": "I am sorry, Mr. McManus.", "type": "Dialogue" }, { "content": "(To Keaton)", "type": "Parenthetical" }, { "content": "f implore you to believe me, Mr. Keaton.Mr. Soze is very real and very +determined.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 14 }, { "dialogue": [ { "content": "We'll see.", "type": "Dialogue" } ], "character": "Keaton", "order": 15 }, { "dialogue": [ { "content": "Before you do me in, you will let mefinish my business with Ms. Finneranfirst, won't you?", "type": "Dialogue" } ], "character": "Kobayashi", "order": 17 }, { "dialogue": [ { "content": "What did you say?", "type": "Dialogue" } ], "character": "Keaton", "order": 19 }, { "dialogue": [ { "content": "Edie Finneran. She is upstairs in myoffice for an extradition deposition. Irequested she be put on the casepersonally. She flew out yesterday.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 20 }, { "dialogue": [ { "content": "No matter. Kill away, Mr. McManus.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 22 }, { "dialogue": [ { "content": "You're lying.", "type": "Dialogue" } ], "character": "Keaton", "order": 23 }, { "dialogue": [ { "content": "Am I?", "type": "Dialogue" } ], "character": "Kobayashi", "order": 24 } ], "actions": [ { "content": "The elevator opens and Kobayashi is greeted by Keaton andVerbal. McManus drops from the ceiling hatch and pushes himout.Verbal and McManus grab the dead bodies and drag them out ofthe elevator. They drag them to the next elevator which hasbeen forced open, revealing an empty shaft.", "order": 0 }, { "content": "The elevator opens and Hockney steps out.", "order": 6 }, { "content": "McManus holds a pistol to Kobayashi's chin. The lawyer's cooleyes never falter'.", "order": 16 }, { "content": "SUDDENLY, Keaton grabs McManus' hand and pulls the gun awaybefore he can shoot.", "order": 18 }, { "content": "Everyone looks at Keaton.", "order": 21 } ], "character_metadata": [ { "verbosity": 278, "name": "Keaton", "sentiment": 0.2857142857142857 }, { "verbosity": 838, "name": "Kobayashi", "sentiment": 0.06375 }, { "verbosity": 189, "name": "Mcmanus", "sentiment": 0.6 } ], "characters": [ "Keaton", "Kobayashi", "Mcmanus" ], "story_order": 37, "heading": "INT. HALLWAY", "scene_metadata": { "size": 1823, "setting": "Int.", "location": "Hallway", "sentiment": 0.029159663865546217, "time": null } }, { "narrative_order": 75, "conversations": [], "actions": [ { "content": "Everyone follows Kobayashi quietly down a dimly lit, oak-lined hallway. Verbal holds a small pistol discreetly in thesmall of Kobayashi's back.They come to a glass office foyer. Kobayashi gestures andeveryone looks through the glass into the lobby beyond.EDIE FINNERAN is talking casually with the receptionist.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 38, "heading": "INT. HALLWAY", "scene_metadata": { "size": 311, "setting": "Int.", "location": "Hallway", "sentiment": -0.20138888888888892, "time": null } }, { "narrative_order": 76, "conversations": [ { "dialogue": [ { "content": "Ms. Finneran's escort in Los Angeles.Never leaves her for a moment. I thoughtyou'd like to know she was in good hands.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 1 }, { "dialogue": [ { "content": "Get your rest, Gentlemen. The boat willbe ready for you on Friday. If I see youor your friends before then, or fail tocheck in every half hour with thatunpleasant looking man in there, Ms.Finneran will find herself the victim ofa gruesome violation before she dies. Aswill your father, Mr. Hockney. and yourUncle Randall in Arizona, Mr. Kint. Imight only castrate Mr. McManus' nephew,David. Do I make myself clear?", "type": "Dialogue" } ], "character": "Kobayashi", "order": 3 }, { "dialogue": [ { "content": "I'11 take care of the dead mendownstairs. We'll add them to the cost ofMr. Fenster. Now if you'll excuse me.", "type": "Dialogue" } ], "character": "Kobayashi", "order": 5 } ], "actions": [ { "content": "Edie glances toward the men in the hall.Keaton turns quickly on his heels, facing the others. Fromwhere Edie stands, it looks as though Kobayashi is talking toa group of harmless maintenance men.They see A LARGE MAN dressed very much like the two deadbodies left in the hall downstairs. The man notices Kobayashiand the others. He stands and stares menacingly.", "order": 0 }, { "content": "Keaton's mind races for an alternative. He can find none.Verbal lowers his gun without being told.", "order": 2 }, { "content": "All of the men surround Kobayashi, aching to kill him.", "order": 4 }, { "content": "Kobayashi walks into the office. Edie turns to greet him.Keaton slowly turns and watches as they shake hands and talk.Kobayashi says something they cannot hear and Edie laughs,her back to the window.Kobayashi smiles over her shoulder at Keaton.All the while, the bodyguard watches Keaton. He nods politelybefore Keaton and the others leave. Verbal watches for amoment more and follows.", "order": 6 } ], "character_metadata": [ { "verbosity": 640, "name": "Kobayashi", "sentiment": -0.1212962962962963 } ], "characters": [ "Kobayashi" ], "story_order": 39, "heading": "INT. LOBBY", "scene_metadata": { "size": 1537, "setting": "Int.", "location": "Lobby", "sentiment": -0.005252976190476204, "time": null } }, { "narrative_order": 77, "conversations": [ { "dialogue": [ { "content": "It's a logistical nightmare. Closequarters, no advance layout, ten men,maybe twenty.", "type": "Dialogue" } ], "character": "Keaton", "order": 1 }, { "dialogue": [ { "content": "Can we stealth these guys?", "type": "Dialogue" } ], "character": "Hockney", "order": 2 }, { "dialogue": [ { "content": "Doubtful. With all that coke, they'll beready - which brings me to sunny spotnumber two. Even if one of us getsthrough and jacks the boat, we getnothing.", "type": "Dialogue" } ], "character": "Keaton", "order": 3 }, { "dialogue": [ { "content": "And if we wait for the money?", "type": "Dialogue" } ], "character": "Mcmanus", "order": 4 }, { "dialogue": [ { "content": "Ten more men at least. In my opinion, itcan't be done. Anyone who walks into thiswon't come out alive.", "type": "Dialogue" } ], "character": "Keaton", "order": 5 }, { "dialogue": [ { "content": "I'm for waiting for the money.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 6 }, { "dialogue": [ { "content": "Me too.", "type": "Dialogue" } ], "character": "Hockney", "order": 7 }, { "dialogue": [ { "content": "Did you hear what he just said?", "type": "Dialogue" } ], "character": "Verbal", "order": 8 }, { "dialogue": [ { "content": "If I'm going in, I want a stake.", "type": "Dialogue" } ], "character": "Hockney", "order": 9 }, { "dialogue": [ { "content": "So do I.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 10 }, { "dialogue": [ { "content": "I just can't believe we're just gonnawalk into certain death.", "type": "Dialogue" } ], "character": "Verbal", "order": 12 }, { "dialogue": [ { "content": "News said it's raining in New York.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 14 } ], "actions": [ { "content": "Keaton, Verbal, Hockney and McManus sit in a rented sedanoverlooking San Pedro harbor.Another file from Kobayashi's briefcase is laid out on thedashboard. This has a map and a good fifty pages ofinformation in it.", "order": 0 }, { "content": "Verbal is shocked by what he is hearing. He looks at Keatonas if to ask him for his decision.Keaton's cold stare is all the answer Verbal needs. He slumpsin his seat, resigned to the others.", "order": 11 }, { "content": "They all suddenly realize the weight of their situation.", "order": 13 }, { "content": "No one knows quite how to respond.", "order": 15 } ], "character_metadata": [ { "verbosity": 339, "name": "Keaton", "sentiment": 0.07500000000000001 }, { "verbosity": 65, "name": "Hockney", "sentiment": 0 }, { "verbosity": 102, "name": "Mcmanus", "sentiment": 0.13636363636363635 }, { "verbosity": 92, "name": "Verbal", "sentiment": 0.21428571428571427 } ], "characters": [ "Keaton", "Hockney", "Mcmanus", "Verbal" ], "story_order": 40, "heading": "EXT. HILLSIDE ROAD - DAY", "scene_metadata": { "size": 1091, "setting": "Ext.", "location": "Hillside Road", "sentiment": -0.005483405483405485, "time": "Day" } }, { "narrative_order": 78, "conversations": [], "actions": [ { "content": "A large boat, sleek and yacht-like, but without finesse. Thisis a boat for business - heavy and fast. It is moored to thepier.A large crane hoists a pallet of fuel drums from the dock. Itswings slowly over the boat. A man on the dock yells inSpanish to the crane operator.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 41, "heading": "EXT. PIER - NIGHT", "scene_metadata": { "size": 272, "setting": "Ext.", "location": "Pier", "sentiment": 0.0257142857142857, "time": "Night" } }, { "narrative_order": 79, "conversations": [ { "dialogue": [ { "content": "What-are they speaking?", "type": "Dialogue" } ], "character": "Verbal", "order": 1 }, { "dialogue": [ { "content": "Russian, I think. I don't know.", "type": "Dialogue" } ], "character": "Keaton", "order": 2 }, { "dialogue": [ { "content": "Hungarian?", "type": "Dialogue" } ], "character": "Verbal", "order": 3 }, { "dialogue": [ { "content": "Knock it off.", "type": "Dialogue" } ], "character": "Keaton", "order": 4 } ], "actions": [ { "content": "Behind an old and weathered boat in dry-dock, Keaton andVerbal watch the boat from the shadows.", "order": 0 }, { "content": "McManus climbing up the side of the boathouse.A large boat. A very large boat.", "order": 5 } ], "character_metadata": [ { "verbosity": 33, "name": "Verbal", "sentiment": 0 }, { "verbosity": 44, "name": "Keaton", "sentiment": 0 } ], "characters": [ "Verbal", "Keaton" ], "story_order": 42, "heading": "EXT. BOATHOUSE", "scene_metadata": { "size": 250, "setting": "Ext.", "location": "Boathouse", "sentiment": 0.1976190476190476, "time": null } }, { "narrative_order": 80, "conversations": [ { "dialogue": [ { "content": "Are we ready, kids?", "type": "Dialogue" } ], "character": "Hockney", "order": 1 } ], "actions": [ { "content": "Hockney maneuvers through a mesh of twisted steel, arrivingat a vantage point near the stern of the large boat.A black van pulls up and parks near the crane. Four men insuits get out. One remains with the van and the other threewalk toward the boat.On the boat, five men come up from below deck. They are tenseand cautious around the men in suits. Someone speaks inSpanish and someone else in Russian. It takes a moment beforeanyone speaks the same tongue. They settle on French for bothnegotiators.Hockney sits in the van. He handles a large shoulder bagstuffed with plastique. He tests a timer on top.He picks up a walkie-talkie.", "order": 0 } ], "character_metadata": [ { "verbosity": 19, "name": "Hockney", "sentiment": 0.2 } ], "characters": [ "Hockney" ], "story_order": 43, "heading": "EXT. BARGE", "scene_metadata": { "size": 650, "setting": "Ext.", "location": "Barge", "sentiment": 0.0033549783549783555, "time": null } }, { "narrative_order": 81, "conversations": [ { "dialogue": [ { "content": "If I didn't have to stop and answer you,I would be.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 1 }, { "dialogue": [ { "content": "(into radio)", "type": "Parenthetical" }, { "content": "Everyone shut up. I'm ready. McManus, youbetter be set up in ten seconds.", "type": "Dialogue" } ], "character": "Keaton", "order": 2 }, { "dialogue": [ { "content": "(On radio)", "type": "Parenthetical" }, { "content": "I'm there.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 3 }, { "dialogue": [ { "content": "(To Verbal)", "type": "Parenthetical" }, { "content": "I want you to stay here. Understand?", "type": "Dialogue" } ], "character": "Keaton", "order": 4 }, { "dialogue": [ { "content": "But I'm supposed to -", "type": "Dialogue" } ], "character": "Verbal", "order": 5 }, { "dialogue": [ { "content": "If we don't make it out, I want you totake the money and go.", "type": "Dialogue" } ], "character": "Keaton", "order": 6 }, { "dialogue": [ { "content": "(Confused)", "type": "Parenthetical" }, { "content": "Keaton, I can't just -", "type": "Dialogue" } ], "character": "Verbal", "order": 7 }, { "dialogue": [ { "content": "I want you to find Edie. Both of you findsome place safe. Tell her what happened -Everything. She knows people. She'll knowwhat to do. If we can't get Kobayashi myway, she'll get him her way.", "type": "Dialogue" } ], "character": "Keaton", "order": 8 }, { "dialogue": [ { "content": "What if I", "type": "Dialogue" } ], "character": "Verbal", "order": 9 }, { "dialogue": [ { "content": "Just do what I tell you.", "type": "Dialogue" } ], "character": "Keaton", "order": 10 }, { "dialogue": [ { "content": "Tell her I... Tell her I tried.", "type": "Dialogue" } ], "character": "Keaton", "order": 12 } ], "actions": [ { "content": "McManus is positioning himself on the roof of the boathouse.He stops and grabs his radio.", "order": 0 }, { "content": "Keaton turns and takes a few steps. He stops and looks back,his face marked with guilt and agony.", "order": 11 }, { "content": "Keaton leaves before Verbal can respond. He walks down a ramptoward the boat.He is no more than a few yards out of the shadows before thefirst man sees him.", "order": 13 } ], "character_metadata": [ { "verbosity": 61, "name": "Mcmanus", "sentiment": 0 }, { "verbosity": 415, "name": "Keaton", "sentiment": 0.2333333333333333 }, { "verbosity": 52, "name": "Verbal", "sentiment": 0 } ], "characters": [ "Mcmanus", "Keaton", "Verbal" ], "story_order": 44, "heading": "EXT. BOATHOUSE", "scene_metadata": { "size": 913, "setting": "Ext.", "location": "Boathouse", "sentiment": -0.0006944444444444489, "time": null } }, { "narrative_order": 82, "conversations": [], "actions": [ { "content": "One of the men in suits starts to yell to the others. Menpull out guns and try to look as cool as they can.Keaton walks right into the face of all of these men,undaunted. His hands are in his pockets.Above him, in the darkness, McManus pokes his head out andspies Keaton. He pulls his head back and sticks out thebarrel of the rifle.Keaton comes to a stop about twenty feet from fifteen men alltogether.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 45, "heading": "EXT. DOCK", "scene_metadata": { "size": 403, "setting": "Ext.", "location": "Dock", "sentiment": 0.2119047619047619, "time": null } }, { "narrative_order": 83, "conversations": [ { "dialogue": [ { "content": "Pow.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 1 }, { "dialogue": [ { "content": "Pow-pow-pow-pow-pow-pow . Oswald was afag.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 3 } ], "actions": [ { "content": "McManus stares through the scope of his rifle at the scene.The cross-hairs breeze past Keaton and find a target. A manin a suit.", "order": 0 }, { "content": "He moves to another and then another, picking up speed andmock-shooting the men. He is steady and quick. It is clear hecould take all fifteen in a few seconds.", "order": 2 } ], "character_metadata": [ { "verbosity": 46, "name": "Mcmanus", "sentiment": 0 } ], "characters": [ "Mcmanus" ], "story_order": 46, "heading": "EXT. BOATHOUSE ROOF", "scene_metadata": { "size": 333, "setting": "Ext.", "location": "Boathouse Roof", "sentiment": 0.029999999999999992, "time": null } }, { "narrative_order": 84, "conversations": [], "actions": [ { "content": "The men shout questions at Keaton in a number of languages.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 47, "heading": "EXT. DOCK", "scene_metadata": { "size": 59, "setting": "Ext.", "location": "Dock", "sentiment": 0, "time": null } }, { "narrative_order": 85, "conversations": [], "actions": [ { "content": "A few men standing on the dock near the stern of the largeboat, move towards the commotion.Hockney bails out and runs quickly and quietly through theshadows, bringing the bomb with him.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 48, "heading": "EXT. BARGE", "scene_metadata": { "size": 185, "setting": "Ext.", "location": "Barge", "sentiment": 0.05833333333333333, "time": null } }, { "narrative_order": 86, "conversations": [], "actions": [ { "content": "Verbal remains in the darkness, looking frightened.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 49, "heading": "EXT. BOATHOUSE", "scene_metadata": { "size": 51, "setting": "Ext.", "location": "Boathouse", "sentiment": 0, "time": null } }, { "narrative_order": 87, "conversations": [ { "dialogue": [ { "content": "Old McDonald had a farm, ee-aye, ee-aye,oh. And on this farm he shot some guys.Ba-da-bip, ba-da-bing, bang-boom.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 1 } ], "actions": [ { "content": "McManus still wanders with his scope.", "order": 0 } ], "character_metadata": [ { "verbosity": 112, "name": "Mcmanus", "sentiment": 0.1 } ], "characters": [ "Mcmanus" ], "story_order": 50, "heading": "INT. BOATHOUSE ROOF", "scene_metadata": { "size": 149, "setting": "Int.", "location": "Boathouse Roof", "sentiment": 0.1, "time": null } }, { "narrative_order": 88, "conversations": [], "actions": [ { "content": "Finally two men walk right towards Keaton. The rest trainguns on him. They reach for his arms, pointing their gunsright at him.At the far end of the dock, Hockney throws his bomb onto thestern of the large boat.IT EXPLODESThe men surrounding Keaton, are distracted.Keaton pulls a pistol out of each pocket and shoots the twomen closest to him.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 51, "heading": "EXT. DOCK", "scene_metadata": { "size": 343, "setting": "Ext.", "location": "Dock", "sentiment": 0.15, "time": null } }, { "narrative_order": 89, "conversations": [ { "dialogue": [ { "content": "ELVIS HAS LEFT THE BUILDING.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 0 } ], "actions": [ { "content": "He fires as fast as he can.", "order": 1 } ], "character_metadata": [ { "verbosity": 28, "name": "Mcmanus", "sentiment": 0 } ], "characters": [ "Mcmanus" ], "story_order": 52, "heading": "EXT. BOATHOUSE ROOF", "scene_metadata": { "size": 55, "setting": "Ext.", "location": "Boathouse Roof", "sentiment": 0.1, "time": null } }, { "narrative_order": 90, "conversations": [], "actions": [ { "content": "The men from the boat and the men in suits try to peg Keaton,but McManus' sniping has them running.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 53, "heading": "EXT. PIER", "scene_metadata": { "size": 99, "setting": "Ext.", "location": "Pier", "sentiment": 0, "time": null } }, { "narrative_order": 91, "conversations": [], "actions": [ { "content": "The crane operator opens the door to bails out, leaving thecrane in motion.,,", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 54, "heading": "INT. CRANE", "scene_metadata": { "size": 77, "setting": "Int.", "location": "Crane", "sentiment": 0, "time": null } }, { "narrative_order": 92, "conversations": [], "actions": [ { "content": "McManus runs across the roof of the boathouse and jumps downto the pier. He arrives at a thick mooring cable and climbsacross to the boat. iKeaton climbs up onto a small lifeboat hanging from the sideof the larger boat. From this he climbs aboard the largeboat.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 55, "heading": "EXT. BOATHOUSE ROOF", "scene_metadata": { "size": 309, "setting": "Ext.", "location": "Boathouse Roof", "sentiment": -0.18333333333333335, "time": null } }, { "narrative_order": 93, "conversations": [ { "dialogue": [ { "content": "(In Spanish)", "type": "Parenthetical" }, { "content": "<>", "type": "Dialogue" } ], "character": "Hockney", "order": 1 } ], "actions": [ { "content": "Hockney is firing in all directions.SUDDENLY, he realizes no one is left on the dock.FINALLY, he turns and runs back for the van parked on thepier above. He finds a ramp leading from the dock to thepier.At the van, he finds the one man who has stayed behind toprotect it. I iThe man hears Hockney coming and raises his gun. Hockney runs istraight at him, screaming frantically. i", "order": 0 }, { "content": "He shoots the man point blank in the face and runs over hisbody as it falls.He gets to the back door of the van and yanks it open.The inside is stacked with large wooden crates.", "order": 2 } ], "character_metadata": [ { "verbosity": 96, "name": "Hockney", "sentiment": -0.4 } ], "characters": [ "Hockney" ], "story_order": 56, "heading": "EXT. DOCK", "scene_metadata": { "size": 752, "setting": "Ext.", "location": "Dock", "sentiment": -0.06507936507936508, "time": null } }, { "narrative_order": 94, "conversations": [], "actions": [ { "content": "Hockney, suddenly oblivious to the sound of gunfire, opensone of the crates and looks inside.IT IS FILLED WITH MONEY. Cash and negotiable bonds of allkinds.He smiles.BLOOD sprays all over the money. Hockney looks at it,puzzled.Hockney raises a blood-soaked hand from his belly.He turns and stares in horror.BOOM - Another shot takes off the top of his head.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 57, "heading": "INT. VAN", "scene_metadata": { "size": 357, "setting": "Int.", "location": "Van", "sentiment": 0.325, "time": null } }, { "narrative_order": 95, "conversations": [], "actions": [ { "content": "McManus runs like a wild man across the deck, heading for thehatch .He shoots in all directions as though he has eyes in the backof his head. He sees Keaton climbing onto the deck of theboat.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 58, "heading": "EXT. PIER", "scene_metadata": { "size": 191, "setting": "Ext.", "location": "Pier", "sentiment": 0.1, "time": null } }, { "narrative_order": 96, "conversations": [], "actions": [ { "content": "Verbal is wrestling with what to do. He finally makes a breakfor the other side of the boathouse.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 59, "heading": "EXT. WAREHOUSE", "scene_metadata": { "size": 97, "setting": "Ext.", "location": "Warehouse", "sentiment": -0.0625, "time": null } }, { "narrative_order": 97, "conversations": [], "actions": [ { "content": "The crane continues to swing.A single bullet hits one of the barrels on the suspendedpellet.Gasoline pours out through the bullet-hole.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 60, "heading": "EXT. BOAT DECK", "scene_metadata": { "size": 135, "setting": "Ext.", "location": "Boat Deck", "sentiment": -0.07142857142857142, "time": null } }, { "narrative_order": 98, "conversations": [], "actions": [ { "content": "Keaton finds the hatch and goes below, shooting a man on hisway up the stairs. McManus jumps on board and runs downbehind him.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 61, "heading": "EXT. BOAT", "scene_metadata": { "size": 126, "setting": "Ext.", "location": "Boat", "sentiment": 0, "time": null } }, { "narrative_order": 99, "conversations": [], "actions": [ { "content": "Verbal arrives at the top of the ramp leading from the dockto the pier. +He ducks down behind a guardrail beside the ramp.He turns and sees Hockney's dead body next to the van.He looks around frantically, frozen in terror.It is quiet, except for the sounds of screaming, far off inthe bowels of the boat and the hum of the crane.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 62, "heading": "EXT'. PIER", "scene_metadata": { "size": 384, "setting": "Ext'. Pier", "location": null, "sentiment": -0.022222222222222227, "time": null } }, { "narrative_order": 103, "conversations": [], "actions": [ { "content": "Keaton is weaving through tight, low-ceiling corridors,looking in every cabin, working his way towards the bottom ofthe boat.ELSEWHERE IN THE BOAT, McManus is tearing though thecorridors, seemingly less interested in securing the cargo ashe is in killing everyone on board.He screams like a lunatic, shooting everything in his path,killing some men with his bare hands, shooting others,stabbing others still with a knife he has brought along.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 63, "heading": "INT. BOAT - NIGHT", "scene_metadata": { "size": 442, "setting": "Int.", "location": "Boat", "sentiment": -0.011309523809523808, "time": "Night" } }, { "narrative_order": 104, "conversations": [ { "dialogue": [ { "content": "He's here. I saw him on deck.", "type": "Dialogue" } ], "character": "Man In Robe", "order": 1 }, { "dialogue": [ { "content": "I'M TELLING YOU IT'S KEYSER SOZE.", "type": "Dialogue" } ], "character": "Man In Robe", "order": 3 } ], "actions": [ { "content": "JAIME, one of the men from the boat, is half-pushing, half-helping a thin and sweaty looking MAN IN A CHECKERED BATHROBEtowards a cabin at the end of the hall.The man in the robe is trembling. He seems stricken withfear.", "order": 0 }, { "content": "Jaime pushes him inside the cabin and shuts the door.A stereo playing softly in the room mixes with the man'spanicked breathing.The man in the robe screams through the closed door, hisvoice echoing off of the metal bulkheads.", "order": 2 }, { "content": "Jaime stands outside the door of the cabin and turns to facedown the hall. Off in some other part of the boat, he canhear McManus wailing like a banshee and the ever-lessfrequent sound of gunshots.", "order": 4 } ], "character_metadata": [ { "verbosity": 62, "name": "Man In Robe", "sentiment": 0 } ], "characters": [ "Man In Robe" ], "story_order": 64, "heading": "INT. CORRIDOR", "scene_metadata": { "size": 704, "setting": "Int.", "location": "Corridor", "sentiment": -0.020833333333333332, "time": null } }, { "narrative_order": 105, "conversations": [ { "dialogue": [ { "content": "Did you hear what I heard?", "type": "Dialogue" } ], "character": "Mcmanus", "order": 1 }, { "dialogue": [ { "content": "What happened to you?", "type": "Dialogue" } ], "character": "Keaton", "order": 2 }, { "dialogue": [ { "content": "Keyser Soze is on the boat.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 3 }, { "dialogue": [ { "content": "What?", "type": "Dialogue" } ], "character": "Keaton", "order": 4 }, { "dialogue": [ { "content": "I heard somebody screaming his nuts off.He said Keyser Soze was on the boat.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 5 }, { "dialogue": [ { "content": "Are you alright?", "type": "Dialogue" } ], "character": "Keaton", "order": 6 }, { "dialogue": [ { "content": "Huh? Oh, It's not mine.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 8 }, { "dialogue": [ { "content": "There's no coke.", "type": "Dialogue" } ], "character": "Keaton", "order": 9 }, { "dialogue": [ { "content": "Let's get the fuck out of here.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 11 }, { "dialogue": [ { "content": "Right behind you.", "type": "Dialogue" } ], "character": "Keaton", "order": 12 } ], "actions": [ { "content": "Keaton has come to the four-foot-high door to the hold. Thedoor is open slightly. Keaton finds this strange. He pushesthe door open and steps inside. The hold is empty.He hears a noise behind him. He wheels around to fire. Hesees McManus in the door. His face is covered with blood.", "order": 0 }, { "content": "McManus rubs some of the blood off with his sleeve.", "order": 7 }, { "content": "McManus looks around the hold as though he'll see four and ahalf tons of dope in some corner where Keaton might havemissed it.The two men look at one another. There is a long, pregnantsilence.", "order": 10 } ], "character_metadata": [ { "verbosity": 183, "name": "Mcmanus", "sentiment": -0.4 }, { "verbosity": 75, "name": "Keaton", "sentiment": -0.4 } ], "characters": [ "Mcmanus", "Keaton" ], "story_order": 65, "heading": "INT. HOLD", "scene_metadata": { "size": 783, "setting": "Int.", "location": "Hold", "sentiment": -0.18333333333333332, "time": null } }, { "narrative_order": 106, "conversations": [ { "dialogue": [ { "content": "Where's Hockney?", "type": "Dialogue" } ], "character": "Keaton", "order": 1 }, { "dialogue": [ { "content": "I don't think he made it to the boat.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 2 }, { "dialogue": [ { "content": "I can't remember which way.", "type": "Dialogue" } ], "character": "Keaton", "order": 4 }, { "dialogue": [ { "content": "Right -", "type": "Dialogue" } ], "character": "Mcmanus", "order": 5 } ], "actions": [ { "content": "Keaton and McManus step out of the hold, walking slowly andcautiously back from where they came. They hear the sounds offootsteps running on the deck above and the occasionalhollered sentence in Spanish.", "order": 0 }, { "content": "They come to a corner. They can go left or right.", "order": 3 }, { "content": "Gunshots fill the hallway from behind them. They do not stopto turn around. Keaton goes left, McManus goes right. Theyrun in opposite directions with the sound of gunfire rightbehind them.", "order": 6 } ], "character_metadata": [ { "verbosity": 43, "name": "Keaton", "sentiment": 0 }, { "verbosity": 44, "name": "Mcmanus", "sentiment": 0 } ], "characters": [ "Keaton", "Mcmanus" ], "story_order": 66, "heading": "INT. CORRIDOR", "scene_metadata": { "size": 527, "setting": "Int.", "location": "Corridor", "sentiment": -0.001587301587301594, "time": null } }, { "narrative_order": 107, "conversations": [], "actions": [ { "content": "Jaime squints and cocks his head.SOMEONE IS COMING. He raises a pistol and crouches by thedoor.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 67, "heading": "INT. HALLWAY CABIN", "scene_metadata": { "size": 95, "setting": "Int.", "location": "Hallway Cabin", "sentiment": 0, "time": null } }, { "narrative_order": 108, "conversations": [ { "dialogue": [ { "content": "I told them nothing.", "type": "Dialogue" } ], "character": "Man In Robe", "order": 1 } ], "actions": [ { "content": "The man in the bathrobe sits on the foot of the bed watchingthe door. He hears the sounds of fighting somewhere not toofar away.He crawls over the bed and squeezes between it and thebulkhead. Only the top of his head is visible. He starts tocry.BOOM - BOOM - Two shots just outside in the hall.SUDDENLY, the door bursts open. Jaime collapses in a heap onthe floor, a bullet hole in his eye.A FIGURE LOOMS IN THE DOORThe man in the bathrobe looks up at the figure. We cannot seehim.", "order": 0 }, { "content": "The man in the robe falls dead.", "order": 2 } ], "character_metadata": [ { "verbosity": 20, "name": "Man In Robe", "sentiment": 0 } ], "characters": [ "Man In Robe" ], "story_order": 68, "heading": "INT. CABIN", "scene_metadata": { "size": 532, "setting": "Int.", "location": "Cabin", "sentiment": 0.06, "time": null } }, { "narrative_order": 109, "conversations": [], "actions": [ { "content": "The boat is quiet now. Keaton walks out onto the deck.He looks out over the pier and sees Verbal standing in themiddle of the carnage, frozen. Their eyes meet. Keaton wavesat him as if to shoe him away.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 69, "heading": "EXT. DECK", "scene_metadata": { "size": 202, "setting": "Ext.", "location": "Deck", "sentiment": 0, "time": null } }, { "narrative_order": 110, "conversations": [], "actions": [ { "content": "Verbal hesitates and finally moves towards the van with themoney. He looks back over his shoulder and sees Keaton.Keaton sees him looking and waves again, hurrying him along.Verbal turns away and focuses on the van.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 70, "heading": "EXT. PIER", "scene_metadata": { "size": 215, "setting": "Ext.", "location": "Pier", "sentiment": 0, "time": null } }, { "narrative_order": 111, "conversations": [ { "dialogue": [ { "content": "Strangest thing...", "type": "Dialogue" } ], "character": "Mcmanus", "order": 1 } ], "actions": [ { "content": "Keaton hears a noise behind him. He swings around and pointshis gun at McManus again. He puts the gun down.McManus smiles. He walks slowly across the deck towardsKeaton. Something is not right about him.", "order": 0 }, { "content": "He slumps to the deck. Keaton rushes over to him. He kneelsdown and sees a pipe sticking out of the back of McManus'sneck.", "order": 2 } ], "character_metadata": [ { "verbosity": 18, "name": "Mcmanus", "sentiment": 0 } ], "characters": [ "Mcmanus" ], "story_order": 71, "heading": "EXT. DECK", "scene_metadata": { "size": 343, "setting": "Ext.", "location": "Deck", "sentiment": -0.21071428571428574, "time": null } }, { "narrative_order": 112, "conversations": [], "actions": [ { "content": "Verbal approaches the van, stepping over Hockney's body. Hecloses the back doors of the van. ,He looks to his left at the huge loading crane. He glancesupward along the giant' arm as it swings steadily on.Somewhere, off in the distance, the sound of SIRENS can beheard.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 72, "heading": "EXT. PIER", "scene_metadata": { "size": 277, "setting": "Ext.", "location": "Pier", "sentiment": 0.16111111111111112, "time": null } }, { "narrative_order": 113, "conversations": [], "actions": [ { "content": "Keaton kneels by McManus, trembling with rage. After a momenthe stands, looking down at McManus' dead body.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 73, "heading": "EXT. DECK", "scene_metadata": { "size": 107, "setting": "Ext.", "location": "Deck", "sentiment": -0.1777777777777778, "time": null } }, { "narrative_order": 114, "conversations": [], "actions": [ { "content": "SUDDENLY, Verbal realizes something. He turns and goes tocall out a warning to Keaton. He is too late.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 74, "heading": "EXT. PIER", "scene_metadata": { "size": 102, "setting": "Ext.", "location": "Pier", "sentiment": -0.15, "time": null } }, { "narrative_order": 115, "conversations": [], "actions": [ { "content": "Keaton never sees the crane coming.WHAMThe pellet of barrels hits him square in the back and sendshim flying into the wheel house of the boat.Keaton is still for a moment. Finally, he tries to get up,but finds he cannot move his legs.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 75, "heading": "EXT. DECK", "scene_metadata": { "size": 234, "setting": "Ext.", "location": "Deck", "sentiment": -0.05, "time": null } }, { "narrative_order": 116, "conversations": [], "actions": [ { "content": "Verbal runs down the ramp as fast as he can. He comes to arope ladder hanging down the side of the boat. +SUDDENLY, he stops dead in his tracks, looking up at theboat.>From where he stands, he can just make out the figure of aTAU, THIN MAN walking along the edge of the deck. He movesquietly and calmly in the shadows towards the crane, lookingout of place in his expensive suit.Something about this man terrifies him.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 76, "heading": "EXT. PIER", "scene_metadata": { "size": 439, "setting": "Ext.", "location": "Pier", "sentiment": -0.1138888888888889, "time": null } }, { "narrative_order": 118, "conversations": [], "actions": [ { "content": "Verbal is hiding in the tangle of girders and cables on thebarge.Keaton's body is completely obscured.The man in a suit strides across the deck over to Keaton,stopping to relieve himself on a small fire on the deck.He walks up and stands over Keaton. The two men exchangewords and the man in the suit pulls out a pistol. He pointsit at Keaton.Verbal turns. He can just make out police cars coming in thedistance.BANGVerbal hears a shot from the deck of the boat. He turns intime to see the man in the suit running across the decktoward the gangway.Verbal can barely see the man from where he is now. The manin the suit is covered by shadows and the poor angle from thebarge. Verbal strains to see but he cannot.The man in the suit stops long enough to pull out a lighter.He turns and walks back across the deck and out of sight.A moment later flames leap up from on the deck.The mesh of steel and rubber leaves a dark and open cocoon atits base.MOVE INTO THE DARKNESS.Sirens are close now. Almost here. The sound of fire ragingout of control.SIRENS BLARING. TIRES SQUEALING. CAR DOORS OPENING. FEETPOUNDING THE PAVEMENT.MOVE FURTHER, SLOWER, INTO THE DARKNESS.Voices yelling. New light flickering in the surroundingdarkness.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 77, "heading": "EXT. BARGE - NIGHT", "scene_metadata": { "size": 1224, "setting": "Ext.", "location": "Barge", "sentiment": 0.016883116883116882, "time": "Night" } }, { "narrative_order": 0, "conversations": [], "actions": [ { "content": "The lonely sound of a buoy bell in the distance. Waterslapping against a smooth, flat surface in rhythm. Thecreaking of wood.Off in the very far distance, one can make out the sound ofsirens.SUDDENLY, a single match ignites and invades the darkness. Itquivers for a moment. A dimly lit hand brings the rest of thepack to the match. A plume of yellow-white flame flares andilluminates the battered face of DEAN KEATON, age forty. Hissalty-gray hair is wet and matted. His face drips with wateror sweat. A large cut runs the length of his face from thecorner of his eye to his chin. It bleeds freely. An un-litcigarette hangs in the corner of his mouth.In the half-light we can make out that he is on the deck of alarge boat. A yacht, perhaps, or a small freighter. He sitswith his back against the front bulkhead of the wheel house.His legs are twisted at odd, almost impossible angles. Helooks down.A thin trail of liquid runs past his feet and off into thedarkness. Keaton lights the cigarette on the burning pack ofmatches before throwing them into the liquid.The liquid IGNITES with a poof.The flame runs up the stream, gaining in speed and intensity.It begins to ripple and rumble as it runs down the decktowards the stern.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 78, "heading": "BLACK", "scene_metadata": { "size": 1227, "setting": "Black", "location": null, "sentiment": -0.03373851294903927, "time": null } }, { "narrative_order": 1, "conversations": [ { "dialogue": [ { "content": "How are you, Keaton?", "type": "Dialogue" } ], "character": "Voice", "order": 1 }, { "dialogue": [ { "content": "I'd have to say my spine was broken,Keyser.", "type": "Dialogue" } ], "character": "Keaton", "order": 2 }, { "dialogue": [ { "content": "Ready?", "type": "Dialogue" } ], "character": "Voice", "order": 4 }, { "dialogue": [ { "content": "What time is it?", "type": "Dialogue" } ], "character": "Keaton", "order": 5 }, { "dialogue": [ { "content": "Twelve thirty.", "type": "Dialogue" } ], "character": "Voice", "order": 7 }, { "dialogue": [ { "content": "New York. - six weeks ago. A truck loadedwith stripped gun parts got jackedoutside of Queens. The driver didn't seeanybody, but somebody fucked up. He hearda voice. Sometimes, that's all you need.", "type": "Dialogue" } ], "character": "Verbal", "order": 9 } ], "actions": [ { "content": "A stack of oil drums rests on the stern. They are stacked ona palette with ropes at each corner that attach it to a hugecrane on the dock. One of the barrels has been punctured atit's base. Gasoline trickles freely from the hole.The flame is racing now towards the barrels. Keaton smilesweakly to himself.The flame is within a few yards of the barrels when anotherstream of liquid splashes onto the gas. The flame fizzles outpitifully with a hiss.Two feet straddle the flame. A stream of urine flows onto thedeck from between them.The sound of a fly zipping. Follow the feet as they move overto where Keaton rests at the wheel house.CRANE UP to the waist of the unknown man. He pulls a pack ofcigarettes out of one pocket and a strange antique lighterfrom the other. It is gold, with a clasp that folds down overthe flint. The man flicks up the clasp with his thumb andstrikes it with his index finger. It is a fluid motion,somewhat showy.Keaton looks up at the man. A look of realization crosses hisface. It is followed by frustration, anger, and finallyresignation.", "order": 0 }, { "content": "He spits the name out like it was poison.The man puts the lighter back in his pocket and reaches underhis jacket. He produces a stainless .38 revolver.", "order": 3 }, { "content": "The hand with the gun turns over, turning the gold watch onits wrist upward.The sound of sirens is closer now. Headed this way.", "order": 6 }, { "content": "Keaton grimaces bitterly and nods. He turns his head away andtakes another drag.The hand with the gun waits long enough for Keaton to enjoyhis last drag before pulling the trigger.GUNSHOTThe sound of Keaton's body slumping onto the deck.MOVE OUT ACROSS THE DECK. Below is the stream of gasolinestill flowing freely.The sound of the gasoline igniting. The flame runs in frontof us towards the barrels, finally leaping up in a circlearound the drums, burning the wood of the pallet and lickingthe spouting stream as it pours from the hole.MOVE OUT ACROSS THE DOCK, away from the boat.The pier to which the boat is moored is littered with DEADBODIES. Twenty or more men have been shot to pieces and liescattered everywhere in what can only be the aftermath of afierce fire-fight.A BARGE COMES INTO VIEW.On the deck of the barge is a tangle of cables and girders.The mesh of steel and rubber leaves a dark and open cocoonbeneath its base.MOVE INTO THE DARKNESS.Sirens are close now. Almost here. The sound of fire ragingout of control.SIRENS BLARING. TIRES SQUEALING. CAR DOORS OPENING. FEETPOUNDING THE PAVEMENT.MOVE FURTHER, SLOWER, INTO THE DARKNESSVoices yelling. New light flickering in the surroundingdarkness.SUDDENLY, AN EXPLOSION.Then silence. TOTAL BLACKNESS.We hear the voice of ROGER \"VERBAL\" KINT, whom we will soonmeet.", "order": 8 } ], "character_metadata": [ { "verbosity": 40, "name": "Voice", "sentiment": 0 }, { "verbosity": 59, "name": "Keaton", "sentiment": 0 }, { "verbosity": 196, "name": "Verbal", "sentiment": -0.2318181818181818 } ], "characters": [ "Voice", "Keaton", "Verbal" ], "story_order": 79, "heading": "EXT. BOAT - NIGHT", "scene_metadata": { "size": 2969, "setting": "Ext.", "location": "Boat", "sentiment": 0.04080650252525253, "time": "Night" } }, { "narrative_order": 4, "conversations": [], "actions": [ { "content": "FRED FENSTER, a tall, thin man in his thirties strollscasually down the street. He is dressed conspicuously in aloud suit and tie with shoes that have no hope of matching.He smokes a cigarette and chews gum at the same time.He happens to glance over his shoulder and notice a brownFord sedan with four men in it cruising along the curb. Hepicks up his step a little. The Ford keeps up.He looks ahead at the corner. He tries to look as comfortableas he can, checking his watch as though remembering anappointment he is late for. The Ford stays right on him.SUDDENLY, he bolts. He gets no more than a few yards beforecars pour out of every conceivable nook and cranny. Brakesare squealing, radios squawking, guns cocking. Fenster issurrounded instantly. He stops short and flaps his hands onhis thighs in defeat.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 80, "heading": "EXT. STREET - NEW YORK - DAY", "scene_metadata": { "size": 810, "setting": "Ext.", "location": "Street - New York", "sentiment": -0.10061177248677246, "time": "Day" } }, { "narrative_order": 5, "conversations": [ { "dialogue": [ { "content": "Let me look at you.", "type": "Dialogue" } ], "character": "Edie", "order": 1 }, { "dialogue": [ { "content": "Now remember, this is another kind ofbusiness. They don't earn your respect.You owe it to them. Don't stare them downbut don't look away either. Confidence.They are fools not to trust you. That'sthe attitude.", "type": "Dialogue" } ], "character": "Edie", "order": 3 }, { "dialogue": [ { "content": "I'm having a stroke.", "type": "Dialogue" } ], "character": "Keaton", "order": 4 }, { "dialogue": [ { "content": "You've come far. You're a good man. Ilove you.", "type": "Dialogue" } ], "character": "Edie", "order": 5 }, { "dialogue": [ { "content": "Live with it.", "type": "Dialogue" } ], "character": "Edie", "order": 7 } ], "actions": [ { "content": "An attractive man and woman walk quickly through the front ofa small New York cafe. They are charged with nervous, excitedenergy.The man is DEAN KEATON, a well dressed, sturdy looking man inhis forties with slightly graying hair. He looks much betterthan he did in the opening scene. The woman with him is EDIEFINNERAN, age thirty-three, poised and attractive - Easilythe calmer of the two.They come to a staircase at the back of the restaurantleading down to a dark room. Edie takes Keaton's arm andstops him.", "order": 0 }, { "content": "Keaton is uncomfortable in his suit, or perhaps thesituation. Still, he smiles with genuine warmth.Edie straightens his tie and picks microscopic imperfectionsfrom his lapel.", "order": 2 }, { "content": "Keaton blinks then stammers, looking for a response.PAUSE", "order": 6 }, { "content": "She kisses him and runs down the steps with Keaton closebehind. Keaton playfully grabs her ass and she nearlystumbles down the stairs.", "order": 8 } ], "character_metadata": [ { "verbosity": 286, "name": "Edie", "sentiment": 0.4666666666666666 }, { "verbosity": 20, "name": "Keaton", "sentiment": 0 } ], "characters": [ "Edie", "Keaton" ], "story_order": 81, "heading": "INT. MONDINO'S RESTAURANT - DAY", "scene_metadata": { "size": 1181, "setting": "Int.", "location": "Mondino'S Restaurant", "sentiment": 0.1491978609625669, "time": "Day" } }, { "narrative_order": 6, "conversations": [ { "dialogue": [ { "content": "Edie, nice to see you.", "type": "Dialogue" } ], "character": "Fortier", "order": 1 }, { "dialogue": [ { "content": "Sorry we're late.", "type": "Dialogue" } ], "character": "Edie", "order": 2 }, { "dialogue": [ { "content": "Nonsense. Sit, please.", "type": "Dialogue" } ], "character": "Fortier", "order": 3 }, { "dialogue": [ { "content": "(struggling with English)", "type": "Parenthetical" }, { "content": "You must be Mr. Keaton.", "type": "Dialogue" } ], "character": "Renault", "order": 4 }, { "dialogue": [ { "content": "I'm sorry. Dean Keaton", "type": "Dialogue" } ], "character": "Edie", "order": 5 }, { "dialogue": [ { "content": "Monsieur Renault. A pleasure.", "type": "Dialogue" } ], "character": "Renault", "order": 7 }, { "dialogue": [ { "content": "How do you do?", "type": "Dialogue" } ], "character": "Keaton", "order": 8 }, { "dialogue": [ { "content": "Monsieur Fortier. So nice to finally meetyou.", "type": "Dialogue" } ], "character": "Fortier", "order": 10 } ], "actions": [ { "content": "They come to the bottom of the steps giggling and jabbingeach other. Once off the stairs they instantly transform asthough hit with cold air. They assume a cool, professionalexterior and walk two feet apart. One would look at them andsee only two business associates here to ply their trade.They walk across the dimly lit dining room to a table in thefar corner where two men are already waiting. The first isMR. FORTIER, age thirty-five, the other is MR. RENAULT, agesixty. Both men are impeccably dressed with a distinguishedair. They stand and smile.", "order": 0 }, { "content": "Renault's hand is already out.", "order": 6 }, { "content": "They shake hands. Keaton takes Fortier's hand next.", "order": 9 }, { "content": "Everyone sits at the table. All faces are smiling.Edie's hand reaches out and finds Keaton's leg. Her hand runshigh up his inner thigh and squeezes firmly.Her face is absolutely calm, giving no hint of what her handis doing. Keaton smiles and clears his throat.", "order": 11 } ], "character_metadata": [ { "verbosity": 89, "name": "Fortier", "sentiment": 0.39999999999999997 }, { "verbosity": 39, "name": "Edie", "sentiment": -0.5 }, { "verbosity": 52, "name": "Renault", "sentiment": 0 }, { "verbosity": 14, "name": "Keaton", "sentiment": 0 } ], "characters": [ "Fortier", "Edie", "Renault", "Keaton" ], "story_order": 82, "heading": "INT. RESTAURANT DOWNSTAIRS", "scene_metadata": { "size": 1114, "setting": "Int.", "location": "Restaurant Downstairs", "sentiment": 0.10666666666666666, "time": null } }, { "narrative_order": 7, "conversations": [], "actions": [ { "content": "Follow a waiter past the flight of steps.Five sets of feet arriving at the bottom.The feet in the middle wear shoes notably nicer than therest.SPECIAL AGENT DAVID KUJAN (Pronounced Koo-yahn), U.S.CUSTOMS. Thirtyish, dark-haired and determined.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 83, "heading": "INT. MONDINO'S RESTAURANT", "scene_metadata": { "size": 243, "setting": "Int.", "location": "Mondino'S Restaurant", "sentiment": 0.08333333333333333, "time": null } }, { "narrative_order": 8, "conversations": [ { "dialogue": [ { "content": "Edie brought us your proposal and I'll behonest. We're very impressed. A bitskeptical, I must admit, but impressed.", "type": "Dialogue" } ], "character": "Fortier", "order": 0 }, { "dialogue": [ { "content": "Skeptical.", "type": "Dialogue" } ], "character": "Keaton", "order": 1 }, { "dialogue": [ { "content": "We find the concept brilliant, but NewYork is difficult for new restaurants.How can we be certain that our money willbe returned in the long run?", "type": "Dialogue" } ], "character": "Renault", "order": 2 }, { "dialogue": [ { "content": "It's simple gentlemen, designversatility. A restaurant that can changewith taste without losing the overallaesthetic. Our atmosphere won't bepainted on the walls.", "type": "Dialogue" } ], "character": "Keaton", "order": 4 }, { "dialogue": [ { "content": "This was the part of the proposal thatintrigued us, but I'm not sure I follow.", "type": "Dialogue" } ], "character": "Fortier", "order": 5 }, { "dialogue": [ { "content": "Let's say for example -", "type": "Dialogue" } ], "character": "Keaton", "order": 6 }, { "dialogue": [ { "content": "This I had to see myself.", "type": "Dialogue" } ], "character": "Voice", "order": 7 }, { "dialogue": [ { "content": "Dave. I'm in a meeting.", "type": "Dialogue" } ], "character": "Keaton", "order": 9 }, { "dialogue": [ { "content": "Time for another one.", "type": "Dialogue" } ], "character": "Kujan", "order": 10 }, { "dialogue": [ { "content": "This is my attorney, Edie Finneran.", "type": "Dialogue" }, { "content": "(Gesturing)", "type": "Parenthetical" } ], "character": "Keaton", "order": 11 }, { "dialogue": [ { "content": "This is Mr. Renault and Mr. Fortier.Everyone, this is David Kujan.", "type": "Dialogue" } ], "character": "Keaton", "order": 12 }, { "dialogue": [ { "content": "Special Agent Kujan. U.S. Customs.(Gestures to men behind him)These gentlemen are with the New Yorkpolice department. You look great,Keaton. Better than I would have thought.", "type": "Dialogue" } ], "character": "Kujan", "order": 13 }, { "dialogue": [ { "content": "Is there a problem, Mr. Keaton?", "type": "Dialogue" } ], "character": "Renault", "order": 14 }, { "dialogue": [ { "content": "The small matter of a stolen truck-loadof guns that wound up on a boat toIreland last night.", "type": "Dialogue" } ], "character": "Kujan", "order": 15 }, { "dialogue": [ { "content": "Mr. Keaton?", "type": "Dialogue" } ], "character": "Fortier", "order": 17 }, { "dialogue": [ { "content": "If you will excuse us for a moment,gentlemen.", "type": "Dialogue" } ], "character": "Keaton", "order": 18 }, { "dialogue": [ { "content": "We need to ask you some questionsdowntown. You'll be quite awhile.", "type": "Dialogue" } ], "character": "Kujan", "order": 19 }, { "dialogue": [ { "content": "We should leave you to discuss whateverthis is.", "type": "Dialogue" } ], "character": "Renault", "order": 21 }, { "dialogue": [ { "content": "Please. Sit.", "type": "Dialogue" } ], "character": "Keaton", "order": 22 }, { "dialogue": [ { "content": "Enjoy the meal.", "type": "Dialogue" }, { "content": "(To Edie)", "type": "Parenthetical" }, { "content": "I'LL call you.", "type": "Dialogue" } ], "character": "Keaton", "order": 24 } ], "actions": [ { "content": "Keaton looks at Edie and smiles confidently.", "order": 3 }, { "content": "Keaton looks up. He sees David Kujan. Behind him are the veryserious looking guys in suits.Keaton is not happy to see them.", "order": 8 }, { "content": "Renault and Fortier's confusion is giving way to suspicion.", "order": 16 }, { "content": "Renault starts to get up.", "order": 20 }, { "content": "Keaton stands up and throws a wad of money on the table tocover the check. He looks at Edie. She moves to stand, but hesits her back down with a hand on her shoulder.", "order": 23 }, { "content": "Kujan takes him by the arm, but Keaton yanks away.He looks out over the dozens of other faces in therestaurant. Everyone is looking at him with some level ofsurprise. If Keaton is humiliated by the whole affair, hehides it well.", "order": 25 } ], "character_metadata": [ { "verbosity": 204, "name": "Fortier", "sentiment": 0.375 }, { "verbosity": 405, "name": "Keaton", "sentiment": -0.025 }, { "verbosity": 223, "name": "Renault", "sentiment": 0.14012987012987013 }, { "verbosity": 25, "name": "Voice", "sentiment": 0 }, { "verbosity": 353, "name": "Kujan", "sentiment": -0.0027272727272727336 } ], "characters": [ "Fortier", "Keaton", "Renault", "Voice", "Kujan" ], "story_order": 84, "heading": "INT. RESTAURANT DOWNSTAIRS", "scene_metadata": { "size": 1875, "setting": "Int.", "location": "Restaurant Downstairs", "sentiment": 0.025322871572871563, "time": null } }, { "narrative_order": 9, "conversations": [ { "dialogue": [ { "content": "It didn't make sense that I be there. Imean these guys were hard-core hijackers,but there I was. At that point, I wasn'tscared, f knew I hadn't done anythingthey could do me for. Besides, it wasfun. I got to make like I was notorious.", "type": "Dialogue" } ], "character": "Verbal", "order": 1 } ], "actions": [ { "content": "A police officer steps into the frame and opens the steeldoor.FOLLOW A PAIR OF FEET as they shuffle across the cementfloor. The shoes are shabby and worn, as are the wrinkledpants that hang too low and loose at the cuffs. The rightfoot is turned slightly inward and falls with a hard limp. Itis clear that the knee does not extend fully.The sound of a steel door opening. The bottom corner of asteel cage comes into view. Another set of feet falls intostep with the first. Another steel door and another set offeet. Another door, another and another. Five pairs of feetwalk single file down the hall.The lame feet are in the front of the line. They come toanother steel door, this one solid and covered with dents andrivets.ROGER KINT, VERBAL to his few friends. He has a deeply linedface, making his thirty-odd years a good guess at best. Fromhis twisted left hand, we can see that he suffers from aslight but not debilitating palsy. Behind him are DeanKeaton, Fred Fenster, McManus and Todd Hockney. tVerbal steps through the door, followed by the rest.", "order": 0 } ], "character_metadata": [ { "verbosity": 234, "name": "Verbal", "sentiment": 0 } ], "characters": [ "Verbal" ], "story_order": 85, "heading": "INT. LOCK UP HALLWAY - NIGHT", "scene_metadata": { "size": 1310, "setting": "Int.", "location": "Lock Up Hallway", "sentiment": -0.03561202686202687, "time": "Night" } }, { "narrative_order": 10, "conversations": [ { "dialogue": [ { "content": "(To Keaton)", "type": "Parenthetical" }, { "content": "Where you been, man?", "type": "Dialogue" } ], "character": "Mcmanus", "order": 1 }, { "dialogue": [ { "content": "SHUT UP IN THERE. Alright, you all knowthe drill. When your number is called,step forward and repeat the phrase you'vebeen given. Understand?", "type": "Dialogue" } ], "character": "Voice", "order": 2 }, { "dialogue": [ { "content": "Number one. Step forward.", "type": "Dialogue" } ], "character": "Voice", "order": 4 }, { "dialogue": [ { "content": "Hand-me-the-keys, you-fucking-cock-sucker.", "type": "Dialogue" } ], "character": "Hockney", "order": 6 }, { "dialogue": [ { "content": "Number two. Step forward.", "type": "Dialogue" } ], "character": "Voice", "order": 7 }, { "dialogue": [ { "content": "Give me the keys, you motherfucking,cocksucking pile of shit, or I'll rip offyour", "type": "Dialogue" } ], "character": "Mcmanus", "order": 9 }, { "dialogue": [ { "content": "KNOCK IT OFF. Get back in line.", "type": "Dialogue" } ], "character": "Voice", "order": 10 }, { "dialogue": [ { "content": "It was bullshit. The whole rap was asetup. Everything is the cops' fault. Youdon't put guys like that in a roomtogether. Who knows what can happen?", "type": "Dialogue" } ], "character": "Verbal", "order": 12 } ], "actions": [ { "content": "The five men are ushered into the room in front of a whitewall painted with horizontal blue stripes. Each has a numberat either end to denote the height of the man in front of it.Between these lines are thinner blue lines to tell thespecific height in inches.Bright lights shine on all of them. They squint, eyesadjusting.Keaton leans forward a bit and looks at the men in line withhim. He shares a look of familiarity with Fenster and thenMcManus. Hockney smiles at all of them.", "order": 0 }, { "content": "The men all nod.", "order": 3 }, { "content": "Hockney takes a step forward. He looks directly into a mirroron the other side of the room. It is three feet square and wecan make out faint light behind it. It is a two-way. Hespeaks in a complete dead-pan.", "order": 5 }, { "content": "McManus steps up and makes a gun with his thumb andforefinger. He mocks criminal intensity, pointing at themirror. He camps up his line.", "order": 8 }, { "content": "McManus steps back.The rest of the men do their bit as Verbal speaks.", "order": 11 } ], "character_metadata": [ { "verbosity": 101, "name": "Mcmanus", "sentiment": -0.2 }, { "verbosity": 222, "name": "Voice", "sentiment": 0 }, { "verbosity": 42, "name": "Hockney", "sentiment": 0 }, { "verbosity": 147, "name": "Verbal", "sentiment": 0.2 } ], "characters": [ "Mcmanus", "Voice", "Hockney", "Verbal" ], "story_order": 86, "heading": "INT. LINE UP ROOM", "scene_metadata": { "size": 1430, "setting": "Int.", "location": "Line Up Room", "sentiment": -0.06875, "time": null } }, { "narrative_order": 11, "conversations": [ { "dialogue": [ { "content": "This has to be embarrassing for youguys, huh? I mean you know and I knowthis is a load of shit, but at least Idon't have a captain with his dick inmy ass making me play along. That hasgot to suck,", "type": "Dialogue" } ], "character": "Mcmanus", "order": 1 }, { "dialogue": [ { "content": "Are you done?", "type": "Dialogue" } ], "character": "Voice", "order": 2 }, { "dialogue": [ { "content": "Do you work for a broad? That wouldhave to be the worst.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 3 }, { "dialogue": [ { "content": "Are you done?", "type": "Dialogue" } ], "character": "Voice", "order": 4 }, { "dialogue": [ { "content": "Still, I guess dignity is a smallpries to pay for medical and apension. A small pension, mind you,but a pension nonetheless.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 5 }, { "dialogue": [ { "content": "They drilled us all night. Somebody waspissed about that truck getting knockedoff and the cops had nothing. They werehoping somebody would slip. Give themsomething to go on. They knew we wouldn'tfight it because they knew how to lean onus. They'd been doing it forever. Ourrights went right out the window. It wasa violation. I mean disgraceful.", "type": "Dialogue" } ], "character": "Verbal", "order": 6 }, { "dialogue": [ { "content": "They went after McManus first. He was agood guy. Crazy though. A top notch entryman .", "type": "Dialogue" } ], "character": "Verbal", "order": 7 }, { "dialogue": [ { "content": "So where'd you dump the truck?", "type": "Dialogue" } ], "character": "Voice", "order": 8 }, { "dialogue": [ { "content": "What truck?", "type": "Dialogue" } ], "character": "Mcmanus", "order": 9 }, { "dialogue": [ { "content": "The truck with the guns, fucko.", "type": "Dialogue" } ], "character": "Voice", "order": 10 }, { "dialogue": [ { "content": "You kill me, you really do. Where's myphone call?", "type": "Dialogue" } ], "character": "Mcmanus", "order": 11 }, { "dialogue": [ { "content": "Right here. Suck it out.", "type": "Dialogue" } ], "character": "Voice", "order": 12 }, { "dialogue": [ { "content": "Clever guy.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 13 }, { "dialogue": [ { "content": "You want to know what your buddy Fenstertold us?", "type": "Dialogue" } ], "character": "Voice", "order": 14 }, { "dialogue": [ { "content": "Do I look stupid enough to fall for that?Jesus Christ. Beat me if you gotta, butno more of the candy-land tactics, man.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 15 }, { "dialogue": [ { "content": "WHERE'S THE FUCKING TRUCK?", "type": "Dialogue" } ], "character": "Voice", "order": 16 } ], "actions": [ { "content": "McManus sits in a chair in front of a white wall. He smilesat someone off-screen.OVERLAPPED:", "order": 0 } ], "character_metadata": [ { "verbosity": 566, "name": "Mcmanus", "sentiment": -0.11000000000000001 }, { "verbosity": 185, "name": "Voice", "sentiment": -0.6 }, { "verbosity": 430, "name": "Verbal", "sentiment": 0.024642857142857143 } ], "characters": [ "Mcmanus", "Voice", "Verbal" ], "story_order": 87, "heading": "INT. INTERROGATION ROOM - NIGHT", "scene_metadata": { "size": 1273, "setting": "Int.", "location": "Interrogation Room", "sentiment": -0.09275210084033615, "time": "Night" } }, { "narrative_order": 12, "conversations": [ { "dialogue": [ { "content": "I want to call my lawyer. I don;'t knowabout any truck. I was in Connecticut allnight on Friday.", "type": "Dialogue" } ], "character": "Fenster", "order": 1 }, { "dialogue": [ { "content": "That's not what McManus said.", "type": "Dialogue" } ], "character": "Voice", "order": 2 }, { "dialogue": [ { "content": "Who?", "type": "Dialogue" } ], "character": "Fenster", "order": 3 }, { "dialogue": [ { "content": "McManus. Be told us another storyaltogether.", "type": "Dialogue" } ], "character": "Voice", "order": 4 }, { "dialogue": [ { "content": "Was it the one about the hooker withdysentery I swear , she nevermentioned money until I came.", "type": "Dialogue" } ], "character": "Fenster T", "order": 5 }, { "dialogue": [ { "content": "Be fold us about the truck.", "type": "Dialogue" } ], "character": "Voice", "order": 6 }, { "dialogue": [ { "content": "To be honest, it was more like a +mobile home. She made a lot of money, t", "type": "Dialogue" } ], "character": "Fenster S", "order": 7 }, { "dialogue": [ { "content": "Who took the guns off your hands?", "type": "Dialogue" } ], "character": "Voice", "order": 8 }, { "dialogue": [ { "content": "Hey, are we talking about the samething?", "type": "Dialogue" } ], "character": "Fenster", "order": 9 }, { "dialogue": [ { "content": "I'm losing my patience.", "type": "Dialogue" } ], "character": "Voice", "order": 10 }, { "dialogue": [ { "content": "Fenster always worked with McManus. Hewas a real tight-ass, but when it came tothe job, he was right on. Smart guy. Agopher. Got whatever you needed for nextto nothing.", "type": "Dialogue" } ], "character": "Verbal", "order": 11 }, { "dialogue": [ { "content": "You guys got nothing on me. Where's yourprobable cause?", "type": "Dialogue" } ], "character": "Fenster", "order": 12 }, { "dialogue": [ { "content": "You're a known hijacker. You're sweatinglike a guilty motherfucker. That's myp.c. Save us the time. Tell us where thetruck is.", "type": "Dialogue" } ], "character": "Voice", "order": 13 }, { "dialogue": [ { "content": "HELLO? Can you hear me in the back? P.C.", "type": "Dialogue" } ], "character": "Fenster", "order": 15 }, { "dialogue": [ { "content": "Where is it? I'm lookin'. It's nothappening. What's going on with that? Iwant", "type": "Dialogue" } ], "character": "Fenster", "order": 17 } ], "actions": [ { "content": "Now Fenster is in the seat. He sweats profusely.", "order": 0 }, { "content": "Fenster knocks on the table.", "order": 14 }, { "content": "He looks under his chair.", "order": 16 } ], "character_metadata": [ { "verbosity": 312, "name": "Fenster", "sentiment": 0 }, { "verbosity": 282, "name": "Voice", "sentiment": -0.5 }, { "verbosity": 94, "name": "Fenster T", "sentiment": 0 }, { "verbosity": 120, "name": "Fenster S", "sentiment": 0.55 }, { "verbosity": 168, "name": "Verbal", "sentiment": 0.2333333333333333 } ], "characters": [ "Fenster", "Voice", "Fenster T", "Fenster S", "Verbal" ], "story_order": 88, "heading": "INT. INTERROGATION ROOM", "scene_metadata": { "size": 1077, "setting": "Int.", "location": "Interrogation Room", "sentiment": 0.18571428571428572, "time": null } }, { "narrative_order": 13, "conversations": [ { "dialogue": [ { "content": "- my lawyer. I'll have your badge,cocksucker.", "type": "Dialogue" } ], "character": "Hockney", "order": 1 }, { "dialogue": [ { "content": "I know you. You don't think I knowyou're on the take. This whole fuckingprecinct is dirty. You don't have afucking leg to stand on.", "type": "Dialogue" } ], "character": "Hockney", "order": 2 }, { "dialogue": [ { "content": "Hockney was just a bad bastard. Good withexplosives. Mean as a snake when itmattered .", "type": "Dialogue" } ], "character": "Verbal", "order": 3 }, { "dialogue": [ { "content": "You think so, tough guy? I can put you inQueens the day of the hijacking.", "type": "Dialogue" } ], "character": "Voice", "order": 4 }, { "dialogue": [ { "content": "I live in Queens. What the fuck is this?You come into my store and lock me up infront of my customers. What the hell iswrong with this country? Are you guysgonna charge me or what?", "type": "Dialogue" } ], "character": "Hockney", "order": 5 }, { "dialogue": [ { "content": "You know what happens if you do anotherturn in the joint?", "type": "Dialogue" } ], "character": "Voice", "order": 6 }, { "dialogue": [ { "content": "I'll fuck your father in the shower.Charge me, dick-head.", "type": "Dialogue" } ], "character": "Hockney", "order": 7 } ], "actions": [ { "content": "Hockney's turn in the chair. He laughs it all off.", "order": 0 } ], "character_metadata": [ { "verbosity": 413, "name": "Hockney", "sentiment": -0.2127272727272727 }, { "verbosity": 86, "name": "Verbal", "sentiment": -0.10416666666666663 }, { "verbosity": 130, "name": "Voice", "sentiment": -0.3888888888888889 } ], "characters": [ "Hockney", "Verbal", "Voice" ], "story_order": 89, "heading": "INT. INTERROGATION ROOM", "scene_metadata": { "size": 679, "setting": "Int.", "location": "Interrogation Room", "sentiment": -0.19611391694725022, "time": null } }, { "narrative_order": 14, "conversations": [ { "dialogue": [ { "content": "Keaton was the real prize for them, forobvious reasons.", "type": "Dialogue" } ], "character": "Verbal", "order": 1 }, { "dialogue": [ { "content": "I'll charge you when I'm ready.", "type": "Dialogue" } ], "character": "Voice", "order": 2 }, { "dialogue": [ { "content": "with what?", "type": "Dialogue" } ], "character": "Keaton", "order": 3 }, { "dialogue": [ { "content": "You know damn well, dead-man.", "type": "Dialogue" } ], "character": "Voice", "order": 4 }, { "dialogue": [ { "content": "Hey, that was your mistake, not mine. Didyou ever think to ask me? I've been", "type": "Dialogue" } ], "character": "Keaton", "order": 5 }, { "dialogue": [ { "content": "walking around with the same face, samename - I'm a businessman, fellas.", "type": "Dialogue" } ], "character": "Keaton", "order": 6 }, { "dialogue": [ { "content": "What's that? The restaurant business? Notanymore From now on you're in thegetting-fucked-by-us business . I'm gonnamake you famous, cocksucker.", "type": "Dialogue" } ], "character": "Voice", "order": 7 }, { "dialogue": [ { "content": "Like I said. It was all your mistake.Charge me with it and I'll beat it. Let'sget back to the truck.", "type": "Dialogue" } ], "character": "Keaton", "order": 9 } ], "actions": [ { "content": "Now Keaton sits in the chair, cool and indifferent.", "order": 0 }, { "content": "Keaton shows just a flicker of contempt. The threat has hithome.", "order": 8 }, { "content": "A FIST flies into the frame and connects with Keaton's jaw.His head snaps back, blood flowing freely from his mouth.", "order": 10 } ], "character_metadata": [ { "verbosity": 55, "name": "Verbal", "sentiment": 0.2 }, { "verbosity": 203, "name": "Voice", "sentiment": 0.5 }, { "verbosity": 258, "name": "Keaton", "sentiment": 0 } ], "characters": [ "Verbal", "Voice", "Keaton" ], "story_order": 90, "heading": "INT. INTERROGATION ROOM", "scene_metadata": { "size": 747, "setting": "Int.", "location": "Interrogation Room", "sentiment": 0.2071428571428571, "time": null } }, { "narrative_order": 15, "conversations": [ { "dialogue": [ { "content": "Somebody should do something. What isthis shit - getting hauled in every fiveminutes? Okay, so I did a little time,does that mean I get railed every time atruck finds its way off the planet?", "type": "Dialogue" } ], "character": "Fenster", "order": 1 }, { "dialogue": [ { "content": "These guys got no probable cause.", "type": "Dialogue" } ], "character": "Hockney", "order": 3 }, { "dialogue": [ { "content": "You're fuckin' A right, no P.C. Wellscrew P.C. No right. No goddamn right.You do some time, they never let you go.Treat me like a criminal, I'll end up acriminal.", "type": "Dialogue" } ], "character": "Fenster", "order": 4 }, { "dialogue": [ { "content": "You are a criminal.", "type": "Dialogue" } ], "character": "Hockney", "order": 5 }, { "dialogue": [ { "content": "Why you gotta go and do that? I'm tryingto make a point.", "type": "Dialogue" } ], "character": "Fenster", "order": 6 }, { "dialogue": [ { "content": "Then make it. Christ, you're making metired all over.", "type": "Dialogue" } ], "character": "Keaton", "order": 7 }, { "dialogue": [ { "content": "I heard you were dead, Keaton.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 9 }, { "dialogue": [ { "content": "You heard right.", "type": "Dialogue" } ], "character": "Keaton", "order": 10 }, { "dialogue": [ { "content": "The word I got is you hung up your spurs,man. What's that all about?", "type": "Dialogue" } ], "character": "Hockney", "order": 11 }, { "dialogue": [ { "content": "What's this?", "type": "Dialogue" } ], "character": "Mcmanus", "order": 12 }, { "dialogue": [ { "content": "Rumor has it, Keaton's gone straight -cleaning house. I hear he's tapping EdieFinneran.", "type": "Dialogue" } ], "character": "Hockney", "order": 13 }, { "dialogue": [ { "content": "Who?", "type": "Dialogue" } ], "character": "Mcmanus", "order": 14 }, { "dialogue": [ { "content": "She's a heavy-weight criminal lawyer fromuptown. Big-time connected. She coulderase Dillinger's record if she tried. Ihear she's Keaton's meal ticket.", "type": "Dialogue" }, { "content": "(To Keaton)", "type": "Parenthetical" }, { "content": "Is it true?", "type": "Dialogue" } ], "character": "Hockney", "order": 15 }, { "dialogue": [], "character": "Mcmanus", "order": 16 }, { "dialogue": [ { "content": "I'd say you've gotten on his main andcentral nerve, McManus.", "type": "Dialogue" } ], "character": "Fenster", "order": 18 }, { "dialogue": [ { "content": "Do your friend a favor, Fenster, keep himquiet .", "type": "Dialogue" } ], "character": "Keaton", "order": 19 }, { "dialogue": [ { "content": "You're clean, Keaton? Say it ain't so.Was it you that hit that truck?", "type": "Dialogue" } ], "character": "Mcmanus", "order": 20 }, { "dialogue": [ { "content": "Forget him. It's not important. I wastrying to make a point.", "type": "Dialogue" } ], "character": "Fenster", "order": 21 }, { "dialogue": [ { "content": "(Ignoring McManus)", "type": "Parenthetical" }, { "content": "This whole thing was a shakedown.", "type": "Dialogue" } ], "character": "Keaton", "order": 22 }, { "dialogue": [ { "content": "What makes you say that?", "type": "Dialogue" } ], "character": "Mcmanus", "order": 23 }, { "dialogue": [ { "content": "How many times have you been in a line-up? It's always you and four dummies. TheP.D. pays homeless guys ten bucks a headhalf the time. No way they'd line fivefelons in the same row. No way. And whatthe hell is a voice line-.up? A publicdefender could get you off of that.", "type": "Dialogue" } ], "character": "Keaton", "order": 24 }, { "dialogue": [ { "content": "So why the hell was I hauled in andcavity searched tonight?", "type": "Dialogue" } ], "character": "Fenster", "order": 25 }, { "dialogue": [ { "content": "It was the Feds. A truck load of gunsgets snagged, Customs comes down onN.Y.P.D. for some answers - they come upwith us. They're grabbing at straws. It'spolitics - nothing you can do.", "type": "Dialogue" } ], "character": "Keaton", "order": 26 }, { "dialogue": [ { "content": "I had a guy's fingers in my assholetonight.", "type": "Dialogue" } ], "character": "Fenster", "order": 27 }, { "dialogue": [], "character": "Hockney", "order": 28 }, { "dialogue": [ { "content": "Fuck you. I'11 never shit right again. Sowho did it? Own up.", "type": "Dialogue" } ], "character": "Fenster", "order": 30 }, { "dialogue": [ { "content": "I don't want to know.", "type": "Dialogue" } ], "character": "Keaton", "order": 31 }, { "dialogue": [ { "content": "Nobody asked you, workin'-man.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 32 }, { "dialogue": [ { "content": "Fuck who did it. What I want to know is,who's the gimp?", "type": "Dialogue" } ], "character": "Hockney", "order": 33 }, { "dialogue": [ { "content": "He's alright.", "type": "Dialogue" } ], "character": "Keaton", "order": 35 }, { "dialogue": [ { "content": "How do I know that? How about it,pretzel-man? What's your story?", "type": "Dialogue" } ], "character": "Hockney", "order": 36 }, { "dialogue": [ { "content": "His name is Verbal Kint. I thought youguys knew him.", "type": "Dialogue" } ], "character": "Keaton", "order": 37 }, { "dialogue": [ { "content": "Verbal?", "type": "Dialogue" } ], "character": "Mcmanus", "order": 38 }, { "dialogue": [ { "content": "Roger really. People say I talk too much.", "type": "Dialogue" } ], "character": "Verbal", "order": 39 }, { "dialogue": [ { "content": "Yeah, I was gonna tell you to shut up.", "type": "Dialogue" } ], "character": "Hockney", "order": 40 }, { "dialogue": [ { "content": "We've met once or twice. Last time wasin...", "type": "Dialogue" } ], "character": "Keaton", "order": 41 }, { "dialogue": [ { "content": "County. I was in for fraud.", "type": "Dialogue" } ], "character": "Verbal", "order": 42 }, { "dialogue": [ { "content": "You were waiting for a line-up then, too.What happened with that?", "type": "Dialogue" } ], "character": "Keaton", "order": 43 }, { "dialogue": [], "character": "Verbal", "order": 44 }, { "dialogue": [ { "content": "So you did it?", "type": "Dialogue" } ], "character": "Hockney", "order": 46 }, { "dialogue": [ { "content": "To your mother's ass.", "type": "Dialogue" } ], "character": "Verbal", "order": 47 }, { "dialogue": [ { "content": "(To Hockney)", "type": "Parenthetical" }, { "content": "Let it go.", "type": "Dialogue" } ], "character": "Keaton", "order": 49 }, { "dialogue": [ { "content": "Look, we've all been put out by this, Ifigure we owe it to ourselves to salvagea little dignity. Now Fenster and I gotwind of a possible job -", "type": "Dialogue" } ], "character": "Mcmanus", "order": 51 }, { "dialogue": [ { "content": "Why don't you just calm down'", "type": "Dialogue" } ], "character": "Keaton", "order": 52 }, { "dialogue": [ { "content": "What do you care what he says?", "type": "Dialogue" } ], "character": "Hockney", "order": 53 }, { "dialogue": [ { "content": "Yeah, I'm just talking here, and Hockneyseems to want to hear me out. I knowFenster is with me -", "type": "Dialogue" }, { "content": "(To Verbal)", "type": "Parenthetical" }, { "content": "How about you, guy?", "type": "Dialogue" } ], "character": "Mcmanus", "order": 54 }, { "dialogue": [ { "content": "I'm interested, sure.", "type": "Dialogue" } ], "character": "Verbal", "order": 56 }, { "dialogue": [ { "content": "There, so you see, I'm going to exercisemy right to free assembly.", "type": "Dialogue" } ], "character": "Mcmanus", "order": 57 }, { "dialogue": [ { "content": "I'm not kidding. Shut your mouth.", "type": "Dialogue" } ], "character": "Keaton", "order": 59 }, { "dialogue": [], "character": "Mcmanus", "order": 60 }, { "dialogue": [ { "content": "No, you're missing the point. Shut up. Idon't want to hear anything you have tosay. I don't want to know about your\"job\". Just don't let me hear you. I wantnothing to do with any of you -", "type": "Dialogue" }, { "content": "(Beat)", "type": "Parenthetical" }, { "content": "I beg your pardon but all of you can goto hell.", "type": "Dialogue" } ], "character": "Keaton", "order": 62 }, { "dialogue": [ { "content": "Dean Keaton, gone the high road. What isthe world coming to?", "type": "Dialogue" } ], "character": "Mcmanus", "order": 63 }, { "dialogue": [ { "content": "Forget him then.", "type": "Dialogue" }, { "content": "(Whispering)", "type": "Parenthetical" }, { "content": "Now I can't talk about this here in anydetail, but listen up...", "type": "Dialogue" } ], "character": "Mcmanus", "order": 65 }, { "dialogue": [ { "content": "And that was how it began. The five of usbrought in on a trumped-up charge to beleaned on by half-wits. What the copsnever figured out, and what I know now,was that these men would never break,never lie down, never bend over foranybody. .. Anybody.", "type": "Dialogue" } ], "character": "Verbal", "order": 67 } ], "actions": [ { "content": "Keaton is brought in to a holding where he joins Fenster,Hockney, Verbal and McManus. He sits in a corner and keeps tohimself.Fenster is in mid-tirade.", "order": 0 }, { "content": "McManus is silently staring at Keaton, who sits on a bench,looking away.", "order": 2 }, { "content": "McManus looks at Keaton.", "order": 8 }, { "content": "What about it, Keaton? You a lawyer'swife. What sort of \"retainer\" you givingher?Keaton shoots McManus a fiery glare.", "order": 17 }, { "content": "Is it Friday already?", "order": 29 }, { "content": "ALL EYES suddenly turn on Verbal. He has been quietlylistening the whole time without uttering a word.", "order": 34 }, { "content": "I walked. Ninety days, suspended.", "order": 45 }, { "content": "Verbal looks away from Hockney, awaiting a violent response.Everyone slowly starts to laugh. Hockney looks as if he isabout to boil in his own skin.", "order": 48 }, { "content": "Verbal smiles at Keaton appreciatively.McManus stands and walks to the toilet in the corner ofthe cell. He starts taking a leak;", "order": 50 }, { "content": "McManus finishes pissing.", "order": 55 }, { "content": "McManus taps the bars of his cell and the others LAUGH.", "order": 58 }, { "content": "You're missing the point.", "order": 61 }, { "content": "McManus and Keaton stare at one another for a long and tensemoment. Finally McManus turns to the others.", "order": 64 }, { "content": "Everyone but Keaton gravitates toward McManus's cell as hebegins to speak in low, hushed tones.", "order": 66 } ], "character_metadata": [ { "verbosity": 690, "name": "Fenster", "sentiment": 0.04126984126984126 }, { "verbosity": 570, "name": "Hockney", "sentiment": -0.1 }, { "verbosity": 1104, "name": "Keaton", "sentiment": 0.05432098765432099 }, { "verbosity": 638, "name": "Mcmanus", "sentiment": 0.11784013605442178 }, { "verbosity": 358, "name": "Verbal", "sentiment": 0.09814814814814814 } ], "characters": [ "Fenster", "Hockney", "Keaton", "Mcmanus", "Verbal" ], "story_order": 91, "heading": "INT. CELL BLOCK", "scene_metadata": { "size": 4530, "setting": "Int.", "location": "Cell Block", "sentiment": 0.03600264550264549, "time": null } }, { "narrative_order": 17, "conversations": [ { "dialogue": [ { "content": "My client offers his full cooperation inthese proceedings. In exchange, histestimony is to be sealed and all mattersincriminating to himself are to berendered inadmissible.", "type": "Dialogue" } ], "character": "Voice 1", "order": 1 }, { "dialogue": [ { "content": "The district attorney's office willcomply provided -", "type": "Dialogue" } ], "character": "Voice 2", "order": 2 }, { "dialogue": [ { "content": "No provisions, nothing. My clientstestimony for his immunity.", "type": "Dialogue" } ], "character": "Voice 1", "order": 3 }, { "dialogue": [ { "content": "May-I be frank, Counselor? I suspect yourpolitical power as much as I respect it.I don't know why Mr. Kint has so manyfaceless allies in City Hall, and I don'tcare. The embarrassment he helped causethe city of New York will not happenhere.", "type": "Dialogue" } ], "character": "Voice 2", "order": 4 }, { "dialogue": [ { "content": "Immunity.", "type": "Dialogue" } ], "character": "Voice 1", "order": 5 }, { "dialogue": [ { "content": "Counselor, I will prosecute your client.", "type": "Dialogue" } ], "character": "Voice 2", "order": 6 }, { "dialogue": [ { "content": "Then prosecute. I will be very impressedto see if the District Attorney managesto bring in twenty-seven simultaneouscounts of murder against one man withcerebral palsy. I would think a man withyour job would agree with these alleged\"faceless people in City Hall\" youmention.", "type": "Dialogue" } ], "character": "Voice 1", "order": 7 }, { "dialogue": [ { "content": "One would think the counsel is veiling athreat.", "type": "Dialogue" } ], "character": "Voice 2 1", "order": 8 }, { "dialogue": [ { "content": "Counsel isn't veiling anything.", "type": "Dialogue" } ], "character": "Voice 1", "order": 9 }, { "dialogue": [ { "content": "I'11 take my chances then. I'11 feelsafer without a job if a man like Mr.Kint is behind bars.", "type": "Dialogue" } ], "character": "Voice 2", "order": 10 }, { "dialogue": [ { "content": "Mr. Kint will plead guilty to weaponspossession.", "type": "Dialogue" } ], "character": "Voice 1", "order": 11 }, { "dialogue": [ { "content": "You're joking.", "type": "Dialogue" } ], "character": "Voice 2", "order": 12 }, { "dialogue": [ { "content": "Weapons. Misdemeanor one.", "type": "Dialogue" } ], "character": "Voice 1", "order": 13 }, { "dialogue": [ { "content": "Counselor, you're insulting me.", "type": "Dialogue" } ], "character": "Voice 2", "order": 14 }, { "dialogue": [ { "content": "Counselor, you're bluffing. Shall I pushfor misdemeanor two?", "type": "Dialogue" } ], "character": "Voice 1", "order": 15 }, { "dialogue": [ { "content": "Misdemeanor one. Fine. This isludicrous.", "type": "Dialogue" } ], "character": "Voice 2", "order": 17 }, { "dialogue": [ { "content": "(Clearing throat)", "type": "Parenthetical" }, { "content": "As for the rest of the charges grandlarceny, arson... murder - the districtattorney will accept the subject'stestimony in connection with the abovementioned events and in exchange willoffer complete immunity. Thetranscript... The transcript of saidtestimony will be sealed and all mattersincriminating to Mr. Kint will berendered inadmissible.", "type": "Dialogue" } ], "character": "Voice 2", "order": 19 } ], "actions": [ { "content": "Verbal Kint sits in a chair in front of a microphone attachedto a tape recorder, his brow beaded with sweat.On the wall behind him is the seal of the STATE OF CALIFORNIAHe is cleaner, better kept, in a well-cut suit and neatlytrimmed hair. He looks older than he did in New York - worndown.A flurry of voices banter off screen. Verbal's eyes followthe voices back and forth.", "order": 0 }, { "content": "Voices mumble off screen. Verbal fidgets in his chair.", "order": 16 }, { "content": "A tiny smile and a genuine look of disbelief flash acrossVerbal's face.", "order": 18 }, { "content": "Verbal lets out a long-held sigh of relief.", "order": 20 } ], "character_metadata": [ { "verbosity": 680, "name": "Voice 1", "sentiment": 0.009999999999999986 }, { "verbosity": 852, "name": "Voice 2", "sentiment": -0.10194805194805194 }, { "verbosity": 47, "name": "Voice 2 1", "sentiment": 0 } ], "characters": [ "Voice 1", "Voice 2", "Voice 2 1" ], "story_order": 92, "heading": "INT. HEARING ROOM - DAY", "scene_metadata": { "size": 2138, "setting": "Int.", "location": "Hearing Room", "sentiment": 0.021969696969696976, "time": "Day" } }, { "narrative_order": 18, "conversations": [ { "dialogue": [ { "content": "What do you mean I can't see him?", "type": "Dialogue" } ], "character": "Kujan", "order": 1 }, { "dialogue": [ { "content": "The D.A. came down here last night readyto arraign before they even moved him tocounty. Kint's lawyer comes in and fiveminutes later, the D.A. comes out lookinglike he'd been bitch-slapped by theboogey man. They took his statement andcut him a deal.", "type": "Dialogue" } ], "character": "Rab In", "order": 2 }, { "dialogue": [ { "content": "Did they charge him with anything?", "type": "Dialogue" } ], "character": "Kujan", "order": 3 }, { "dialogue": [ { "content": "Weapons. Misdemeanor two.", "type": "Dialogue" } ], "character": "Rab In", "order": 4 }, { "dialogue": [ { "content": "What'the fuck is that?", "type": "Dialogue" } ], "character": "Kujan", "order": 5 }, { "dialogue": [ { "content": "I give the D.A. credit for getting thatmuch to stick. This whole thing hasturned political. The Mayor was here -the chief - the Governor called thismorning, for Christ's sake. This guy is", "type": "Dialogue" } ], "character": "Rabin", "order": 7 }, { "dialogue": [ { "content": "protected - From up on high by the princeof fucking darkness.", "type": "Dialogue" } ], "character": "Rabin", "order": 8 }, { "dialogue": [ { "content": "When does he post bail?", "type": "Dialogue" } ], "character": "Kujan", "order": 9 }, { "dialogue": [ { "content": "Two hours, tops.", "type": "Dialogue" } ], "character": "Rab In", "order": 10 }, { "dialogue": [ { "content": "I want to see him.", "type": "Dialogue" } ], "character": "Kujan", "order": 11 } ], "actions": [ { "content": "David Kujan is walking quickly beside SERGEANT RABIN, a darkand weathered looking man in his late thirties. They move upa staircase into the heart of police headquarters.", "order": 0 }, { "content": "Rabin motions for Kujan to lower his voice. He points outthat they are walking through a bullpen filled with deskswhere a number of other police are working within earshot.", "order": 6 }, { "content": "Rabin comes to an office door with his name on it. He opensit and lets Kujan in before following.", "order": 12 } ], "character_metadata": [ { "verbosity": 130, "name": "Kujan", "sentiment": -0.35625 }, { "verbosity": 290, "name": "Rab In", "sentiment": -0.051851851851851864 }, { "verbosity": 248, "name": "Rabin", "sentiment": -0.06 } ], "characters": [ "Kujan", "Rab In", "Rabin" ], "story_order": 93, "heading": "INT. POLICE STATION - HALLWAY - DAY", "scene_metadata": { "size": 1107, "setting": "Int.", "location": "Police Station - Hallway", "sentiment": -0.05712301587301588, "time": "Day" } }, { "narrative_order": 19, "conversations": [ { "dialogue": [ { "content": "Dave, please.", "type": "Dialogue" } ], "character": "Rabin", "order": 0 }, { "dialogue": [ { "content": "Even if I was to let you talk to him, hewon't talk to you. He's paranoid aboutbeing recorded and he knows theinterrogation rooms are wired", "type": "Dialogue" } ], "character": "Rabin", "order": 2 }, { "dialogue": [ { "content": "This won't be an' interrogation, just a...friendly chat to kill time.", "type": "Dialogue" } ], "character": "Kujan", "order": 3 }, { "dialogue": [ { "content": "(enunciating)", "type": "Parenthetical" }, { "content": "He won't go into the interrogation room.", "type": "Dialogue" } ], "character": "Rab In", "order": 4 }, { "dialogue": [ { "content": "Someplace else, then.", "type": "Dialogue" } ], "character": "Kujan", "order": 5 }, { "dialogue": [ { "content": "Where?", "type": "Dialogue" } ], "character": "Rab In", "order": 6 }, { "dialogue": [ { "content": "No, no, no, no, no.", "type": "Dialogue" } ], "character": "Rabin", "order": 8 }, { "dialogue": [ { "content": "If it was a dope deal, where's the dope,if it was a hit, who called it in?", "type": "Dialogue" } ], "character": "Kujan", "order": 9 }, { "dialogue": [ { "content": "And I am sure you have a host of wild +theories to answer these questions.", "type": "Dialogue" } ], "character": "Rabin", "order": 10 }, { "dialogue": [ { "content": "You know damn well what I think.That's crazy, Dave and it doesn't matter.He has total immunity and his storychecks out. He doesn't know what you wantto know.I don't think he does. Not exactly, butthere's a lot more to his story. I wantto know why twenty-seven men died on thatpier for what looks to be ninety-onemillion dollars worth of dope that wasn'tthere. Above all, I want to be sure thatDean Keaton is dead.He's dead.Two hours. Just until he makes bail.They're all dead. No matter how tough you r.say this Keaton was, no one on that boatcould've made it out alive.", "type": "Dialogue" } ], "character": "Kujan", "order": 11 } ], "actions": [ { "content": "Rabin's office can only be described as a disaster area. Thedesk is cluttered with weeks, perhaps months or even years ofpaperwork that could never conceivably be sorted out.Above his desk is a bulletin board. It is a breathtakingcatastrophe of papers, wanted posters, rap-sheets, memos and +post-its. This is in the neighborhood of decades. Rabin is aman with a system so cryptic, so far beyond the comprehensionof others, he himself is most likely baffled by it.", "order": 1 }, { "content": "Kujan looks around Rabin's messy office.", "order": 7 } ], "character_metadata": [ { "verbosity": 262, "name": "Rabin", "sentiment": 0.3 }, { "verbosity": 750, "name": "Kujan", "sentiment": 0.008611111111111106 }, { "verbosity": 46, "name": "Rab In", "sentiment": 0 } ], "characters": [ "Rabin", "Kujan", "Rab In" ], "story_order": 94, "heading": "INT. RABIN'S OFFICE", "scene_metadata": { "size": 1575, "setting": "Int.", "location": "Rabin'S Office", "sentiment": 0.05506535947712418, "time": null } }, { "narrative_order": 20, "conversations": [ { "dialogue": [ { "content": "Ridgly, this is Special Agent Jack Baerfrom the F.B.I. Agent Baer, this isDoctor Ridgly Waiters.", "type": "Dialogue" } ], "character": "Plumber", "order": 1 }, { "dialogue": [ { "content": "Nice to meet you.", "type": "Dialogue" } ], "character": "Ridgly", "order": 2 }, { "dialogue": [ { "content": "Is he talking?", "type": "Dialogue" } ], "character": "Baer", "order": 3 }, { "dialogue": [ { "content": "He regained consciousness less than anhour ago. He spoke - not English - thenhe lapsed.", "type": "Dialogue" } ], "character": "Ridgly", "order": 4 }, { "dialogue": [ { "content": "Hungarian?", "type": "Dialogue" } ], "character": "Baer", "order": 5 }, { "dialogue": [ { "content": "I don't", "type": "Dialogue" } ], "character": "Ridgly", "order": 6 }, { "dialogue": [ { "content": "It was Hungarian. Most of them wereHungarians. Any fluent Hungarians on yourstaff?", "type": "Dialogue" } ], "character": "Baer", "order": 7 }, { "dialogue": [ { "content": "We have a Turkish audiologist.", "type": "Dialogue" } ], "character": "Ridgly", "order": 8 } ], "actions": [ { "content": "A door marked INTENSIVE CARE.The door BURSTS OPEN. SUDDENLY, the hallway is a flurry ofactivity.DOCTOR LISA PLUMBER, age fifty, walks quickly beside JACKBAER .Baer walks with all of the determination of a battalion ofChinese infantry.DOCTOR RIDGLY WALTERS, a young intern in his late twentiesrushes up to them.", "order": 0 }, { "content": "Ridgly opens a door and Baer barrels through.", "order": 9 } ], "character_metadata": [ { "verbosity": 96, "name": "Plumber", "sentiment": 0.35714285714285715 }, { "verbosity": 141, "name": "Ridgly", "sentiment": 0.14444444444444446 }, { "verbosity": 106, "name": "Baer", "sentiment": 0.5 } ], "characters": [ "Plumber", "Ridgly", "Baer" ], "story_order": 95, "heading": "INT. HOSPITAL - DAY", "scene_metadata": { "size": 698, "setting": "Int.", "location": "Hospital", "sentiment": 0.09238095238095238, "time": "Day" } }, { "narrative_order": 21, "conversations": [ { "dialogue": [ { "content": "<>", "type": "Dialogue" } ], "character": "Kovash S", "order": 1 }, { "dialogue": [ { "content": "will he die?", "type": "Dialogue" } ], "character": "Baer", "order": 2 }, { "dialogue": [ { "content": "There's a chance.", "type": "Dialogue" } ], "character": "Plumber", "order": 3 }, { "dialogue": [ { "content": "<>", "type": "Dialogue" } ], "character": "Kovash", "order": 5 }, { "dialogue": [ { "content": "Call hospital security and put a man onthe door until the police get here.", "type": "Dialogue" } ], "character": "Baer", "order": 7 }, { "dialogue": [ { "content": "<>", "type": "Dialogue" } ], "character": "Kovash", "order": 8 }, { "dialogue": [ { "content": "Is he dangerous?", "type": "Dialogue" } ], "character": "Plumber", "order": 10 }, { "dialogue": [ { "content": "Yes.", "type": "Dialogue" } ], "character": "Baer", "order": 11 }, { "dialogue": [ { "content": "Joel, it's Baer. I'm down at L.A. county.The guy they pulled out of the harbor isARKOSH Kovash... Yes, I'm sure... No,he's all fucked up... What? I can't hearyou.", "type": "Dialogue" }, { "content": "(To Arkosh)", "type": "Parenthetical" }, { "content": "Shut up, Hugo, I'm on the phone.", "type": "Dialogue" }, { "content": "(Into Phone)", "type": "Parenthetical" }, { "content": "Yes... No... Not until I put someone onhim. Listen, I need you to send mesomeone who can speak Hungarian. He'sawake and talking like a Thai hooker...How should I know? Get me someone who cantalk to him -", "type": "Dialogue" } ], "character": "Baer", "order": 13 }, { "dialogue": [ { "content": "Keyser - Soze.", "type": "Dialogue" } ], "character": "Kovash", "order": 15 }, { "dialogue": [ { "content": "What?", "type": "Dialogue" } ], "character": "Baer", "order": 16 }, { "dialogue": [ { "content": "Keyser - Soze.", "type": "Dialogue" } ], "character": "Kovash", "order": 18 }, { "dialogue": [ { "content": "No shit?", "type": "Dialogue" }, { "content": "(Into Phone)", "type": "Parenthetical" }, { "content": "Joel, call Dan Metzheiser over at Justiceand find Dave Kujan from Customs.", "type": "Dialogue" } ], "character": "Baer", "order": 19 } ], "actions": [ { "content": "Baer comes to an abrupt halt at the foot of a bed surroundedby a massive tangle of medical equipment. In the center of itall is the as yet unnamed ARKOSH KOVASH, mid-thirties. Hisbody is nearly mummified in bandages and plaster from waistto chin.", "order": 0 }, { "content": "Baer walks over to Rovash and kneels down on the bed besidehim.He looks closely at his battered and scalded face. He listensto him far a moment. Kovash goes on incessantly.", "order": 4 }, { "content": "Baer pulls a cellular phone out of his jacket and dials.", "order": 6 }, { "content": "Ridgly runs out of the room. Kovash babbles louder andlouder, trying to get Baer's attention. Baer sticks a fingerin one ear to block him out and hear the phone.", "order": 9 }, { "content": "Someone picks up on the other end of the phone.", "order": 12 }, { "content": "Baer is suddenly distracted by something Kovash has said. Inthe middle of a long string of unintelligible dialect, he hasspouted two words that have gotten Baer's attention.He turns and looks down at the tattered man in the bed.Kovash realizes Baer is listening and says the two wordsagain.", "order": 14 }, { "content": "He waves his hand, gesturing for Kovash to say it again.", "order": 17 } ], "character_metadata": [ { "verbosity": 177, "name": "Kovash S", "sentiment": 0 }, { "verbosity": 574, "name": "Baer", "sentiment": -0.08518518518518518 }, { "verbosity": 33, "name": "Plumber", "sentiment": -0.6 }, { "verbosity": 710, "name": "Kovash", "sentiment": -0.72 } ], "characters": [ "Kovash S", "Baer", "Plumber", "Kovash" ], "story_order": 96, "heading": "INT. HOSPITAL ROOM", "scene_metadata": { "size": 2557, "setting": "Int.", "location": "Hospital Room", "sentiment": -0.21833333333333332, "time": null } }, { "narrative_order": 22, "conversations": [], "actions": [ { "content": "Rabin walks out of a small room. Behind him, we catch aglimpse of a workroom with a bench covered with wires.Kujan comes out a moment later, gently fixing his tie.Rabin opens the door to his office and Kujan enters. Rabinfollows, looking up and down the hall before closing the doorbehind them.As the door closes we can just make out the back of Verbal'shead. He is seated in Rabin's office, smoking a cigarette.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 97, "heading": "INT. HALLWAY - POLICE STATION", "scene_metadata": { "size": 412, "setting": "Int.", "location": "Hallway", "sentiment": -0.10092592592592593, "time": "Police Station" } }, { "narrative_order": 23, "conversations": [ { "dialogue": [ { "content": "(Exasperated)", "type": "Parenthetical" }, { "content": "Verbal, you know we're trying to helpyou.", "type": "Dialogue" } ], "character": "Kujan", "order": 1 }, { "dialogue": [ { "content": "Sure. And I appreciate that. And I wantto help you, Agent Kujan. I like cops. Iwould have liked to have been a Fedmyself but my C.P. was -", "type": "Dialogue" } ], "character": "Verbal", "order": 2 }, { "dialogue": [ { "content": "Verbal, I know you know something. I knowyou're not telling us everything.", "type": "Dialogue" } ], "character": "Kujan", "order": 3 }, { "dialogue": [ { "content": "I told the D.A. everything I know.", "type": "Dialogue" } ], "character": "Verbal", "order": 4 } ], "actions": [ { "content": "Kujan and Rabin sit down across from Verbal.", "order": 0 } ], "character_metadata": [ { "verbosity": 115, "name": "Kujan", "sentiment": 0 }, { "verbosity": 172, "name": "Verbal", "sentiment": 0.55 } ], "characters": [ "Kujan", "Verbal" ], "story_order": 98, "heading": "INT. RABIN'S OFFICE", "scene_metadata": { "size": 344, "setting": "Int.", "location": "Rabin'S Office", "sentiment": 0.2222222222222222, "time": null } }, { "narrative_order": 24, "conversations": [ { "dialogue": [ { "content": "I know you liked Keaton I know you thinkhe was a good man.", "type": "Dialogue" } ], "character": "Kujan", "order": 1 }, { "dialogue": [ { "content": "I know he was good.", "type": "Dialogue" } ], "character": "Verbal", "order": 2 }, { "dialogue": [ { "content": "He was a corrupt cop, Verbal.", "type": "Dialogue" } ], "character": "Kujan", "order": 3 } ], "actions": [ { "content": "Rabin stands over LOUIS, a messy looking technician at hisworkbench in a room full of electronic equipment. He adjustsseveral dials on a receiver until the voices of Kujan andVerbal come clearly through a tinny speaker on the wall.Rabin reaches over for a nearby pot of coffee.", "order": 0 } ], "character_metadata": [ { "verbosity": 87, "name": "Kujan", "sentiment": 0.2666666666666666 }, { "verbosity": 19, "name": "Verbal", "sentiment": 0.7 } ], "characters": [ "Kujan", "Verbal" ], "story_order": 99, "heading": "INT. WORKSHOP", "scene_metadata": { "size": 383, "setting": "Int.", "location": "Workshop", "sentiment": 0.17499999999999996, "time": null } }, { "narrative_order": 25, "conversations": [ { "dialogue": [ { "content": "Sure. Fifteen years ago, but he was agood thief Anyway, the cops wouldn't lethim go legit.", "type": "Dialogue" } ], "character": "Verbal", "order": 0 }, { "dialogue": [ { "content": "Keaton was a piece of shit.", "type": "Dialogue" } ], "character": "Kujan", "order": 1 }, { "dialogue": [ { "content": "You trying to get a rise out of me, AgentKujan?", "type": "Dialogue" } ], "character": "Verbal", "order": 2 }, { "dialogue": [ { "content": "I just want to hear your story.", "type": "Dialogue" } ], "character": "Kujan", "order": 3 }, { "dialogue": [ { "content": "It's right here.", "type": "Dialogue" } ], "character": "Verbal", "order": 4 }, { "dialogue": [ { "content": "According to your statement you are ashort-con operator. Run of the millseams. Everything you do, you learnedfrom somebody else.", "type": "Dialogue" } ], "character": "Kujan", "order": 6 }, { "dialogue": [ { "content": "That's been suppressed. Anything in thereis inadmissible.", "type": "Dialogue" } ], "character": "Verbal", "order": 7 }, { "dialogue": [ { "content": "Oh, I know. Sweet deal you have. Totalimmunity .", "type": "Dialogue" } ], "character": "Kujan", "order": 8 }, { "dialogue": [ { "content": "(laughing)", "type": "Parenthetical" }, { "content": "Well I do have the weapons charge. I'mlooking at six whole months hard time.", "type": "Dialogue" } ], "character": "Verbal", "order": 9 }, { "dialogue": [ { "content": "(smiling)", "type": "Parenthetical" }, { "content": "You know a dealer named Ruby Deemer,Verbal?", "type": "Dialogue" } ], "character": "Kujan", "order": 10 }, { "dialogue": [ { "content": "You know a religious guy named John Paul?", "type": "Dialogue" } ], "character": "Verbal", "order": 11 }, { "dialogue": [ { "content": "You know Ruby is in Attica?", "type": "Dialogue" } ], "character": "Kujan", "order": 12 }, { "dialogue": [ { "content": "He didn't have my lawyer.", "type": "Dialogue" } ], "character": "Verbal", "order": 13 }, { "dialogue": [ { "content": "I know Ruby. He's very big on respect.Likes me very much.", "type": "Dialogue" } ], "character": "Kujan", "order": 14 }, { "dialogue": [ { "content": "Now I know your testimony was sealed.Ruby is well connected. He still haspeople running errands for him. What doyou think he'd say if he found out youdropped his name to the D.A.?", "type": "Dialogue" } ], "character": "Kujan", "order": 16 }, { "dialogue": [ { "content": "There's nothing in there about Ruby.", "type": "Dialogue" } ], "character": "Verbal", "order": 17 }, { "dialogue": [ { "content": "I'11 be sure to mention that to him.", "type": "Dialogue" } ], "character": "Kujan", "order": 18 }, { "dialogue": [ { "content": "The first thing I learned on the job,know what it was? How to spot a murderer.Let's say you arrest three guys for thesame killing. Put them all in jailovernight. The next morning, whoever issleeping is your man. If you're guilty,you know you're caught, you get some rest- let your guard down, you follow?", "type": "Dialogue" } ], "character": "Kujan", "order": 20 }, { "dialogue": [ { "content": "No.", "type": "Dialogue" } ], "character": "Verbal", "order": 21 }, { "dialogue": [ { "content": "I'11 get right to the point. I'm smarterthan you. I'11 find out what I want toknow and I'11 get it from you whether youlike it or not.", "type": "Dialogue" } ], "character": "Kujan", "order": 22 }, { "dialogue": [ { "content": "I'm not a rat.", "type": "Dialogue" } ], "character": "Verbal", "order": 23 }, { "dialogue": [ { "content": "Ahhh. Back when I was picking beans inGuatemala we used to make fresh coffee.Right off the trees I mean. That wasgood. This is shit, but hey...", "type": "Dialogue" } ], "character": "Verbal", "order": 25 }, { "dialogue": [ { "content": "Can we get started again?", "type": "Dialogue" } ], "character": "Rab In", "order": 26 }, { "dialogue": [ { "content": "Now what happened after the line-up?", "type": "Dialogue" } ], "character": "Kujan", "order": 27 } ], "actions": [ { "content": "He taps a finger on the stack of paper that Kujan brought in.Kujan picks it up and thumbs through it.", "order": 5 }, { "content": "Verbal sees this getting to something. His smiles fades.", "order": 15 }, { "content": "Verbal is not smiling anymore. He stares at Kujan with uttercontempt, knowing he is being shafted.", "order": 19 }, { "content": "Kujan puts his hand on the transcript of Verbal's confession.Rabin walks in with a cup of coffee. Verbal takes it with hisgood hand and sips it with a relish.", "order": 24 }, { "content": "Verbal sneers at Kujan, unable to change the subject.", "order": 28 } ], "character_metadata": [ { "verbosity": 548, "name": "Verbal", "sentiment": 0.05350529100529101 }, { "verbosity": 1050, "name": "Kujan", "sentiment": 0.15335097001763667 }, { "verbosity": 25, "name": "Rab In", "sentiment": 0 } ], "characters": [ "Verbal", "Kujan", "Rab In" ], "story_order": 100, "heading": "INT. RABIN'S OFFICE", "scene_metadata": { "size": 2108, "setting": "Int.", "location": "Rabin'S Office", "sentiment": 0.05975198412698411, "time": null } }, { "narrative_order": 127, "conversations": [], "actions": [ { "content": "Kujan still stares at the bulletin board.SUDDENLY, Kujan's face changes. He leans in closer to thebulletin board and squints his eyes. His face changes again.First a look of puzzlement, then confusion - finallyrealization.The coffee cup tumbles from his hand. It hits the floor withthe SMASH of cheap porcelain. Coffee splatters everywhere.Rabin snaps out of his droning and looks up in surprise.Kujan is staring not at what is on the bulletin board, but atthe bulletin board itself.His eyes follow the aluminum frame, mounted firmly to thewall. One might note it's sturdy construction and it'sconvenient size. Big enough to hold a lifetime of forgottenand disregarded notes and facts. Years of police trivia thathas been hung and forgotten with the intention of finding ause for it all someday. One might want such a bulletin boardfor one's self. One would look to see who makes such abulletin board.Kujan's eyes are locked on a metal plate bearing themanufacturer's name.It reads: QUARTET - SKOKIE, ILLINOISKujan's eyes flash all' over the bulletin board. He finds apicture of Rabin in the far corner. He stands beside a scalein fishing gear. He proudly holds a hand out to his freshlycaught marlin. His eyes skim quickly over and stop on aneight and a half by eleven inch fax sheet of what must be aTHREE HUNDRED POUND BLACK MAN. Kujan glazes over his name, itis irrelevant. His aliases stand out.Slavin, BRICKS, Shank, REDFOOT, Thee, Rooster...KUJAN'S EYES WIDEN with sudden realization. He runs for thedoor.His foot crushes the broken pieces of Rabin's coffee cup. Thecup that hovered over Verbal's head for two hours.Kujan is in too much of a hurry to notice the two wordsprinted on the jagged piece that had been the bottom of thecheap mug.KOBAYASHI PORCELAIN.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 101, "heading": "INT. RABIN'S OFFICE", "scene_metadata": { "size": 1767, "setting": "Int.", "location": "Rabin'S Office", "sentiment": 0.026666666666666658, "time": null } }, { "narrative_order": 42, "conversations": [ { "dialogue": [ { "content": "Heartwarming. Really, I feel weepy.", "type": "Dialogue" } ], "character": "Kujan", "order": 0 }, { "dialogue": [ { "content": "You wanted to know what happened afterthe line-up, I'm telling you.", "type": "Dialogue" } ], "character": "Verbal", "order": 1 }, { "dialogue": [ { "content": "Oh come on, Verbal. Who do you thinkyou're talking to? You really expect meto believe he retired? For a woman?Bullshit. He was using her.", "type": "Dialogue" } ], "character": "Kujan", "order": 2 }, { "dialogue": [ { "content": "He loved her.", "type": "Dialogue" } ], "character": "Verbal", "order": 3 }, { "dialogue": [ { "content": "Sure. And I'm supposed to believe thathitting the Taxi Service wasn't his ideaeither.", "type": "Dialogue" } ], "character": "Kujan", "order": 4 }, { "dialogue": [ { "content": "That was all Fenster and McManus.", "type": "Dialogue" } ], "character": "Verbal", "order": 5 }, { "dialogue": [ { "content": "Come on. Keaton was a cop for four years.Who else would know the Taxi Service", "type": "Dialogue" } ], "character": "Kujan", "order": 6 }, { "dialogue": [ { "content": "better? That job had his name all overit.", "type": "Dialogue" } ], "character": "Kujan", "order": 7 }, { "dialogue": [ { "content": "You keep trying to lay this whole ride onKeaton. It wasn't like that. Sure heknew, but Edie had him all turned around.I'm telling you straight, I swear.", "type": "Dialogue" } ], "character": "Verbal", "order": 8 }, { "dialogue": [ { "content": "Let me tell you something. I know DeanKeaton. I've been investigating him forthree years. The guy I know is a cold-blooded bastard. L.A.P.D. indicted him onthree counts of murder before he waskicked off the force, so don't sell methe hooker with the heart of gold.", "type": "Dialogue" } ], "character": "Kujan", "order": 9 }, { "dialogue": [ { "content": "You got him wrong.", "type": "Dialogue" } ], "character": "Verbal", "order": 10 }, { "dialogue": [ { "content": "Do I? Keaton was under indictment a totalof seven times when he was on the force.In every case, witnesses either reversedtheir testimony to the grand jury or diedbefore they could testify. When theyfinally did nail him for fraud, he spentfive years in Sing Sing. He killed threeprisoners inside - one with a knife inthe tailbone while he strangled him todeath. Of course I can't prove this but Ican't prove the best part either.", "type": "Dialogue" } ], "character": "Kujan", "order": 11 }, { "dialogue": [ { "content": "Dean Keaton was dead. Did you know that?He died in a fire two years ago during aninvestigation into the murder of awitness who was going to testify againsthim. Two people saw Keaton enter awarehouse he owned just before it wentup. They said he had gone in to check aleaking gas main. It blew up and took allof Dean Keaton with it. Within threemonths of the explosion, the twowitnesses were dead, one killed himselfin his car and the other fell down anopen elevator shaft.", "type": "Dialogue" } ], "character": "Kujan", "order": 13 } ], "actions": [ { "content": "Kujan pauses to drink some coffee.", "order": 12 } ], "character_metadata": [ { "verbosity": 1538, "name": "Kujan", "sentiment": 0.08964646464646465 }, { "verbosity": 283, "name": "Verbal", "sentiment": 0.21999999999999997 } ], "characters": [ "Kujan", "Verbal" ], "story_order": 102, "heading": "INT. RABIN'S OFFICE -DAY", "scene_metadata": { "size": 1855, "setting": "Int.", "location": "Rabin'S Office", "sentiment": 0.17240740740740743, "time": "Day" } }, { "narrative_order": 43, "conversations": [ { "dialogue": [ { "content": "Six weeks ago I get an anonymous calltelling me I can find Keaton eating atMondino's with his lawyer, and there heis. Now because he never profited fromhis alleged death and because someoneelse was convicted for the murder wetried to pin on Keaton, we had to let himgo.", "type": "Dialogue" } ], "character": "Kujan", "order": 1 } ], "actions": [ { "content": "Rabin and Louis look at one another as they listen.", "order": 0 } ], "character_metadata": [ { "verbosity": 269, "name": "Kujan", "sentiment": -0.1 } ], "characters": [ "Kujan" ], "story_order": 103, "heading": "INT. WORKSHOP", "scene_metadata": { "size": 320, "setting": "Int.", "location": "Workshop", "sentiment": -0.1, "time": null } }, { "narrative_order": 44, "conversations": [ { "dialogue": [ { "content": "He was dead just long enough for a murderrap to blow over, then he had lunch.", "type": "Dialogue" } ], "character": "Kujan", "order": 0 }, { "dialogue": [ { "content": "I don't know about that.", "type": "Dialogue" } ], "character": "Verbal", "order": 1 }, { "dialogue": [ { "content": "I don't think you do. But you say you sawKeaton die. I think you're covering hisass and he's still out there somewhere. Ithink he was behind that whole circus inthe harbor. My bet is he's using youbecause you're stupid and you think he'syour friend. You tell me he's dead, so beit. I want to make sure he's dead beforeI go back to New York.", "type": "Dialogue" } ], "character": "Kujan", "order": 2 }, { "dialogue": [ { "content": "(Blurting)", "type": "Parenthetical" }, { "content": "He wasn't behind anything. It was thelawyer.", "type": "Dialogue" } ], "character": "Verbal", "order": 3 }, { "dialogue": [ { "content": "What lawyer?", "type": "Dialogue" } ], "character": "Kujan", "order": 4 }, { "dialogue": [ { "content": "What lawyer, Verbal?", "type": "Dialogue" } ], "character": "Kujan", "order": 5 }, { "dialogue": [ { "content": "Back when I was in that barber shopquartet in Skokie, Illinois I used tohave", "type": "Dialogue" } ], "character": "Verbal", "order": 7 }, { "dialogue": [ { "content": "You think I don't know you held out onthe D.A.? What did you leave out of thattestimony? I can be on the phone to RubyDeemer in ten minutes.", "type": "Dialogue" } ], "character": "Kujan", "order": 9 }, { "dialogue": [ { "content": "The D.A. gave me immunity.", "type": "Dialogue" } ], "character": "Verbal", "order": 10 }, { "dialogue": [ { "content": "NOT FROM ME, YOU PIECE OF SHIT. THERE ISNO IMMUNITY FROM ME. You atone with me orthe world you live in becomes the hellyou fear in the back of your tiny mind.Every criminal I have put in prison,", "type": "Dialogue" } ], "character": "Kujan", "order": 11 }, { "dialogue": [ { "content": "every cop who owes me a favor, everycreeping scumbag that works the streetfor a living, will know the name ofVerbal Kint. You'll be the lowest sort ofrat, the prince of snitches, the loudestcooing stool pigeon that ever grabbed hisankles for the man. Now you talk to me,or that precious immunity they've seen sofit to grant you won't be worth the paperthe contract put out on your life isprinted on.", "type": "Dialogue" } ], "character": "Kujan", "order": 12 }, { "dialogue": [ { "content": "There was a lawyer. Kobayashi.", "type": "Dialogue" } ], "character": "Verbal", "order": 14 }, { "dialogue": [ { "content": "Is he the one that killed Keaton?", "type": "Dialogue" } ], "character": "Kujan", "order": 15 }, { "dialogue": [ { "content": "No. But I'm sure Keaton's dead.", "type": "Dialogue" } ], "character": "Verbal", "order": 16 }, { "dialogue": [ { "content": "Convince me. Tell me every last detail.", "type": "Dialogue" } ], "character": "Kujan", "order": 17 } ], "actions": [ { "content": "Verbal stammers for a moment, looking around wildly.", "order": 6 }, { "content": "Kujan grabs Verbal's shirt and yanks him half out of hisseat.", "order": 8 }, { "content": "Verbal looks at Kujan with utter contempt.", "order": 13 } ], "character_metadata": [ { "verbosity": 1254, "name": "Kujan", "sentiment": -0.04177489177489176 }, { "verbosity": 231, "name": "Verbal", "sentiment": -0.03333333333333335 } ], "characters": [ "Kujan", "Verbal" ], "story_order": 104, "heading": "INT. RABIN'S OFFICE", "scene_metadata": { "size": 1650, "setting": "Int.", "location": "Rabin'S Office", "sentiment": -0.03775757575757574, "time": null } }, { "narrative_order": 45, "conversations": [ { "dialogue": [ { "content": "Are you the translator?", "type": "Dialogue" } ], "character": "Baer", "order": 1 }, { "dialogue": [ { "content": "Patrolman Lionel Bodi, sir.", "type": "Dialogue" } ], "character": "Bodi", "order": 2 }, { "dialogue": [ { "content": "Agent Beer, this is getting out of hand.", "type": "Dialogue" } ], "character": "Plumber", "order": 3 }, { "dialogue": [ { "content": "I'11 see to it we're gone before he blowshis porch light, Doctor.", "type": "Dialogue" } ], "character": "Baer", "order": 4 }, { "dialogue": [ { "content": "(To Bodi)", "type": "Parenthetical" }, { "content": "This is Tracy Fitzgerald. She's acomposite sketch artist from county.", "type": "Dialogue" } ], "character": "Baer", "order": 6 }, { "dialogue": [ { "content": "Hi.", "type": "Dialogue" } ], "character": "Bodi", "order": 8 }, { "dialogue": [ { "content": "Hi.", "type": "Dialogue" } ], "character": "Tracy", "order": 9 }, { "dialogue": [ { "content": "(Impatient)", "type": "Parenthetical" }, { "content": "I've got a noon meeting, Baer.", "type": "Dialogue" } ], "character": "Metzheiser", "order": 10 }, { "dialogue": [ { "content": "Agent Baer, please.", "type": "Dialogue" } ], "character": "Plumber", "order": 11 }, { "dialogue": [ { "content": "Everyone calm down.", "type": "Dialogue" }, { "content": "(To Bodi)", "type": "Parenthetical" }, { "content": "Ask this man about the shoot-out in theharbor.", "type": "Dialogue" } ], "character": "Baer", "order": 12 }, { "dialogue": [ { "content": "<>", "type": "Dialogue" } ], "character": "Bodi", "order": 13 }, { "dialogue": [ { "content": "<>", "type": "Dialogue" } ], "character": "Kovash", "order": 15 }, { "dialogue": [ { "content": "<>", "type": "Dialogue" } ], "character": "Bodi", "order": 16 }, { "dialogue": [ { "content": "<>", "type": "Dialogue" } ], "character": "Kovash", "order": 17 }, { "dialogue": [ { "content": "He says they were buying It doesn'tmake sense. I'm sorry, I'm a littlerusty. They were there to buy something.", "type": "Dialogue" } ], "character": "Bodi", "order": 18 }, { "dialogue": [ { "content": "Dope, we know.", "type": "Dialogue" } ], "character": "Baer", "order": 19 }, { "dialogue": [ { "content": "<>", "type": "Dialogue" } ], "character": "Kovash", "order": 20 }, { "dialogue": [ { "content": "Not dope. Something else. Some what?.. Hedoesn't knob what they were buying. Butnot dope... people.", "type": "Dialogue" } ], "character": "Bodi", "order": 21 }, { "dialogue": [ { "content": "<>", "type": "Dialogue" } ], "character": "Kovash", "order": 22 }, { "dialogue": [ { "content": "Your witness is whacked, Baer.", "type": "Dialogue" } ], "character": "Metzheiser", "order": 23 }, { "dialogue": [ { "content": "He says he'll tell us everything he knowsif we protect him.", "type": "Dialogue" } ], "character": "Bodi", "order": 24 }, { "dialogue": [ { "content": "Tell him fine.", "type": "Dialogue" } ], "character": "Baer", "order": 25 }, { "dialogue": [ { "content": "<>", "type": "Dialogue" } ], "character": "Bodi", "order": 26 }, { "dialogue": [ { "content": "<>", "type": "Dialogue" } ], "character": "Kovash", "order": 27 }, { "dialogue": [ { "content": "No good. He needs guarantees. He says...his life is in danger... He has seen theDevil... looked him in the eye.", "type": "Dialogue" } ], "character": "Bodi", "order": 28 }, { "dialogue": [ { "content": "I'11 be on my way.", "type": "Dialogue" } ], "character": "Metzheiser", "order": 29 }, { "dialogue": [ { "content": "(To Bodi)", "type": "Parenthetical" }, { "content": "Tell him to tell this man what he wastelling me before. Who is the Devil? Whodid he see?", "type": "Dialogue" } ], "character": "Baer", "order": 31 }, { "dialogue": [ { "content": "<>", "type": "Dialogue" } ], "character": "Bodi", "order": 32 }, { "dialogue": [ { "content": "Keyser Soze He was in the harborshooting everyone in sight.>>", "type": "Dialogue" } ], "character": "Kovash", "order": 33 }, { "dialogue": [ { "content": "He says he saw him in the harbor. He wasshooting... Killing... Killing many men.", "type": "Dialogue" } ], "character": "Bodi", "order": 35 }, { "dialogue": [ { "content": "Did he say Keyser Soze? He saw KeyserSoze", "type": "Dialogue" } ], "character": "Metzheiser", "order": 36 }, { "dialogue": [ { "content": "He says he saw him in the harbor. He wasshooting... Killing... Killing many men.", "type": "Dialogue" } ], "character": "Bodi", "order": 37 }, { "dialogue": [ { "content": "Did he say Keyser Soze? He saw KeyserSoze.", "type": "Dialogue" } ], "character": "Metzheiser", "order": 38 }, { "dialogue": [ { "content": "<>", "type": "Dialogue" } ], "character": "Kovash", "order": 39 }, { "dialogue": [ { "content": "He says he knows his face. He sees itwhen he closes his eyes.", "type": "Dialogue" } ], "character": "Bodi", "order": 40 }, { "dialogue": [ { "content": "Ask him what this Devil looks like.", "type": "Dialogue" } ], "character": "Metzheiser", "order": 41 }, { "dialogue": [ { "content": "(To Tracy)", "type": "Parenthetical" }, { "content": "Ready?", "type": "Dialogue" } ], "character": "Baer", "order": 42 } ], "actions": [ { "content": "Kovash's room is now filled with people. Jack Baer standsnext to DANIEL METZHEISER, a balding man in his forties. Nextto him is Doctor Plumber. Across from her is Ridgly Waiters.Sitting beside the bed is TRACY FITZGERALD, a casuallydressed woman in her late twenties. She holds a 15x20 inchdrawing pad on her lap.Police fill the hall. People are talking loudly outside.LIONEL BODI, a cop in his mid-twenties pushes his way in.", "order": 0 }, { "content": "Baer gestures to Tracy.", "order": 5 }, { "content": "The young couple smile at one another nervously.", "order": 7 }, { "content": "Kovash smiles with relief when he hears his own language.", "order": 14 }, { "content": "Baer grabs Metzheiser by the arm.", "order": 30 }, { "content": "Metzheiser is suddenly interested.", "order": 34 }, { "content": "Tracy holds up her pad and pencil. She nods.", "order": 43 } ], "character_metadata": [ { "verbosity": 344, "name": "Baer", "sentiment": 0.35000000000000003 }, { "verbosity": 844, "name": "Bodi", "sentiment": 0.3 }, { "verbosity": 59, "name": "Plumber", "sentiment": 0 }, { "verbosity": 3, "name": "Tracy", "sentiment": 0 }, { "verbosity": 196, "name": "Metzheiser", "sentiment": 0 }, { "verbosity": 713, "name": "Kovash", "sentiment": -0.35 } ], "characters": [ "Baer", "Bodi", "Plumber", "Tracy", "Metzheiser", "Kovash" ], "story_order": 105, "heading": "INT. HOSPITAL - DAY", "scene_metadata": { "size": 2888, "setting": "Int.", "location": "Hospital", "sentiment": 0.1, "time": "Day" } }, { "narrative_order": 53, "conversations": [ { "dialogue": [ { "content": "So this lawyer...", "type": "Dialogue" } ], "character": "Kujan", "order": 0 }, { "dialogue": [ { "content": "Kobayashi.", "type": "Dialogue" } ], "character": "Verbal", "order": 1 }, { "dialogue": [ { "content": "Came from Redfoot.", "type": "Dialogue" } ], "character": "Kujan", "order": 2 }, { "dialogue": [ { "content": "Right.", "type": "Dialogue" } ], "character": "Verbal", "order": 3 }, { "dialogue": [ { "content": "And why leave this out when you talked tothe D.A.?", "type": "Dialogue" } ], "character": "Kujan", "order": 4 }, { "dialogue": [ { "content": "Someone to see you, Agent Kujan.", "type": "Dialogue" } ], "character": "Rab In", "order": 6 } ], "actions": [ { "content": "A KNOCK AT THE DOORRabin sticks his head in.", "order": 5 }, { "content": "Kujan steps out into the hall, shutting the door behind him.", "order": 7 } ], "character_metadata": [ { "verbosity": 85, "name": "Kujan", "sentiment": 0 }, { "verbosity": 16, "name": "Verbal", "sentiment": 0 }, { "verbosity": 32, "name": "Rab In", "sentiment": 0 } ], "characters": [ "Kujan", "Verbal", "Rab In" ], "story_order": 106, "heading": "INT. RABIN'S OFFICE - DAY", "scene_metadata": { "size": 237, "setting": "Int.", "location": "Rabin'S Office", "sentiment": -0.4, "time": "Day" } }, { "narrative_order": 54, "conversations": [ { "dialogue": [ { "content": "Jack. What are you doing here?", "type": "Dialogue" } ], "character": "Kujan", "order": 1 }, { "dialogue": [ { "content": "I've been looking all over for you. Youstill after the coke that walked out ofthat blood bath in the harbor?", "type": "Dialogue" } ], "character": "Baer", "order": 2 }, { "dialogue": [ { "content": "Yeah.", "type": "Dialogue" } ], "character": "Kujan", "order": 3 }, { "dialogue": [ { "content": "You can stop looking. There was no coke.I've been in L.A. county with a guy they", "type": "Dialogue" } ], "character": "Baer", "order": 4 }, { "dialogue": [ { "content": "pulled out of a drainpipe in San Pedroyesterday after the shoot-out. He came tothis morning and started talking. He waspart of a Hungarian mob there to do adeal with a bunch of goats fromArgentina. He says it was definitely nota dope deal.", "type": "Dialogue" } ], "character": "Baer", "order": 5 }, { "dialogue": [ { "content": "There was ninety-one million -", "type": "Dialogue" } ], "character": "Kujan", "order": 6 }, { "dialogue": [ { "content": "We know, but our man says no way on thedope. This Hungarian tells me the wholebunch was pulling stumps for Turkey thenext' day. They had no time to negotiatethat kind of product and no means to moveit.", "type": "Dialogue" } ], "character": "Baer", "order": 7 }, { "dialogue": [ { "content": "What was the money for?", "type": "Dialogue" } ], "character": "Kujan", "order": 8 }, { "dialogue": [ { "content": "He didn't know. No one doing the dealknew except a few key people. This guysays they were real hush about it.Whatever it was it was highly sensitive.", "type": "Dialogue" } ], "character": "Baer", "order": 9 }, { "dialogue": [ { "content": "I don't get it.", "type": "Dialogue" } ], "character": "Kujan", "order": 10 }, { "dialogue": [ { "content": "They tell me you got the cripple from NewYork in there. He mention Keyser Soze", "type": "Dialogue" } ], "character": "Baer", "order": 11 }, { "dialogue": [ { "content": "Who ?", "type": "Dialogue" } ], "character": "Kujan", "order": 12 }, { "dialogue": [ { "content": "Bear with me here...", "type": "Dialogue" } ], "character": "Baer", "order": 13 } ], "actions": [ { "content": "Kujan smiles instantly, recognizing the man standing withRabin.", "order": 0 } ], "character_metadata": [ { "verbosity": 108, "name": "Kujan", "sentiment": 0 }, { "verbosity": 875, "name": "Baer", "sentiment": 0.12666666666666668 } ], "characters": [ "Kujan", "Baer" ], "story_order": 107, "heading": "EXT. RABIN'S OFFICE", "scene_metadata": { "size": 1046, "setting": "Ext.", "location": "Rabin'S Office", "sentiment": 0.10857142857142857, "time": null } }, { "narrative_order": 55, "conversations": [ { "dialogue": [ { "content": "Who is Keyser Soze", "type": "Dialogue" } ], "character": "Kujan", "order": 1 }, { "dialogue": [ { "content": "Ahhh fuck.", "type": "Dialogue" } ], "character": "Verbal", "order": 3 } ], "actions": [ { "content": "BOOM - The door bursts open.", "order": 0 }, { "content": "Verbal looks up in shock. He drops his cigarette and tremblesat the mere mention of the name.", "order": 2 } ], "character_metadata": [ { "verbosity": 18, "name": "Kujan", "sentiment": 0 }, { "verbosity": 10, "name": "Verbal", "sentiment": -0.4 } ], "characters": [ "Kujan", "Verbal" ], "story_order": 108, "heading": "INT. RABIN'S OFFICE", "scene_metadata": { "size": 149, "setting": "Int.", "location": "Rabin'S Office", "sentiment": -0.5, "time": null } }, { "narrative_order": 57, "conversations": [ { "dialogue": [ { "content": "He is supposed to be Turkish. Some say rhis father was German. Nobody believed hewas real. Nobody ever saw him or knewanybody that ever worked directly forhim, but to hear Kobayashi tell it,anybody could have worked for Soze. Younever knew. That was his power. Thegreatest trick the Devil ever pulled wasconvincing the world he didn't exist. Onestory the guys told me - the story Ibelieve - was from his days in Turkey.There was a petty gang of Hungarians thatwanted their own mob. They realized thatto be in power you didn't need guns ormoney or even numbers. You just needed +the will to do what the other guywouldn't. After a while they come topower, and then they come after Soze Hewas small time then, just running dope,they say...", "type": "Dialogue" } ], "character": "Verbal", "order": 1 } ], "actions": [ { "content": "Kujan leans into Verbal's face. He hangs on his every word.", "order": 0 } ], "character_metadata": [ { "verbosity": 772, "name": "Verbal", "sentiment": 0.08750000000000001 } ], "characters": [ "Verbal" ], "story_order": 109, "heading": "INT. RABIN'S OFFICE - DAY", "scene_metadata": { "size": 831, "setting": "Int.", "location": "Rabin'S Office", "sentiment": 0.08750000000000001, "time": "Day" } }, { "narrative_order": 60, "conversations": [ { "dialogue": [ { "content": "Do you believe in him, Verbal?", "type": "Dialogue" } ], "character": "Kujan", "order": 0 }, { "dialogue": [ { "content": "Keaton always said: \"I don't believe inGod, but I'm afraid of him.\" Well Ibelieve in God, and the only thing thatscares me is Keyser SOZE.", "type": "Dialogue" } ], "character": "Verbal", "order": 1 } ], "actions": [], "character_metadata": [ { "verbosity": 30, "name": "Kujan", "sentiment": 0 }, { "verbosity": 138, "name": "Verbal", "sentiment": -0.3 } ], "characters": [ "Kujan", "Verbal" ], "story_order": 110, "heading": "INT. RABIN'S OFFICE - DAY", "scene_metadata": { "size": 168, "setting": "Int.", "location": "Rabin'S Office", "sentiment": -0.3, "time": "Day" } }, { "narrative_order": 61, "conversations": [ { "dialogue": [ { "content": "You give this any weight, Agent Baer?", "type": "Dialogue" } ], "character": "Rab In", "order": 1 }, { "dialogue": [ { "content": "I can introduce you to Dan Metzheiserfrom Justice. He has a file on Sate inD.C. It's been a hobby of his for a fewyears. A lot of guys equate him to thatreporter on the Incredible Hulk.", "type": "Dialogue" } ], "character": "Baer", "order": 2 }, { "dialogue": [ { "content": "Had you heard of him before?", "type": "Dialogue" } ], "character": "Rabin", "order": 3 }, { "dialogue": [ { "content": "On the street? A few times. Outsidestuff. Somebody was working for a guy whowas working for a guy who got moneythrough Keyser Soze. That kind of shit.Could be an old badge. A hex sign to keeppeople from fucking with you back when aname meant something.", "type": "Dialogue" } ], "character": "Baer", "order": 4 }, { "dialogue": [ { "content": "But you're here.", "type": "Dialogue" } ], "character": "Rab In", "order": 5 }, { "dialogue": [ { "content": "Shit yeah. I got a guy trying to walk outof the hospital on d fried drumstick toget away from SOZE. I'11 run it up theflagpole.", "type": "Dialogue" } ], "character": "Baer", "order": 6 } ], "actions": [ { "content": "Jack Baer and Rabin listen to Verbal on the speaker with oneear.", "order": 0 } ], "character_metadata": [ { "verbosity": 53, "name": "Rab In", "sentiment": 0 }, { "verbosity": 564, "name": "Baer", "sentiment": 0.13333333333333333 }, { "verbosity": 28, "name": "Rabin", "sentiment": 0 } ], "characters": [ "Rab In", "Baer", "Rabin" ], "story_order": 111, "heading": "INT. WORKSHOP", "scene_metadata": { "size": 709, "setting": "Int.", "location": "Workshop", "sentiment": 0.13333333333333333, "time": null } }, { "narrative_order": 62, "conversations": [ { "dialogue": [ { "content": "I came clean. I told it like it happenedon the boat. So what if I left out how Igot there? It's got so many holes in it,the D.A. would've told me to blow amnestyout my ass. So you got what you wantedout of me. Big fucking deal.", "type": "Dialogue" } ], "character": "Verbal", "order": 0 }, { "dialogue": [ { "content": "And this is why you never told the D.A.", "type": "Dialogue" } ], "character": "Kujan", "order": 1 }, { "dialogue": [ { "content": "You tell me, Agent Kujan. If I told youthe Loch Ness Monster hired me to hit theharbor, what would you say?", "type": "Dialogue" } ], "character": "Verbal", "order": 2 }, { "dialogue": [ { "content": "Turn state's evidence. Take the stand onthis and we'll hear it out.", "type": "Dialogue" } ], "character": "Kujan", "order": 3 }, { "dialogue": [ { "content": "I've got immunity now. What can youpossibly offer me?", "type": "Dialogue" } ], "character": "Verbal", "order": 4 }, { "dialogue": [ { "content": "If there is a Keyser Soze he'll belooking for you.", "type": "Dialogue" } ], "character": "Kujan", "order": 5 }, { "dialogue": [ { "content": "Where's your head, Agent Kujan? Where doyou think the pressure's coming from?Keyser Soze - or whatever you want tocall him - knows where I am right now.He's got the front burner under' your assto let me go so he can scoop me up tenminutes later. Immunity was just to dealwith you assholes. I got a whole newproblem when I post bail.", "type": "Dialogue" } ], "character": "Verbal", "order": 6 }, { "dialogue": [ { "content": "So why play into his hands? We canprotect you.", "type": "Dialogue" } ], "character": "Kujan", "order": 7 }, { "dialogue": [ { "content": "Gee, thanks, Dave. Bang-up job so far.Extortion, coercion. You'll pardon me ifI ask you to kiss my pucker. The samefuckers that rounded us up and sank usinto this mess are telling me They'llbail me out? Fuck you. You think you cancatch Keyser Soze? You think a guy likethat comes this close to getting fingeredand sticks his head out? If he comes upfor anything, it will be to get rid ofme.", "type": "Dialogue" }, { "content": "(beat)", "type": "Parenthetical" }, { "content": "After that, my guess is you'll never hearfrom him again.", "type": "Dialogue" }, { "content": "<>", "type": "Dialogue" } ], "character": "Verbal", "order": 8 } ], "actions": [], "character_metadata": [ { "verbosity": 1199, "name": "Verbal", "sentiment": 0.06478174603174604 }, { "verbosity": 202, "name": "Kujan", "sentiment": 0 } ], "characters": [ "Verbal", "Kujan" ], "story_order": 112, "heading": "INT. RABIN'S OFFICE", "scene_metadata": { "size": 1407, "setting": "Int.", "location": "Rabin'S Office", "sentiment": 0.06478174603174604, "time": null } }, { "narrative_order": 63, "conversations": [ { "dialogue": [ { "content": "<>", "type": "Dialogue" } ], "character": "Kovash", "order": 1 }, { "dialogue": [ { "content": "(To Tracy) +", "type": "Parenthetical" }, { "content": "The nose is sharper. Smaller too. +(To Arkosh in Hung.)<>", "type": "Dialogue" } ], "character": "Bodi", "order": 2 }, { "dialogue": [ { "content": "<>", "type": "Dialogue" } ], "character": "Kovash", "order": 3 }, { "dialogue": [ { "content": "<>", "type": "Dialogue" } ], "character": "Bodi", "order": 4 }, { "dialogue": [ { "content": "<>", "type": "Dialogue" } ], "character": "Kovash", "order": 5 }, { "dialogue": [ { "content": "(To Tracy)", "type": "Parenthetical" }, { "content": "He says the hair is longer and lighter.", "type": "Dialogue" } ], "character": "Bodi", "order": 6 } ], "actions": [ { "content": "Doctor Plumber watches from out in the hall. +Kovash spits out a constant river of Hungarian while Boditries to keep up, relaying everything to Tracy Fitzgerald.She sketches frantically while Daniel Metzheiser looks on.The composite sketch of Keyser SOZE is taking form.", "order": 0 } ], "character_metadata": [ { "verbosity": 102, "name": "Kovash", "sentiment": 0 }, { "verbosity": 200, "name": "Bodi", "sentiment": 0 } ], "characters": [ "Kovash", "Bodi" ], "story_order": 113, "heading": "INT. HALLWAY OUTSIDE HOSPITAL ROOM - DAY", "scene_metadata": { "size": 650, "setting": "Int.", "location": "Hallway Outside Hospital Room", "sentiment": 0, "time": "Day" } }, { "narrative_order": 65, "conversations": [ { "dialogue": [ { "content": "That was how I ended up in a barber shopquartet in Skokie, Illinois.", "type": "Dialogue" } ], "character": "Verbal", "order": 0 }, { "dialogue": [ { "content": "This is totally irrelevant.", "type": "Dialogue" } ], "character": "Kujan", "order": 1 }, { "dialogue": [ { "content": "Oh, but it's not. If I hadn't beennailed in Illinois for running a threecard monte in between sets, I never wouldhave took off for New York. I neverwould have met Keaton, see. That barbershop quartet was the reason foreverything.", "type": "Dialogue" } ], "character": "Verbal", "order": 2 }, { "dialogue": [ { "content": "Can we just get back to Kobayashi?", "type": "Dialogue" } ], "character": "Kujan", "order": 3 }, { "dialogue": [ { "content": "The quartet is part of the bit aboutKobayashi. The quartet was in my file,along with every other thing I had donesince high school, see? Aliases, middle-men. They knew me better than I did.They knew all of us.", "type": "Dialogue" } ], "character": "Verbal", "order": 4 }, { "dialogue": [ { "content": "You're stalling, Verbal.", "type": "Dialogue" } ], "character": "Kujan", "order": 6 }, { "dialogue": [ { "content": "Give a guy a break, huh?", "type": "Dialogue" } ], "character": "Verbal", "order": 7 }, { "dialogue": [ { "content": "What happened?", "type": "Dialogue" } ], "character": "Kujan", "order": 8 }, { "dialogue": [ { "content": "We woke up the next morning and Fensterwas gone. He couldn't handle the idea ofslumming for SOZE. He left a note wishingus good luck and took a chunk of themoney we'd scraped together.", "type": "Dialogue" } ], "character": "Verbal", "order": 10 }, { "dialogue": [ { "content": "Then what?", "type": "Dialogue" } ], "character": "Kujan", "order": 11 }, { "dialogue": [ { "content": "McManus was furious. He was talking abouttracking him down and ripping his heartout and all sorts of shit. That night wegot the call.", "type": "Dialogue" } ], "character": "Verbal", "order": 12 }, { "dialogue": [ { "content": "What call?", "type": "Dialogue" } ], "character": "Kujan", "order": 13 }, { "dialogue": [ { "content": "Kobayashi told us where we could findFenster.", "type": "Dialogue" } ], "character": "Verbal", "order": 14 } ], "actions": [ { "content": "Kujan looks at his watch.", "order": 5 }, { "content": "Verbal slumps a bit. He realizes his stalling tactic hasfailed.", "order": 9 } ], "character_metadata": [ { "verbosity": 892, "name": "Verbal", "sentiment": 0.11286756453423119 }, { "verbosity": 119, "name": "Kujan", "sentiment": 0 } ], "characters": [ "Verbal", "Kujan" ], "story_order": 114, "heading": "INT. RABIN'S OFFICE", "scene_metadata": { "size": 1099, "setting": "Int.", "location": "Rabin'S Office", "sentiment": 0.09234618916437097, "time": null } }, { "narrative_order": 67, "conversations": [ { "dialogue": [ { "content": "And after they killed Fenster nobodywould run?", "type": "Dialogue" } ], "character": "Kujan", "order": 1 }, { "dialogue": [ { "content": "I wanted to. I thought we could make it.", "type": "Dialogue" } ], "character": "Verbal", "order": 2 }, { "dialogue": [ { "content": "Why didn't you say anything?", "type": "Dialogue" } ], "character": "Kujan", "order": 3 }, { "dialogue": [ { "content": "I tried, believe me, but Keaton wouldn'thave it. It was too far-fetched for him.Keaton was a grounded guy. An ex-cop. Toa cop, the explanation is never thatcomplicated. It's always simple. There's", "type": "Dialogue" } ], "character": "Verbal", "order": 4 }, { "dialogue": [ { "content": "no mystery on the street, no arch-criminal behind it all. If you got a deadguy and you think his brother did it,you're going to find out you're right.Nobody argued with Keaton. They just settheir minds on whacking Kobayashi.", "type": "Dialogue" } ], "character": "Verbal", "order": 5 } ], "actions": [ { "content": "Verbal smokes with his good hand shaking badly.", "order": 0 } ], "character_metadata": [ { "verbosity": 74, "name": "Kujan", "sentiment": -0.2 }, { "verbosity": 460, "name": "Verbal", "sentiment": -0.2 } ], "characters": [ "Kujan", "Verbal" ], "story_order": 115, "heading": "INT. RABIN'S OFFICE - DAY", "scene_metadata": { "size": 581, "setting": "Int.", "location": "Rabin'S Office", "sentiment": -0.12, "time": "Day" } }, { "narrative_order": 100, "conversations": [ { "dialogue": [ { "content": "Why didn't you run?", "type": "Dialogue" } ], "character": "Kujan", "order": 0 }, { "dialogue": [ { "content": "I froze up. I thought about Fenster andhow he looked when we buried him, then Ithought about Keaton. It looked like hemight pull it off.", "type": "Dialogue" } ], "character": "Verbal", "order": 1 } ], "actions": [ { "content": "A KNOCK ON THE DOOR.Rabin steps in and motions for Kujan to come outside.", "order": 2 } ], "character_metadata": [ { "verbosity": 19, "name": "Kujan", "sentiment": 0 }, { "verbosity": 136, "name": "Verbal", "sentiment": 0 } ], "characters": [ "Kujan", "Verbal" ], "story_order": 116, "heading": "INT. RABIN'S OFFICE - DAY", "scene_metadata": { "size": 228, "setting": "Int.", "location": "Rabin'S Office", "sentiment": 0, "time": "Day" } }, { "narrative_order": 101, "conversations": [ { "dialogue": [ { "content": "A boy came across a body on the beachthis morning. Thrown clear when the boatburned. Shot once in the head. Two guysfrom the F.B.I. just identified him. +", "type": "Dialogue" } ], "character": "Baer", "order": 1 }, { "dialogue": [ { "content": "And ?", "type": "Dialogue" } ], "character": "Kujan", "order": 2 }, { "dialogue": [ { "content": "His name was Arturo Marquez. A pettysmuggler out of Argentina. He wasarrested in New York last year fortrafficking. He escaped to California andgot picked up in Long Beach. They weresetting up his extradition when heescaped again. Get this - Edie Finneranwas called in to advise the proceedings.", "type": "Dialogue" } ], "character": "Rabin", "order": 3 }, { "dialogue": [ { "content": "Kobayashi.", "type": "Dialogue" } ], "character": "Kujan", "order": 4 }, { "dialogue": [ { "content": "I called New York County and they faredme a copy of Marquez's testimony. He wasa rat.", "type": "Dialogue" } ], "character": "Rab In", "order": 6 }, { "dialogue": [ { "content": "A big fucking rat.", "type": "Dialogue" } ], "character": "Kujan", "order": 8 }, { "dialogue": [ { "content": "Arturo was strongly opposed 'to going backto prison. So much so that he informed onclose to fifty guys. Guess who he namesfor a finale?", "type": "Dialogue" } ], "character": "Rabin", "order": 9 }, { "dialogue": [ { "content": "Keyser Soze", "type": "Dialogue" } ], "character": "Kujan", "order": 11 }, { "dialogue": [ { "content": "There's more.", "type": "Dialogue" } ], "character": "Baer", "order": 12 } ], "actions": [ { "content": "Rabin and Jack Baer are in the hall. Rabin hands Kujan athick manila folder. Kujan thumbs through it.", "order": 0 }, { "content": "Bear nods.", "order": 5 }, { "content": "Kujan pulls out page after page from the file.", "order": 7 }, { "content": "Kujan finds one sheet and notices a paragraph is highlighted.", "order": 10 } ], "character_metadata": [ { "verbosity": 187, "name": "Baer", "sentiment": 0.3 }, { "verbosity": 44, "name": "Kujan", "sentiment": -0.3 }, { "verbosity": 430, "name": "Rabin", "sentiment": 0.14393939393939395 }, { "verbosity": 85, "name": "Rab In", "sentiment": 0.13636363636363635 } ], "characters": [ "Baer", "Kujan", "Rabin", "Rab In" ], "story_order": 117, "heading": "INT.HALLWAY", "scene_metadata": { "size": 964, "setting": "Int.", "location": "Hallway", "sentiment": 0.03956228956228956, "time": null } }, { "narrative_order": 102, "conversations": [ { "dialogue": [ { "content": "I'11 tell you what I know. Stop me whenit sounds familiar.", "type": "Dialogue" } ], "character": "Kujan", "order": 1 }, { "dialogue": [ { "content": "There was no dope on that boat.", "type": "Dialogue" } ], "character": "Kujan", "order": 3 } ], "actions": [ { "content": "Kujan walks in and sits down in front of Verbal. He smiles.", "order": 0 }, { "content": "Verbal is confused.", "order": 2 } ], "character_metadata": [ { "verbosity": 89, "name": "Kujan", "sentiment": 0 } ], "characters": [ "Kujan" ], "story_order": 118, "heading": "INT. RABIN'S OFFICE", "scene_metadata": { "size": 167, "setting": "Int.", "location": "Rabin'S Office", "sentiment": -0.2777777777777778, "time": null } }, { "narrative_order": 117, "conversations": [ { "dialogue": [ { "content": "And that's when you say in your statementthat you saw...", "type": "Dialogue" } ], "character": "Kujan", "order": 0 }, { "dialogue": [ { "content": "A man in a suit with a slim build. Tall.", "type": "Dialogue" } ], "character": "Kujan", "order": 2 }, { "dialogue": [ { "content": "Wait a minute.", "type": "Dialogue" } ], "character": "Verbal", "order": 3 }, { "dialogue": [ { "content": "(Looking at watch)", "type": "Parenthetical" }, { "content": "I don't have a minute. Are you saying itwas Keyser Soze? You told the D.A. youdidn't know who it was.", "type": "Dialogue" } ], "character": "Kujan", "order": 4 }, { "dialogue": [ { "content": "I - there had to be dope there.", "type": "Dialogue" } ], "character": "Verbal", "order": 6 }, { "dialogue": [ { "content": "Don't shine me, Verbal. No more stalling.You know what I'm getting at.", "type": "Dialogue" } ], "character": "Kujan", "order": 7 }, { "dialogue": [ { "content": "I don't.", "type": "Dialogue" } ], "character": "Verbal", "order": 8 }, { "dialogue": [ { "content": "YES YOU DO. YOU KNOW WHAT I'M GETTING AT.THE TRUTH. TRY TO TELL ME YOU DIDN'TKNOW. TRY TO TELL ME YOU SAW SOMEONE KILLKEATON .", "type": "Dialogue" } ], "character": "Kujan", "order": 9 }, { "dialogue": [ { "content": "TRY TO REEF LYING TO ME NOW. I KNOWEVERYTHING .", "type": "Dialogue" } ], "character": "Kujan", "order": 11 }, { "dialogue": [ { "content": "I don't know what you're talking about.", "type": "Dialogue" } ], "character": "Verbal", "order": 12 }, { "dialogue": [ { "content": "YOU KNOW. YOU'VE KNOWN THIS WHOLE FUCKINGTIME. GIVE IT TO ME.", "type": "Dialogue" } ], "character": "Kujan", "order": 13 }, { "dialogue": [ { "content": "I don't understand what you're saying. Isaw Keaton get shot, I swear to you.", "type": "Dialogue" } ], "character": "Verbal", "order": 15 }, { "dialogue": [ { "content": "Then why didn't you help him?", "type": "Dialogue" } ], "character": "Kujan", "order": 16 }, { "dialogue": [ { "content": "I WAS AFRAID, OKAY? Somehow, I was sureit was Keyser Soze at that point. Icouldn't bring myself to raise my gun tohim.", "type": "Dialogue" } ], "character": "Verbal", "order": 17 }, { "dialogue": [ { "content": "But Keaton...", "type": "Dialogue" } ], "character": "Kujan", "order": 18 }, { "dialogue": [ { "content": "It was Keyser Soze, Agent Kujan. I meanthe Devil himself. How do you shoot theDevil in the back?", "type": "Dialogue" } ], "character": "Verbal", "order": 19 }, { "dialogue": [ { "content": "What if you miss?", "type": "Dialogue" } ], "character": "Verbal", "order": 21 } ], "actions": [ { "content": "Kujan picks up his copy of Verbal's statement to the D.A.", "order": 1 }, { "content": "Verbal is drowning in Kujan's interrogation. He looks dazed.", "order": 5 }, { "content": "For the first time, Verbal stands and tries to move away fromKujan, but Kujan stays in his face, backing him into acorner. Verbal shields himself with his hands and shuts hiseyes.", "order": 10 }, { "content": "Verbal looks into Kujan's eyes with genuine terror. Kujan'sface is red, his body trembles. His locomotive breathing isthe only sound in the room.", "order": 14 }, { "content": "Verbal holds up a shaking, twisted hand.", "order": 20 } ], "character_metadata": [ { "verbosity": 543, "name": "Kujan", "sentiment": -0.024999999999999994 }, { "verbosity": 399, "name": "Verbal", "sentiment": -0.04999999999999999 } ], "characters": [ "Kujan", "Verbal" ], "story_order": 119, "heading": "INT. RABIN'S OFFICE - DAY", "scene_metadata": { "size": 1441, "setting": "Int.", "location": "Rabin'S Office", "sentiment": 0.027272727272727285, "time": "Day" } }, { "narrative_order": 119, "conversations": [ { "dialogue": [ { "content": "Arturo Marquez. Ever hear of him?", "type": "Dialogue" } ], "character": "Kujan", "order": 0 }, { "dialogue": [ { "content": "Wha- No.", "type": "Dialogue" } ], "character": "Verbal", "order": 1 }, { "dialogue": [ { "content": "He was a stool pigeon for the JusticeDepartment. He swore out a statement toFederal Marshals that he had seen andcould positively identify one Keyser Sozeand had intimate knowledge of hisbusiness, including, but not exclusiveto, drug trafficking and murder.", "type": "Dialogue" } ], "character": "Kujan", "order": 2 }, { "dialogue": [ { "content": "I never heard of him.", "type": "Dialogue" } ], "character": "Verbal", "order": 3 }, { "dialogue": [ { "content": "His own people were selling him to a gangof Hungarians. Most likely the sameHungarians that Sate all but wiped outback in Turkey. The money wasn't therefor dope. The Hungarians were going tobuy the one guy that could finger Sozefor them.", "type": "Dialogue" } ], "character": "Kujan", "order": 4 }, { "dialogue": [ { "content": "I said I never heard of him.", "type": "Dialogue" } ], "character": "Verbal", "order": 5 }, { "dialogue": [ { "content": "But Keaton had. Edie Finneran was hisextradition advisor. She knew who he wasand what he knew.", "type": "Dialogue" } ], "character": "Kujan", "order": 6 }, { "dialogue": [ { "content": "I don't", "type": "Dialogue" } ], "character": "Verbal", "order": 7 }, { "dialogue": [ { "content": "There were no drugs on that boat. It wasa hit. A suicide mission to whack out theone man that could finger Keyser Soze soSate had a few thieves put to it. Men heknew he could march into certain death.", "type": "Dialogue" } ], "character": "Kujan", "order": 8 }, { "dialogue": [ { "content": "But how - wait. You're saying SOZE sent tus to kill someone?", "type": "Dialogue" } ], "character": "Verbal", "order": 9 }, { "dialogue": [ { "content": "I'm saying Keaton did.", "type": "Dialogue" } ], "character": "Kujan", "order": 10 }, { "dialogue": [ { "content": "Verbal, he left you behind for a reason.If you all knew Soze could find youanywhere, why was he ready to send youoff with the money when he could haveused you to take the boat?", "type": "Dialogue" } ], "character": "Kujan", "order": 12 }, { "dialogue": [ { "content": "He wanted me to live.", "type": "Dialogue" } ], "character": "Verbal", "order": 13 }, { "dialogue": [ { "content": "Why did he want you to live? A one-timedirty cop without a loyalty in the worldfinds it in his heart to save a worthlessrat-cripple? No, sir. Why'", "type": "Dialogue" } ], "character": "Kujan", "order": 14 }, { "dialogue": [ { "content": "Edie.", "type": "Dialogue" } ], "character": "Verbal", "order": 15 }, { "dialogue": [ { "content": "I don't buy that reform story for aminute. And even if I did, I certainlydon't believe he would send you toprotect her. So why?", "type": "Dialogue" } ], "character": "Kujan", "order": 16 }, { "dialogue": [ { "content": "Because he was my friend.", "type": "Dialogue" } ], "character": "Verbal", "order": 17 }, { "dialogue": [ { "content": "No, Verbal. You weren't friends. Keatondidn't have friends. He saved you becausehe wanted it that way. It was his will.", "type": "Dialogue" } ], "character": "Kujan", "order": 18 }, { "dialogue": [ { "content": "No...", "type": "Dialogue" } ], "character": "Verbal", "order": 20 }, { "dialogue": [ { "content": "Keaton was Keyser Soze", "type": "Dialogue" } ], "character": "Kujan", "order": 21 }, { "dialogue": [], "character": "Verbal", "order": 22 }, { "dialogue": [ { "content": "The kind of guy who could wrangle thewills of men like Hockney and McManus.The kind of man who could engineer apolice line-up from all his years ofcontacts in N.Y.P.D.", "type": "Dialogue" } ], "character": "Kujan", "order": 24 }, { "dialogue": [], "character": "Verbal", "order": 26 }, { "dialogue": [ { "content": "THE KIND OF MAN THAT COULD HAVE KILLEDEDIE FINNERAN.", "type": "Dialogue" } ], "character": "Kujan", "order": 28 }, { "dialogue": [ { "content": "They found her yesterday in a hotel inPennsylvania. Shot twice in the head.", "type": "Dialogue" } ], "character": "Kujan", "order": 30 }, { "dialogue": [ { "content": "Edie...", "type": "Dialogue" } ], "character": "Verbal", "order": 32 }, { "dialogue": [ { "content": "He used all of you to get him on thatboat. He couldn't get on alone and he hadto pull the trigger himself to make surehe got his man. The one man that couldidentify him.", "type": "Dialogue" } ], "character": "Kujan", "order": 33 }, { "dialogue": [ { "content": "This is all bullshit.", "type": "Dialogue" } ], "character": "Verbal", "order": 34 }, { "dialogue": [ { "content": "He left you to stay behind and tell us hewas dead. You saw him die, right? Or didyou? You had to hide when the firstpolice cars showed up. You heard theshot, just before the fire but you didn'tsee him die.", "type": "Dialogue" } ], "character": "Kujan", "order": 35 }, { "dialogue": [ { "content": "I knew him. He would never -", "type": "Dialogue" } ], "character": "Verbal", "order": 36 }, { "dialogue": [ { "content": "He programmed you to tell us just what hewanted you to. Customs has been", "type": "Dialogue" } ], "character": "Kujan", "order": 37 }, { "dialogue": [ { "content": "investigating him for years. He knew wewere close. You said it yourself. Whereis the political pressure coming from?Why are you being protected? It's Keatonmaking sure you tell us what you'resupposed to. Immunity is your reward.", "type": "Dialogue" } ], "character": "Kujan", "order": 38 }, { "dialogue": [ { "content": "BUT WHY ME? WHY NOT HOCKNEY OR FENSTER ORMcMANUS? I'm a cripple. I'm stupid. Whyme?", "type": "Dialogue" } ], "character": "Verbal", "order": 39 }, { "dialogue": [ { "content": "Because you're a cripple, Verbal. Becauseyou're stupid. Because you were weakerthan them. Because you couldn't see farenough into him to know the truth.", "type": "Dialogue" } ], "character": "Kujan", "order": 41 }, { "dialogue": [ { "content": "If he's dead, Verbal - if what you say istrue, then it won't matter. It was hisidea to hit the Taxi Service in New York,wasn't it? Tell me the truth.", "type": "Dialogue" } ], "character": "Kujan", "order": 43 }, { "dialogue": [ { "content": "(Sobbing)", "type": "Parenthetical" }, { "content": "It was all Keaton. We followed him fromthe beginning.", "type": "Dialogue" } ], "character": "Verbal", "order": 44 }, { "dialogue": [ { "content": "I didn't know. I saw him die. I believehe's dead. Christ", "type": "Dialogue" } ], "character": "Verbal", "order": 46 }, { "dialogue": [ { "content": "Why lie about everything else, then?", "type": "Dialogue" } ], "character": "Kujan", "order": 47 }, { "dialogue": [ { "content": "You know what it's like, Agent Kujan, toknow you'll never be good? Not good likeyou. You got good all fucked around. Imean a stand up guy. I grew up knowing Iwas never going to be good at anything'cause I was a cripple. Shit, I wasn't", "type": "Dialogue" } ], "character": "Verbal", "order": 48 }, { "dialogue": [ { "content": "even a good thief. But I thought the onething I could be good at was a keeping mymouth shut - keeping the code. I didn'twant to tell you for my dignity, that'sall, and you robbed me, Agent Kujan. Yourobbed me.", "type": "Dialogue" } ], "character": "Verbal", "order": 49 }, { "dialogue": [ { "content": "You're not safe on your own.", "type": "Dialogue" } ], "character": "Kujan", "order": 51 }, { "dialogue": [ { "content": "You think he's..?", "type": "Dialogue" } ], "character": "Verbal", "order": 52 }, { "dialogue": [ { "content": "Is he Keyser Soze I don't know, Verbal.It seems to me that Keyser Sate is ashield. Like you said, a spook story, butI know Keaton - and someone out there ispulling strings for you. Stay here andlet us protect you.", "type": "Dialogue" } ], "character": "Kujan", "order": 53 }, { "dialogue": [ { "content": "I'm not bait. No way. I post today.", "type": "Dialogue" } ], "character": "Verbal", "order": 54 }, { "dialogue": [ { "content": "You posted twenty minutes ago. CaptainLeo wants you out of here a.s.a.p.,unless you turn state's.", "type": "Dialogue" } ], "character": "Kujan", "order": 55 }, { "dialogue": [ { "content": "I'11 take my chances, thank you. It'stougher to buy the cheapest bag-man thanit is to buy a cop.", "type": "Dialogue" } ], "character": "Verbal", "order": 56 }, { "dialogue": [ { "content": "Where are you going to go, Verbal? Yougonna run? Turn states evidence. Youmight never see trial. If somebody wantsto get you, you know They'll get you outthere.", "type": "Dialogue" } ], "character": "Kujan", "order": 57 }, { "dialogue": [ { "content": "Maybe so, but I'm no rat, Agent Kujan.You tricked me, that's all. I won't keepmy mouth shut 'cause I'm scared. I'11keep it shut 'cause I let Keaton down bygetting caught - Edie Finneran too. Andif they kill me, it's", "type": "Dialogue" } ], "character": "Verbal", "order": 58 }, { "dialogue": [ { "content": "because They'll hear I dropped dime.They'll probably hear it from you.", "type": "Dialogue" } ], "character": "Verbal", "order": 59 }, { "dialogue": [ { "content": "Fuckin' cops.", "type": "Dialogue" } ], "character": "Verbal", "order": 61 } ], "actions": [ { "content": "Verbal cannot grasp this. He squints, trying to understand.", "order": 11 }, { "content": "Verbal grinds to a mental halt, trying to grasp theimplication .", "order": 19 }, { "content": "NO.", "order": 23 }, { "content": "Verbal stands on wobbly legs, shaking with anger.", "order": 25 }, { "content": "NO, NO, NO, NO, NO.", "order": 27 }, { "content": "A strange look crosses Verbal's face. Shock perhaps, orrevelation.", "order": 29 }, { "content": "It starts to sink in with Verbal. His eyes swell.", "order": 31 }, { "content": "Verbal hears the weight of his words and falls back in hischair, Kujan looks at him with some pity,; but he is too farin to stop.", "order": 40 }, { "content": "Verbal is crying now. He shakes his head, eyes closed.", "order": 42 }, { "content": "Kujan smiles with triumphant satisfaction.", "order": 45 }, { "content": "Kujan pulls the microphone out from under his tie and puts it +on the desk. Verbal actually manages to snort a laugh, butonly briefly, overcome by an apparent wave of nausea.", "order": 50 }, { "content": "Verbal stands, mustering his shattered dignity and walkstowards the door. Rabin opens it for him from outside.For once Kujan cannot bring himself to look at Verbal.Verbal turns to the door, stopping to look Rabin in the eye.", "order": 60 }, { "content": "He steps out of the room and into the hall. Rabin followshim.", "order": 62 } ], "character_metadata": [ { "verbosity": 3236, "name": "Kujan", "sentiment": 0.10200000000000001 }, { "verbosity": 1334, "name": "Verbal", "sentiment": 0.10858585858585856 } ], "characters": [ "Kujan", "Verbal" ], "story_order": 120, "heading": "INT. RABIN'S OFFICE - DAY", "scene_metadata": { "size": 5572, "setting": "Int.", "location": "Rabin'S Office", "sentiment": 0.08098765432098766, "time": "Day" } }, { "narrative_order": 120, "conversations": [], "actions": [ { "content": "Daniel Metzheiser comes out of Arkosh Kovash's room with asingle sheet of 15x20 inch paper in his hand. He inspects thesketch with great interest. He folds the edges of the paperback to make it smaller.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 121, "heading": "INT. HOSPITAL - DAY", "scene_metadata": { "size": 202, "setting": "Int.", "location": "Hospital", "sentiment": 0.4, "time": "Day" } }, { "narrative_order": 121, "conversations": [], "actions": [ { "content": "Metzheiser walks behind the reception desk without asking thenurse for permission and helps himself to the fax machine.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 122, "heading": "INT. HOSPITAL RECEPTION ROOM", "scene_metadata": { "size": 119, "setting": "Int.", "location": "Hospital Reception Room", "sentiment": -0.4, "time": null } }, { "narrative_order": 122, "conversations": [ { "dialogue": [ { "content": "One watch: gold. One cigarette lighter:gold. One wallet: brown. One pack ofcigarettes.", "type": "Dialogue" } ], "character": "Cop", "order": 1 } ], "actions": [ { "content": "Verbal is downstairs in the depot of the police stationpicking up his personal belongings.A FAT, WHITE-HAIRED COP is checking off the items as he takesthem out of the tray in which they are kept.", "order": 0 }, { "content": "Verbal collects his personal items and shuffles on his lameleg toward the exit.", "order": 2 } ], "character_metadata": [ { "verbosity": 86, "name": "Cop", "sentiment": 0 } ], "characters": [ "Cop" ], "story_order": 123, "heading": "INT. DEPOT", "scene_metadata": { "size": 360, "setting": "Int.", "location": "Depot", "sentiment": 0, "time": null } }, { "narrative_order": 123, "conversations": [], "actions": [ { "content": "Jack Baer stands by a fax machine. A green light comes onnext to a digital display.The display reads: RECEIVING", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 124, "heading": "INT. DISPATCHER'S OFFICE", "scene_metadata": { "size": 111, "setting": "Int.", "location": "Dispatcher'S Office", "sentiment": 0.06666666666666667, "time": null } }, { "narrative_order": 124, "conversations": [ { "dialogue": [ { "content": "You still don't know shit.", "type": "Dialogue" } ], "character": "Rab In", "order": 1 }, { "dialogue": [ { "content": "I know what I wanted to know aboutKeaton.", "type": "Dialogue" } ], "character": "Kujan", "order": 2 }, { "dialogue": [ { "content": "Which is shit.", "type": "Dialogue" } ], "character": "Rab In", "order": 3 }, { "dialogue": [ { "content": "No matter. He'll have to know how closewe came.", "type": "Dialogue" } ], "character": "Kujan", "order": 4 }, { "dialogue": [ { "content": "Keyser Sate or not, if Keaton's alivehe'll never come up again.", "type": "Dialogue" } ], "character": "Rab In", "order": 5 }, { "dialogue": [ { "content": "I'11 find him.", "type": "Dialogue" } ], "character": "Kujan", "order": 6 }, { "dialogue": [ { "content": "Waste of time.", "type": "Dialogue" } ], "character": "Rab In", "order": 7 }, { "dialogue": [ { "content": "(To himself)", "type": "Parenthetical" }, { "content": "A rumor is not a rumor that doesn't die.", "type": "Dialogue" } ], "character": "Kujan", "order": 8 }, { "dialogue": [ { "content": "What?", "type": "Dialogue" } ], "character": "Rab In", "order": 9 }, { "dialogue": [ { "content": "Nothing. Something I - forget it.", "type": "Dialogue" } ], "character": "Kujan", "order": 10 }, { "dialogue": [ { "content": "Man, you're a fucking slob.", "type": "Dialogue" } ], "character": "Kujan", "order": 12 }, { "dialogue": [ { "content": "Yeah. It's got it's own system though. Itall makes sense when you look at itright. You just have to step back from", "type": "Dialogue" } ], "character": "Rab In", "order": 14 }, { "dialogue": [ { "content": "it, you know? You should see my garage,now that's a horror show...", "type": "Dialogue" } ], "character": "Rabin", "order": 15 } ], "actions": [ { "content": "Kujan stares solemnly at the bulletin board, drinking fromRabin's coffee cup. Rabin sits at the desk, sifting throughthe mound of gapers as though considering organizing themonce and for all.", "order": 0 }, { "content": "Kujan shakes his head. He gestures to the desk.", "order": 11 }, { "content": "Rabin regards the mess of his office.", "order": 13 }, { "content": "Kujan is not listening. He has been staring at the bulletinboard, lost in thought, his unfocused eyes drifting acrossthe mess of papers, not looking at anything at all.", "order": 16 } ], "character_metadata": [ { "verbosity": 236, "name": "Rab In", "sentiment": 0.3 }, { "verbosity": 202, "name": "Kujan", "sentiment": -0.6 }, { "verbosity": 66, "name": "Rabin", "sentiment": 0 } ], "characters": [ "Rab In", "Kujan", "Rabin" ], "story_order": 125, "heading": "INT. RABIN'S OFFICE", "scene_metadata": { "size": 959, "setting": "Int.", "location": "Rabin'S Office", "sentiment": -0.125, "time": null } }, { "narrative_order": 125, "conversations": [], "actions": [ { "content": "Verbal steps out into the sunlight, putting on a pair ofcheap sunglasses. He looks up and down the crowded street.People on their way to and from lunch, no doubt.Cars choke the street in front of the police department asthey wait for pedestrians to clear the way.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 126, "heading": "EXT. STREET", "scene_metadata": { "size": 263, "setting": "Ext.", "location": "Street", "sentiment": -0.027777777777777783, "time": null } }, { "narrative_order": 126, "conversations": [], "actions": [ { "content": "A single sheet of paper comes out of the fax machine, facedown.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 127, "heading": "INT. DISPATCHER'S OFFICE", "scene_metadata": { "size": 63, "setting": "Int.", "location": "Dispatcher'S Office", "sentiment": -0.07142857142857142, "time": null } }, { "narrative_order": 128, "conversations": [], "actions": [ { "content": "Kujan is sprinting wildly down the hall for the stairs.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 128, "heading": "EXT. HALLWAY", "scene_metadata": { "size": 55, "setting": "Ext.", "location": "Hallway", "sentiment": -0.15555555555555559, "time": null } }, { "narrative_order": 129, "conversations": [], "actions": [ { "content": "Verbal looks behind him and sees ANOTHER COP standing justinside the doorway, lighting a cigarette. The cop noticesVerbal and watches him in the way that cops look at peoplethey cannot place in the category of idiot citizen, or stupidcriminal.Verbal smiles politely, meekly at the cop and walks down thesteps into the moving throng.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 129, "heading": "EXT. STREET", "scene_metadata": { "size": 332, "setting": "Ext.", "location": "Street", "sentiment": -0.45185185185185195, "time": null } }, { "narrative_order": 130, "conversations": [ { "dialogue": [ { "content": "WHERE IS HE? DID YOU SEE HIM? t", "type": "Dialogue" } ], "character": "Kujan", "order": 1 }, { "dialogue": [ { "content": "The Cripple? He went that way.", "type": "Dialogue" } ], "character": "Cop", "order": 2 } ], "actions": [ { "content": "Kujan runs up to the desk where Verbal had only momentsbefore picked up his belongings. Rabin is right behind him, alook of absolute confusion on his face.", "order": 0 }, { "content": "The cog gestures towards the door.Kujan runs outside looking around frantically.", "order": 3 } ], "character_metadata": [ { "verbosity": 59, "name": "Kujan", "sentiment": 0 }, { "verbosity": 30, "name": "Cop", "sentiment": 0 } ], "characters": [ "Kujan", "Cop" ], "story_order": 130, "heading": "INT. DEPOT", "scene_metadata": { "size": 324, "setting": "Int.", "location": "Depot", "sentiment": 0.017142857142857137, "time": null } }, { "narrative_order": 131, "conversations": [], "actions": [ { "content": "Verbal limps his way carefully across the sidewalk, avoidingpeople as best as he can.He looks over his shoulder, getting farther away from thepolice station. He can see Rabin and the cop on the steps,looking around with strange, lost expressions on their faces.He does not notice the car creeping along the curb besidehim.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 131, "heading": "EXT. SIDEWALK", "scene_metadata": { "size": 322, "setting": "Ext.", "location": "Sidewalk", "sentiment": 0.2833333333333333, "time": null } }, { "narrative_order": 132, "conversations": [], "actions": [ { "content": "The driver's hands tap the wheel patiently. His eyes followVerbal as he fumbles through the crowd.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 132, "heading": "INT. CAR", "scene_metadata": { "size": 98, "setting": "Int.", "location": "Car", "sentiment": 0, "time": null } }, { "narrative_order": 133, "conversations": [], "actions": [ { "content": "Kujan pushes and shoves, looking this way and that.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 133, "heading": "EXT. SIDEWALK", "scene_metadata": { "size": 51, "setting": "Ext.", "location": "Sidewalk", "sentiment": 0, "time": null } }, { "narrative_order": 134, "conversations": [], "actions": [ { "content": "LOW ANGLE on the feet of dozens of people.Verbal's feet emerge from the crowd on the far side. Theyhobble along the curb.SUDDENLY, the right foot seems to relax a little, the inwardangle straightens itself out in a few paces and the limpceases as though the leg has grown another inch.Verbal's hands are rummaging around in his pockets. The goodleft hand comes up with a pack of cigarettes, the bad righthand comes up with a lighter. The right hand flexes with allof the grace and coordination of a sculptor's, flicking theclasp on the antique lighter with the thumb, striking theflint with the index finger. It is a fluid motion, somewhatshowy.Verbal lights a cigarette and smiles to himself. He turns andsees the car running alongside.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 134, "heading": "EXT. STREET", "scene_metadata": { "size": 737, "setting": "Ext.", "location": "Street", "sentiment": 0.009325396825396829, "time": null } }, { "narrative_order": 135, "conversations": [], "actions": [ { "content": "Jack Beer pulls the sheet out of the fax machine and turns itover, revealing the composite sketch of Keyser SOZE.Though crude and distorted, one cannot help but notice howmuch it leaks like VERBAL KINT.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 135, "heading": "INT. DISPATCHER'S OFFICE", "scene_metadata": { "size": 202, "setting": "Int.", "location": "Dispatcher'S Office", "sentiment": -0.7, "time": null } }, { "narrative_order": 136, "conversations": [], "actions": [ { "content": "The car stops. The driver gets out.IT IS KOBAYASHI, or the man we have come to know as such. Hesmiles to Verbal. Verbal steps off of the curb, returning thesmile as he opens the passenger door and gets in.The man called Kobayashi gets in the driver's seat and pullsaway .A moment later, Agent David Kujan of U.S. Customs wandersinto the frame, looking around much in the way a child wouldwhen lost at the circus. He takes no notice of the carpulling out into traffic, blending in with the rest of thecars filled with people on their way back to work.", "order": 0 } ], "character_metadata": [], "characters": [], "story_order": 136, "heading": "EXT. STREET", "scene_metadata": { "size": 550, "setting": "Ext.", "location": "Street", "sentiment": 0.12000000000000002, "time": null } } ], "characters": [ { "name": "Baer", "betweenness_centrality": 179.49999999999997, "overall_verbosity": 2833, "overall_emotion": null, "degree_centrality": 11, "overall_sentiment": 0.17164021164021165 }, { "name": "Kujan", "betweenness_centrality": 174.36969696969695, "overall_verbosity": 10374, "overall_emotion": null, "degree_centrality": 9, "overall_sentiment": 0.027116721930551712 }, { "name": "Verbal", "betweenness_centrality": 122.13203463203462, "overall_verbosity": 12780, "overall_emotion": null, "degree_centrality": 14, "overall_sentiment": 0.08819154934701151 }, { "name": "Keaton", "betweenness_centrality": 80.43030303030302, "overall_verbosity": 5711, "overall_emotion": null, "degree_centrality": 14, "overall_sentiment": 0.05708969393179918 }, { "name": "Hockney", "betweenness_centrality": 65.00627705627707, "overall_verbosity": 2108, 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